Читаем Longarm and the Colorado gundown полностью

Two men. Two shotguns.

More noise.

Behind? No, overhead.

Wood. Splintering wood. Collapsing. Damn!

The comer post of the woodshed had been lashed and shattered by the two shotgun blasts. Longarm heard the post crack and give way under the weight of the roof it supported.

He tried to gather himself. Wanted to spring to the side one more time.

Too late.

The roof came crashing down. He had time to raise his arms. Then poles and dry sod slammed onto him. Buried him. Knocked him flat beneath hundreds of pounds of roofing material.

Dust filled his nostrils, and he could hardly breathe.

The Colt was gone, swept out of his hand by the tremendous weight of the falling roof.

He could barely draw breath, and damn sure couldn’t move.

He felt stunned. His senses were overloaded. The smell of sunbaked dirt was thick inside his nose, and the taste of it was in his mouth. His head spun from an impact that hadn’t registered when he received it, but which he could feel now throbbing at the back of his skull. Hard sapling poles and heavy, broken sod crushed down atop him. His stomach churned sourly and he thought he might throw up.

Even so, he was struggling already to free himself from the fallen roof that could easily become a tomb. Without conscious thought he pulled and twisted and tried to scramble free of the weight.

He could hear. He could still hear. He could hear a footstep. And then another. A whisper. An anguished cry.

“You son of a bitch. You’ve killed him.” There was pain in the sound of the voice. The pain of deep emotion. “He’s dead, damn you. Dead.”

If the guy who was speaking was who Longarm thought he was, and if this guy was saying what Longarm thought he was ... well, good. Longarm only wished he’d gotten the both of them.

He felt on the ground for the Colt. Wherever it was, buried in the rubble or simply lost somewhere close by, he couldn’t find it in the dark. He gave up and tried to work his hand back to his chest. He still had the derringer in his vest pocket.

He heard footsteps again. Movement. The sound of wood being thrown or kicked aside.

“Damn you, you son of a bitch.” From the sound of the voice the live one was crying over the dead one. His voice was cracked and shaking. “Damn you to hell.”

Longarm tried to reach the derringer. His arm came up short, held back by a section of wooden pole that was somehow wedged between Longarm’s chest and his right arm. He jerked and pulled and twisted, but couldn’t reach the damn derringer.

Перейти на страницу:

Похожие книги

Вне закона
Вне закона

Кто я? Что со мной произошло?Ссыльный – всплывает формулировка. За ней следующая: зовут Петр, но последнее время больше Питом звали. Торговал оружием.Нелегально? Или я убил кого? Нет, не могу припомнить за собой никаких преступлений. Но сюда, где я теперь, без криминала не попадают, это я откуда-то совершенно точно знаю. Хотя ощущение, что в памяти до хрена всякого не хватает, как цензура вымарала.Вот еще картинка пришла: суд, читают приговор, дают выбор – тюрьма или сюда. Сюда – это Land of Outlaw, Земля-Вне-Закона, Дикий Запад какой-то, позапрошлый век. А природой на Монтану похоже или на Сибирь Южную. Но как ни назови – зона, каторжный край. Сюда переправляют преступников. Чистят мозги – и вперед. Выживай как хочешь или, точнее, как сможешь.Что ж, попал так попал, и коли пошла такая игра, придется смочь…

Джон Данн Макдональд , Дональд Уэйстлейк , Овидий Горчаков , Эд Макбейн , Элизабет Биварли (Беверли)

Фантастика / Любовные романы / Приключения / Вестерн, про индейцев / Боевая фантастика
Cry of the Hawk
Cry of the Hawk

Forced to serve as a Yankee after his capture at Pea Ridge, Confederate soldier Jonah Hook returns from the war to find his Missouri farm in shambles.From Publishers WeeklySet primarily on the high plains during the 1860s, this novel has the epic sweep of the frontier built into it. Unfortunately, Johnston (the Sons of the Plains trilogy) relies too much on a facile and overfamiliar style. Add to this the overly graphic descriptions of violence, and readers will recognize a genre that seems especially popular these days: the sensational western. The novel opens in the year 1908, with a newspaper reporter Nate Deidecker seeking out Jonah Hook, an aged scout, Indian fighter and buffalo hunter. Deidecker has been writing up firsthand accounts of the Old West and intends to add Hook's to his series. Hook readily agrees, and the narrative moves from its frame to its main canvas. Alas, Hook's story is also conveyed in the third person, thus depriving the reader of the storytelling aspect which, supposedly, Deidecker is privileged to hear. The plot concerns Hook's search for his family--abducted by a marauding band of Mormons--after he serves a tour of duty as a "galvanized" Union soldier (a captured Confederate who joined the Union Army to serve on the frontier). As we follow Hook's bloody adventures, however, the kidnapping becomes almost submerged and is only partially, and all too quickly, resolved in the end. Perhaps Johnston is planning a sequel; certainly the unsatisfying conclusion seems to point in that direction. 

Терри Конрад Джонстон

Вестерн, про индейцев