Lethal White (A Cormoran Strike Novel)

Copyright

The characters and events in this book are fictitious. Any similarity to real persons, living or dead, is coincidental and not intended by the author.

Copyright © 2018 by J.K. Rowling

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First ebook edition: September 2018

Published simultaneously in Britain by Sphere: September 2018

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ISBN 978-0-316-42274-1

E3-20180816-JV-PC

Contents

Cover

Title Page

Copyright

Dedication

Prologue

One Year Later

Chapter 1

Chapter 2

Chapter 3

Chapter 4

Chapter 5

Chapter 6

Chapter 7

Chapter 8

Chapter 9

Chapter 10

Chapter 11

Chapter 12

Chapter 13

Chapter 14

Chapter 15

Chapter 16

Chapter 17

Chapter 18

Chapter 19

Chapter 20

Chapter 21

Chapter 22

Chapter 23

Chapter 24

Chapter 25

Chapter 26

Chapter 27

Chapter 28

Chapter 29

Chapter 30

Chapter 31

Chapter 32

Chapter 33

Chapter 34

Chapter 35

Part Two

Chapter 36

Chapter 37

Chapter 38

Chapter 39

Chapter 40

Chapter 41

Chapter 42

Chapter 43

Chapter 44

Chapter 45

Chapter 46

Chapter 47

Chapter 48

Chapter 49

Chapter 50

Chapter 51

Chapter 52

Chapter 53

Chapter 54

Chapter 55

Chapter 56

Chapter 57

Chapter 58

Chapter 59

Chapter 60

Chapter 61

Chapter 62

Chapter 63

Chapter 64

Chapter 65

Chapter 66

Chapter 67

Chapter 68

Chapter 69

One Month Later

Epilogue

Acknowledgments

About the Author

Also by Robert Galbraith

Praise for Robert Galbraith

Credits

Newsletters

To Di and Roger,

and in memory

of the lovely white Spike

PROLOGUE

Happiness, dear Rebecca, means first and foremost the calm, joyous sense of innocence.

Henrik Ibsen, Rosmersholm

If only the swans would swim side by side on the dark green lake, this picture might turn out to be the crowning achievement of the wedding photographer’s career.

He was loath to change the couple’s position, because the soft light beneath the canopy of trees was turning the bride, with her loose red-gold curls, into a pre-Raphaelite angel and emphasizing the chiseled cheekbones of her husband. He couldn’t remember when he had last been commissioned to photograph so handsome a couple. There was no need for tactful tricks with the new Mr. and Mrs. Matthew Cunliffe, no need to angle the lady so that rolls of back fat were hidden (she was, if anything, fractionally too slender, but that would photograph well), no need to suggest the groom “try one with your mouth closed,” because Mr. Cunliffe’s teeth were straight and white. The only thing that needed concealing, and it could be retouched out of the final pictures, was the ugly scar running down the bride’s forearm: purple and livid, with the puncture marks of stitches still visible.

She had been wearing a rubber and stockinette brace when the photographer arrived at her parents’ house that morning. It had given him quite a start when she had removed it for the photographs. He had even wondered whether she had made a botched attempt to kill herself before the wedding, because he had seen it all. You did, after twenty years in the game.

“I was assaulted,” Mrs. Cunliffe—or Robin Ellacott, as she had been two hours ago—had said. The photographer was a squeamish man. He had fought off the mental image of steel slicing into that soft, pale flesh. Thankfully, the ugly mark was now hidden in the shadow cast by Mrs. Cunliffe’s bouquet of creamy roses.

The swans, the damned swans. If both would clear out of the background it wouldn’t matter, but one of them was repeatedly diving, its fluffy pyramid of a backside jutting out of the middle of the lake like a feathered iceberg, its contortions ruffling the surface of the water so that its digital removal would be far more complicated than young Mr. Cunliffe, who had already suggested this remedy, realized. The swan’s mate, meanwhile, continued to lurk over by the bank: graceful, serene and determinedly out of shot.

“Have you got it?” asked the bride, her impatience palpable.