Middlesex

Mrs. Grossinger scrambled up onstage. She made no sound now. No one did. In silence she reached Maxine and tore open her robe. In silence the mother began to give the daughter mouth-to-mouth. I froze. I let the curtains untwist and I stepped out and gawked. Suddenly a white blur filled the arch. The Obscure Object was fleeing the stage. For a second I had a crazy idea. I thought Mr. da Silva had been holding out on us. He was doing things the traditional way after all. Because the Obscure Object was wearing a mask. The mask for tragedy, her eyes like knife slashes, her mouth a boomerang of woe. With this hideous face she threw herself on me. “Oh my God!” she sobbed. “Oh my God, Callie,” and she was shaking and needing me.

Which leads me to a terrible confession. It is this. While Mrs. Grossinger tried to breathe life back into Maxine’s body, while the sun set melodramatically over a death that wasn’t in the script, I felt a wave of pure happiness surge through my body. Every nerve, every corpuscle, lit up. I had the Obscure Object in my arms.

TIRESIAS IN LOVE

“I made a doctor’s appointment for you.”

“I just went to the doctor.”

“Not with Dr. Phil. With Dr. Bauer.”

“Who’s Dr. Bauer?”

“He’s . . . a ladies’ doctor.”

There was a hot bubbling in my chest. As if my heart were eating Pop Rocks. But I played it cool, looking out at the lake.

“Who says I’m a lady?”

“Very funny.”

“I just went to the doctor, Mom.”

“That was for your physical.”

“What’s this for?”

“When girls get to be a certain age, Callie, they have to go get checked.”

“Why?”

“To make sure everything’s okay.”

“What do you mean, everything?”

“Just—everything.”

We were in the car. The second-best Cadillac. When Milton got a new car he gave Tessie his old one. The Obscure Object had invited me to spend the day at her club and my mother was taking me to her house.

It was summer now, two weeks since Maxine Grossinger had collapsed onstage. School was out. On Middlesex preparations were under way for our trip to Turkey. Determined not to let Chapter Eleven’s condemnation of tourism ruin our travel plans, Milton was making airplane reservations and haggling with car rental agencies. Every morning he scanned the newspaper, reporting the weather conditions in Istanbul. “Eighty-one degrees and sunny. How does that sound, Cal?” In response to which I generally twirled an index finger. I wasn’t keen on visiting the homeland anymore. I didn’t want to waste my summer painting a church. Greece, Asia Minor, Mount Olympus, what did they have to do with me? I’d just discovered a whole new continent only a few miles away.

In the summer of 1974 Turkey and Greece were about to be in the news again. But I didn’t pay any mind to the rising tensions. I had troubles of my own. More than that, I was in love. Secretly, shamefully, not entirely consciously, but for all that quite head-over-heels in love.

Our pretty lake was trimmed in filth. The usual June scum of fish flies. There was also a new guardrail, which gave me a somber feeling as we drove past. Maxine Grossinger wasn’t the only girl at school who had died that year. Carol Henkel, a junior, had died in a car accident. One Saturday night her drunken boyfriend, a guy named Rex Reese, had plunged his parents’ car into the lake. Rex had survived, swimming back to shore. But Carol had been trapped inside the car.

We passed Baker & Inglis, closed for vacation and succumbing to the unreality of schools during summertime. We turned up Kerby Road. The Object lived on Tonnacour, in a gray stone and clapboard house with a weather vane. Parked on the gravel was an unprepossessing Ford sedan. I felt self-conscious in the second-best Cadillac and got out quickly, wishing my mother gone.

When I rang the bell, Beulah answered. She led me to the staircase and pointed up. That was all. I climbed to the second floor. I’d never been upstairs at the Object’s house before. It was messier than ours, the carpeting not new. The ceiling hadn’t been painted in years. But the furniture was impressively old, heavy, and sent out signals of permanence and settled judgment.

I tried three rooms before I found the Object’s. Her shades were drawn. Clothes were scattered all over the shag carpeting and I had to wade through them to reach the bed. But there she was, sleeping, in a Lester Lanin T-shirt. I called her name. I jiggled her. Finally she sat up against her pillows and blinked.

“I must look like shit,” she said after a moment.

I didn’t say whether she did or not. It strengthened my position to keep her in doubt.

We had breakfast in the breakfast nook. Beulah served us without elaboration, bringing and taking plates. She wore an actual maid’s uniform, black, with white apron. Her eyeglasses hailed from her other, more stylish life. In gold script her name curled across the left lens.