Ozzie said, "Give me a minute." She heard the old man put the phone down, and then faintly she heard water running. After a while he came back on. "I wish you
"Well, there was a thought, right at the end, after I asked her if there was a way for me to reach her. It was an idea, something like 'relic,' or 'link.' Something from when I was with her, back thirty years ago. I've been thinking about this most of the night; and I think if I could get some
"God, I don't know how you'd do that. I suppose if you could find out where she came from or something—"
"Oz, that old baby blanket you brought me home in, when you and Scott came out here in 1960—was that something you had brought with you in the car, or did you find me in it?"
"Yes!" said the old man excitedly. "Yes, you were wrapped up in it, when I found you there behind the bushes! Do you still have it?"
"Well, not on me. But I think I know where it is at home. I'm going to send Oliver to your room. If I don't get killed getting the blanket this morning, I'll have you paged in the—the lobby of the Riviera, that's right across the street, at ten this morning. If I ask for Oliver Crane, you'll know I'm all right; if it's for Ozzie Smith, you'll know they've got me, and I'll want you to take my boy Oliver to the house of a friend of mine in Searchlight. Her name's Helen Sully, she's in the book, I used to work with her. Helen Sully, write it down, okay? She'll be happy to put him up; she's got a lot of kids of her own." Despite her resolve to be cool and businesslike about all this, there were tears on her cheeks and her voice quavered when she went on. "Have Scott do everything he can to protect Scat, even die; it's his fault my boy got shot."
Oliver had sat up in bed, but his expression was one of languid impatience. "I don't want to go somewhere with the old man," he began, but his mother silenced him with a wave.
"No, Diana," Ozzie was saying, his voice shaky, "I'll go, they won't care about me—"
"You wouldn't know where to look for it, Ozzie; it might not be exactly where I think it is. I'll be quick—no, listen to me, I'll pad myself out to look fat and wear a wig or something, and I'll go in a cab, so if somebody's watching the place, they won't be sure it's me"—she was talking loudly over the old man's shrill protests—"and then I'll leave by the back door and hop the fence and walk out on Sun Avenue, catch another cab on Civic Center."
"I'll tear the house up until I find it, Diana," Ozzie shouted, "I—"
"They're after you, too, Oz," she said. "If they're there, they wouldn't give you the time to find it. Ten o'clock, lobby of the Riviera. 'Ozzie Smith' means run for it."
She hung up in the middle of the old man's pleadings.
Ozzie had hung up, too, and immediately punched in 911. As soon as a woman had answered, he had begun talking fast, trying to find the words and delivery that would get police to Diana's house most quickly.
Sitting on the hotel bed now but leaning forward over the telephone cradle, Ozzie held the handset tightly in his lean, brown-spotted hand.
"My name's Oliver Crane," he was saying shrilly, "and her name is Diana, uh, Ryan. I
Ozzie hung up the phone, and he had barely had time to put on his pants and a shirt before there was a knock at his hotel room door.
He hobbled across the room and let the fat little boy in.
"Where's your mother?" Ozzie snapped, stepping out onto the hall carpet to peer up and down the corridor.
Oliver shrugged. "She's gone. She held the elevator until she saw your door open. She'll be in a taxi before you can get your shoes on." He walked to the window and pulled open the drapes.