Mean Streets

And so we headed into the badlands. Where the neon gets shoddier and the sins grow shabbier, though no less dangerous or disturbing. If the Nightside is where you go when no one else will have you, the badlands is where you go when even the Nightside is sick of the sight of you. The badlands, where all the furtive people end up, pursuing things even the Nightside is ashamed of… because some things are just too tacky.

The traffic thinned out more and more as we left the major thoroughfares behind, dying away to just the occasional tattooed unicorn with assorted piercings and a Prince Albert, a stretch hearse with the corpse half out of its coffin and beating helplessly against the reinforced windows, and a headless bounty hunter on horseback. The flotsam and jetsam of the Nightside, all hot in pursuit of their own private destinies and damnations. The streets grew narrower and darker, and not only because maybe half the streetlights were working. The shadows were darker and deeper, and things moved in them. More and more buildings had boarded-up windows and broken-in doors, and where lights did sometimes glow in high-up windows, strange shadows moved behind closed blinds. The neon signs remained as gaudy as ever, like poisonous flowers in a polluted swamp. A few people still walked the rain-slick streets, heads down, looking neither left nor right, drawn on by siren calls only they could hear.

Homeless people lurked in the shadows, broken men in tattered clothes. Mostly they moved in packs, because it was safer that way. There are all kinds of predators, in the badlands. And a few good people, fighting a losing battle and knowing it, but fighting on anyway, because they knew a battle is not a war. I saw Tamsin MacReady, the rogue vicar, out in her rounds, determined to do good in a bad place. She recognised Dead Boy's car, and waved cheerfully.

The night grew quieter and more thoughtful, the deeper into the badlands we went, a shining silver presence in a dark place. Working streetlights grew few and far between, and the car cruised quietly from one pool of light to another. Dead Boy tried the high beams, but even they couldn't penetrate far into the gloom, as though there was something in this new darkness that swallowed up light. The roar and clamour of the Nightside proper seemed far away now, left behind as we moved from one country to another. The few people we passed ignored us, intent on their own business. This wasn't a place to draw attention to yourself; unless, of course, you had something to sell.

A tall and willowy succubus, with dead white skin, crimson lingerie, and bloodred eyes, loped along beside the futuristic car for a while, easily matching its speed. She tapped on our polarised windows with her clawed fingertips, whispering all the awful things she would let us do. Liza shrank back from the succubus, her face sick with horror and revulsion. When the succubus realised we weren't going to stop, she increased her speed to get ahead of us and then stepped out into the middle of the road, blocking our way. Dead Boy told the car to put its foot down, and the car surged forward.

The succubus ghosted out, becoming immaterial, and the futuristic car passed right through her. A spectre, tinted rose red and lily white, the succubus drifted at her own pace through the car, ignoring Dead Boy, her inhuman gaze fixed on Liza. A succubus always has a taste for fresh meat. She reached out a ghostly hand to Liza, but I grabbed her wrist and stopped her. It was like holding the memory of an arm, cold as ice, soft as smoke. The succubus looked at me, and then gently pulled her arm free, the ghostly trace passing through my mortal flesh in an eerily intimate moment. She trailed the fingertips of one hand along my face, winked one bloodred eye, and then passed on through the car and was gone.

The badlands grew grimly silent, abandoned and forsaken, as we closed in on Rotten Row. We had left civilisation behind, for something else. Here buildings and businesses pressed tight together in long ugly tenements, as though believing there was strength, and protection, in numbers. Windows were shuttered, doors securely locked, and none of these establishments even bothered to look inviting. Either you knew what you were looking for, or you had no business being here. Enter at your own risk, leave your conscience at the door, and absolutely no refunds.

Welcome, sir. What's your pleasure?