Life of Pi

What could be the explanation for zoomorphism? Can’t a rhinoceros distinguish big from small, tough hide from soft fur? Isn’t it plain to a dolphin what a dolphin is like? I believe the answer lies in something I mentioned earlier, that measure of madness that moves life in strange but saving ways. The golden agouti, like the rhinoceros, was in need of companionship. The circus lions don’t care to know that their leader is a weakling human; the fiction guarantees their social well-being and staves off violent anarchy. As for the lion cubs, they would positively keel over with fright if they knew their mother was a dog, for that would mean they were motherless, the absolute worst condition imaginable for any young, warm-blooded life. I’m sure even the adult viper, as it swallowed the mouse, must have felt somewhere in its undeveloped mind a twinge of regret, a feeling that something greater was just missed, an imaginative leap away from the lonely, crude reality of a reptile.

C H A P T E R 3 3

He shows me family memorabilia. Wedding photos first. A Hindu wedding with Canada prominently on the edges. A younger him, a younger her. They went to Niagara Falls for their honeymoon. Had a lovely time. Smiles to prove it. We move back in time. Photos from his student days at UofT: with friends; in front of St. Mike’s; in his room; during Diwali on Gerrard Street; reading at St. Basil’s Church dressed in a white gown; wearing another kind of white gown in a lab of the zoology department; on graduation day. A smile every time, but his eyes tell another story.

Photos from Brazil, with plenty of three-toed sloths in situ.

With a turn of a page we jump over the Pacific—and there is next to nothing. He tells me that the camera did click regularly—on all the usual important occasions—but everything was lost. What little there is consists of what was assembled by Mamaji and mailed over after the events.

There is a photo taken at the zoo during the visit of a V.I.P. In black and white another world is revealed to me. The photo is crowded with people. A Union cabinet minister is the focus of attention. There’s a giraffe in the background. Near the edge of the group, I recognize a younger Mr. Adirubasamy.

“Mamaji?” I ask, pointing.

“Yes,” he says.

There’s a man next to the minister, with hornrimmed glasses and hair very cleanly combed. He looks like a plausible Mr. Patel, face rounder than his sons.

“Is this your father?” I ask.

He shakes his head. “I don’t know who that is.”

There’s a pause of a few seconds. He says, “It’s my father who took the picture.”

On the same page there’s another group shot, mostly of schoolchildren. He taps the photo.

“That’s Richard Parker,” he says.

I’m amazed. I look closely, trying to extract personality from appearance. Unfortunately, it’s black and white again and a little out of focus. A photo taken in better days, casually. Richard Parker is looking away. He doesn’t even realize that his picture is being taken.