Thomas looks toward the tower and tries to see what I see—the broken third-floor stairwell window, the taped-off section right below it, the soldiers searching alleyways, the lack of ambulances. “We haven’t caught the guy,” he admits after a moment. The rifle grease on his forehead gives him a bewildered look. “But that doesn’t mean we won’t find his body later.”
“You won’t find it if you haven’t found it yet.”
Thomas opens his mouth to say something, then decides against it and goes back to concentrating on the road. When the jeep finally rolls to a stop, Commander Jameson breaks away from the group of guards she’s standing with and marches over to my car door.
“I’m sorry,” Thomas says abruptly to me. I feel a brief pang of guilt for my coldness and decide to nod back at him. His father had been a janitor for our apartment high-rise before he died, his late mother a cook at my grade school. Metias had been the one to recommend Thomas (who had a high Trial score) to be assigned to the prestigious city patrols, despite his humble background. So he must feel just as numb as I do.
Commander Jameson walks up to my car door and raps twice on the window to get my attention. Her thin lips are painted an angry stroke of red, and in the night her auburn hair looks dark brown—almost black.
“Move it, Iparis. Time is of the essence.” Her eyes flicker to Ollie in the backseat. “That’s not a police dog, kid.” Even now, her demeanor is unflinching.
I step out of the jeep and give her a quick salute. Ollie jumps down next to me. “You called for me, Commander,” I say.
Commander Jameson doesn’t bother to return my gesture. She starts walking away, and I’m forced to hurry along beside her, struggling to fall into step. “Your brother, Metias, is dead,” she says. Her tone doesn’t change. “I’m of the understanding that you are almost done with your training as an agent, correct? That you’ve already finished your courses on tracking?”
I fight hard to breathe. A second confirmation of Metias’s death. “Yes, Commander,” I manage to say.
We head into the hospital. (Waiting room is empty; they’ve cleared out all patients; guards are clustered near the stairwell entrance; that’s probably where the crime scene starts.) Commander Jameson keeps her eyes forward and her hands behind her back. “What was your Trial score?”
“Fifteen hundred, Commander.” Everyone in the military knows my score. But Commander Jameson likes to pretend not to know or care.
She doesn’t stop walking. “Ah, that’s right,” she says, as if it is the first time she’s heard it. “Maybe you’ll be of use after all. I’ve called ahead to Drake and told them that you are dismissed from further training. You were almost done with your coursework anyway.”
I frown. “Commander?”
“I received a full history of your grades there. Perfect scores—you’ve already finished most of your courses in half the number of years, yes? They also say you’re quite a troublemaker. Is this true?”
I can’t understand what she wants from me. “Sometimes, Commander. Am I in trouble? Did they expel me?”
Commander Jameson smiles. “Hardly. They’ve graduated you early. Follow me—there’s something I want you to see.”
I want to ask about Metias, about what happened here. But her icy demeanor stops me.
We walk down a first-floor hall until we reach an emergency exit door at the very end of it. There, Commander Jameson waves away the soldiers guarding it and ushers me through. A low growl rumbles in Ollie’s throat. We step out into open air, this time at the back of the building. I realize that we are now inside the yellow tape. Dozens of soldiers stand in clusters around us.
“Hurry up,” Commander Jameson snaps at me. I quicken my pace.
A moment later, I realize what she wants to show me and where we are walking. Not far ahead is an object covered in a white sheet. (Six feet long, human; feet and limbs look intact under the cloth; definitely didn’t fall naturally like that, so someone had to lay him out.) I start to tremble. When I look down at Ollie, I see that the fur on his back is standing up. I call to him several times, but he refuses to walk any closer, so I’m forced to follow Commander Jameson and leave him behind.
Commander Jameson halts in front of the white sheet, then bends down and throws it aside. I stare down at the dead body of a soldier clad in military black, a knife still protruding from his chest. Dark blood stains his shirt, his shoulder, his hands, the grooves of the knife hilt. His eyes are closed now. I kneel before him and smooth strands of his dark hair away from his face. It’s odd. I don’t take in any details of the scene. I still feel nothing but that deep numbness.