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She pocketed the key and blew him a kiss and then started walking back toward the white Dodge.

Walk upstairs, Mike, she thought as the soles of her shoes knocked slowly along the sunny sidewalk and her purse swung at her side. Don't spook this guy by hanging around and watching.

She didn't look back, but apparently Mike had not done anything to alarm Funo. When she walked up to his car, he reached across and unlocked the passenger-side door.

She opened it and sat down on the seat, leaving the door open.

Funo was smiling at her, but he looked pale and exhausted. His white shirt and tan slacks looked new, though, and his laced-up white Reeboks shone, she thought, like the bellies of albino lobsters.

"My mystery man," Diana said.

"Hey, Diana," he said earnestly, "I'm sorry we got off on the wrong foot the other night. I didn't realize you were worried about your children."

She forced her shy smile to stay in place—but how could this man say that to her? After shooting one of her children?

"The doctors say the boy is going to be fine," she said, wondering if Funo might have called the hospital and found out that that was not true. She thought it probably wouldn't matter; she sensed that this was some kind of tea party charade, in which statements were only expected to be pleasant.

"Hey, that's great," he said. He snapped his fingers. "I've got something for you."

She tensed, ready to snatch the steak knife out of her purse, but what he pulled out from under the seat was a long black jewelry box.

When she opened it and saw the gold chain on the red velvet inside, she knew enough to show only pleasure, not astonishment.

"It's beautiful," she said, making her voice soft and breathy. "You shouldn't have—my God, I don't even know your name."

"Al Funo. I've got a present for Scott, too. Will you tell him?"

I'll tell him when I meet him in hell one day, she thought. "Of course. I know he'll want to thank you."

"I already gave him a gold Dunhill lighter," Funo said.

She nodded, yearning for the normal daytime street outside the car windows and wondering how long she could continue to do this fantasy dialogue correctly. "I'm sure he's grateful to have such a generous friend," she ventured.

"Oh," said Funo off-handedly, "I do what I can. My Porsche's in the shop; this is a loaner."

"Ah." She nodded. "Can we take you out to dinner some time?"

"That'd be fun," he said seriously.

"Do you—is there a number we can reach you at?"

He grinned and winked at her. "I'll find you."

The audience seemed to be over. "Okay," she said cautiously, shifting her weight onto her right foot, which was on the curb. "We'll wait to hear from you."

He started the car. "Rightie-o."

She ducked out of the car and stood up on the curb. He reached across and pulled the door shut, and then he was driving away.

Diana made herself walk slowly back toward the Nissan truck until the Dodge turned right at the corner; then she ran to it.

Traffic was light on Bonanza Road this morning, and she had to keep the truck well behind the Dodge in order to let other cars get between them; twice she feared she had lost him, but then well ahead of her she saw the Dodge turn right into a Marie Callender's parking lot. She drove on past, then looped back, taking her time, and drove into the lot herself.

The Dodge was parked, empty, in front of a windowless section of the restaurant.

Perfect.

She paused only long enough to memorize the license number, and then drove out of the lot again and sped back toward Mike's apartment.

Mike was pacing in the kitchen when she opened the apartment door. "Well," he said impatiently, "where did he go?"

"I don't know, he drove away down Bonanza. Listen, I got his license number, 'cause when I talked to him, he asked if you were Hans's friend Mike, and he knows you're a dealer. I guess Hans must have told him."

"Hans told him that? Hans is lucky he's dead." Diana thought Mike looked both angry and ready to cry. "I don't need this kind of bullshit!"

Diana crossed to where he stood and patted his spray-stiffened blond hair. "He doesn't know your last name," she told him, "and he doesn't know which apartment is yours."

"Still, I should tell my—the guy I—oh, hell, he'd make me move out of here."

"You've got to be getting to work." She smiled at him. "Tonight I'll see if I can't … distract you from your worries."

Mike brightened at that. "You're on," he said. "Gimme my key."

She handed it over, and after he had left and she heard his truck start up and drive away, she went to the telephone and called for a cab.

Then she hurried into the bedroom, looped a wire coat hanger around her wrist, and hauled out the briefcase. The bundles of cash she stuffed into her purse, and the Baggie of cocaine she emptied into the toilet, which she patiently flushed three times.

The toilet tank was hissingly refilling when she carried the empty briefcase out onto the walkway and locked the door behind her.

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