“Over there,” he snaps. “Wipe some of that filth off your face. And if you touch me again, I’ll fill you with bullets.”
I release him and nearly fall to my knees. Then I turn and stagger toward the restroom. My leather boots squeak against the floor tiles. I can feel the soldiers’ eyes on me as I enter the bathroom and lock the door.
No matter. They’ll forget about me in a couple of minutes. And it’ll take several more minutes before the soldier I’d grabbed realizes that his ID tag is missing.
Once in the bathroom, I abandon my sick routine. I splash water on my face and scrub until most of the pig’s blood and mud have come off. I unzip my boots and tear open the inner soles to reveal my knives, then tuck them into my belt. My boots go back on my feet. Then I untie the black collared shirt from around my waist and put it on, buttoning it up all the way to my neck and clipping my suspenders over it. I pull my hair back into a tight ponytail and tuck the tail into the shirt so it’s pressed flat against my back.
Finally, I pull my gloves on and tie a black handkerchief around my mouth and nose. If someone catches me now, I’ll be forced to run anyway. Might as well hide my face.
When I finish, I use the tip of one of my knives to unscrew the cover to the bathroom’s ventilation shaft. Then I take out the soldier’s ID tag, clip it to my pendant necklace, and stuff myself headfirst into the shaft’s tunnel.
The air in the shaft smells strange, and I’m grateful for the handkerchief around my face. I inch along as fast as I can. The shaft can’t be more than two feet wide in any direction. Each time I pull myself forward, I have to close my eyes and remind myself to breathe, that the metal walls around me are not closing in. I don’t have to go far—none of these shafts will lead to the third floor. I only need to get far enough to pop out into one of the hospital’s stairwells, away from the soldiers on the first floor. I press forward. I think of Eden’s face, of the medicine he and John and my mother will need, and of the strange red
After several minutes, the shaft dead-ends. I look through the vent, and in the slivers of light I can see pieces of a curved stairwell. The floor is an immaculate white, almost beautiful, and—most important—empty. I count to three in my head, then bring my arms as far back as I can and give the shaft cover a mighty shove. The cover flies off. I get one good glimpse of the stairwell, a large, cylindrical chamber with tall plaster walls and tiny windows. One enormous, spiraling set of stairs.
Now I’m moving with all speed and no stealth.
I’m in a huge room filled with rows of gurneys and chemicals boiling under metal hoods. Doctors and soldiers look up at me with startled faces.
I grab the first person I see—a young doctor standing close to the door. Before any of the soldiers can point a gun in our direction, I whip out one of my knives and hold it close to the man’s throat. The other doctors and nurses freeze. Several of them scream.
“Shoot, and you’ll hit him instead,” I call out to the soldiers from beneath my handkerchief. Their guns are focused on me now. The doctor trembles in my grasp.
I press my knife harder against his neck, careful not to cut him. “I won’t hurt you,” I whisper in his ear. “Tell me where to get the plague cures.”
He lets out a strangled whimper, and I can feel him sweating under my grip. He gestures toward the refrigerators. The soldiers are still hesitating—but one of them calls out to me.
“Release the doctor!” he shouts. “Put your hands up.”
I want to laugh. The soldier must be a new recruit. I cross the room with the doctor, then stop at the refrigerators. “Show me.” The doctor lifts a trembling hand and pulls the fridge door open. A gust of freezing air hits us. I wonder if the doctor can feel how fast my heart is beating.
“There,” he whispers. I turn away from the soldiers long enough to see the doctor pointing at the top shelf in the fridge. Half of the vials on the shelf are labeled with the three-lined