Читаем Letters to His Son on the Art of Becoming a Man of the World and a Gentleman (Письма к сыну – полный вариант) полностью

DEAR BOY: Your very bad enunciation runs so much in my head, and gives me such real concern, that it will be the subject of this, and, I believe, of many more letters. I congratulate both you and myself, that, was informed of it (as I hope) in time to prevent it: and shall ever think myself, as hereafter you will, I am sure think yourself, infinitely obliged to Sir Charles Williams for informing me of it. Good God! if this ungraceful and disagreeable manner of speaking had, either by your negligence or mine, become habitual to you, as in a couple of years more it would have been, what a figure would you have made in company, or in a public assembly? Who would have liked you in the one or attended you; in the other? Read what Cicero and Quintilian say of enunciation, and see what a stress they lay upon the gracefulness of it; nay, Cicero goes further, and even maintains, that a good figure is necessary for an orator; and particularly that he must not be vastus, that is, overgrown and clumsy. He shows by it that he knew mankind well, and knew the powers of an agreeable figure and a graceful, manner. Men, as well as women, are much oftener led by their hearts than by their understandings. The way to the heart is through the senses; please their eyes and their ears and the work is half done. I have frequently known a man's fortune decided for ever by his first address. If it is pleasing, people are hurried involuntarily into a persuasion that he has a merit, which possibly he has not; as, on the other hand, if it is ungraceful, they are immediately prejudiced against him, and unwilling to allow him the merit which it may be he has. Nor is this sentiment so unjust and unreasonable as at first it may seem; for if a man has parts, he must know of what infinite consequence it is to him to have a graceful manner of speaking, and a genteel and pleasing address; he will cultivate and improve them to the utmost. Your figure is a good one; you have no natural defect in the organs of speech; your address may be engaging, and your manner of speaking graceful, if you will; so that if you are not so, neither I nor the world can ascribe it to anything but your want of parts. What is the constant and just observation as to all actors upon the stage? Is it not, that those who have the best sense, always speak the best, though they may happen not to have the best voices? They will speak plainly, distinctly, and with the proper emphasis, be their voices ever so bad. Had Roscius spoken QUICK, THICK, and UNGRACEFULLY, I will answer for it, that Cicero would not have thought him worth the oration which he made in his favor. Words were given us to communicate our ideas by: and there must be something inconceivably absurd in uttering them in such a manner as that either people cannot understand them, or will not desire to understand them. I tell you, truly and sincerely, that I shall judge of your parts by your speaking gracefully or ungracefully. If you have parts, you will never be at rest till you have brought yourself to a habit of speaking most gracefully; for I aver, that it is in your power -You will desire Mr. Harte, that you may read aloud to him every day; and that he will interrupt and correct you every time that you read too fast, do not observe the proper stops, or lay a wrong emphasis. You will take care to open your teeth when you speak; to articulate every word distinctly; and to beg of Mr. Harte, Mr. Eliot, or whomsoever you speak to, to remind and stop you, if you ever fall into the rapid and unintelligible mutter. You will even read aloud to yourself, and time your utterance to your own ear; and read at first much slower than you need to do, in order to correct yourself of that shameful trick of speaking faster than you ought. In short, if you think right, you will make it your business; your study, and your pleasure to speak well. Therefore, what I have said in this, and in my last, is more than sufficient, if you have sense; and ten times more would not be sufficient, if you have not; so here I rest it.

Перейти на страницу:

Похожие книги

Сочинения
Сочинения

Иммануил Кант – самый влиятельный философ Европы, создатель грандиозной метафизической системы, основоположник немецкой классической философии.Книга содержит три фундаментальные работы Канта, затрагивающие философскую, эстетическую и нравственную проблематику.В «Критике способности суждения» Кант разрабатывает вопросы, посвященные сущности искусства, исследует темы прекрасного и возвышенного, изучает феномен творческой деятельности.«Критика чистого разума» является основополагающей работой Канта, ставшей поворотным событием в истории философской мысли.Труд «Основы метафизики нравственности» включает исследование, посвященное основным вопросам этики.Знакомство с наследием Канта является общеобязательным для людей, осваивающих гуманитарные, обществоведческие и технические специальности.

Иммануил Кант

Философия / Проза / Классическая проза ХIX века / Русская классическая проза / Прочая справочная литература / Образование и наука / Словари и Энциклопедии
1. Объективная диалектика.
1. Объективная диалектика.

МатериалистическаяДИАЛЕКТИКАв пяти томахПод общей редакцией Ф. В. Константинова, В. Г. МараховаЧлены редколлегии:Ф. Ф. Вяккерев, В. Г. Иванов, М. Я. Корнеев, В. П. Петленко, Н. В. Пилипенко, Д. И. Попов, В. П. Рожин, А. А. Федосеев, Б. А. Чагин, В. В. ШелягОбъективная диалектикатом 1Ответственный редактор тома Ф. Ф. ВяккеревРедакторы введения и первой части В. П. Бранский, В. В. ИльинРедакторы второй части Ф. Ф. Вяккерев, Б. В. АхлибининскийМОСКВА «МЫСЛЬ» 1981РЕДАКЦИИ ФИЛОСОФСКОЙ ЛИТЕРАТУРЫКнига написана авторским коллективом:предисловие — Ф. В. Константиновым, В. Г. Мараховым; введение: § 1, 3, 5 — В. П. Бранским; § 2 — В. П. Бранским, В. В. Ильиным, А. С. Карминым; § 4 — В. П. Бранским, В. В. Ильиным, А. С. Карминым; § 6 — В. П. Бранским, Г. М. Елфимовым; глава I: § 1 — В. В. Ильиным; § 2 — А. С. Карминым, В. И. Свидерским; глава II — В. П. Бранским; г л а в а III: § 1 — В. В. Ильиным; § 2 — С. Ш. Авалиани, Б. Т. Алексеевым, А. М. Мостепаненко, В. И. Свидерским; глава IV: § 1 — В. В. Ильиным, И. 3. Налетовым; § 2 — В. В. Ильиным; § 3 — В. П. Бранским, В. В. Ильиным; § 4 — В. П. Бранским, В. В. Ильиным, Л. П. Шарыпиным; глава V: § 1 — Б. В. Ахлибининским, Ф. Ф. Вяккеревым; § 2 — А. С. Мамзиным, В. П. Рожиным; § 3 — Э. И. Колчинским; глава VI: § 1, 2, 4 — Б. В. Ахлибининским; § 3 — А. А. Корольковым; глава VII: § 1 — Ф. Ф. Вяккеревым; § 2 — Ф. Ф. Вяккеревым; В. Г. Мараховым; § 3 — Ф. Ф. Вяккеревым, Л. Н. Ляховой, В. А. Кайдаловым; глава VIII: § 1 — Ю. А. Хариным; § 2, 3, 4 — Р. В. Жердевым, А. М. Миклиным.

Александр Аркадьевич Корольков , Арнольд Михайлович Миклин , Виктор Васильевич Ильин , Фёдор Фёдорович Вяккерев , Юрий Андреевич Харин

Философия