Курс на худшее: Абсурд как категория текста у Д.Хармса и С.Беккета

ЖАККАР Ж.-Ф. Даниил Хармс и конец русского авангарда. СПб., 1995.

КОБРИНСКИЙ А.А. Поэтика «ОБЭРИУ» в контексте русского литературного авангарда (Ученые записки Московского культурологического лицея. 1999. № 4).

САЖИН В.Н. (ред.) Хармсиздат представляет. Сборник материалов. СПб., 1995.

Театр. 1991. № 11.

ЯМПОЛЬСКИЙ М. Беспамятство как исток (Читая Хармса). М., 1998.

CORNWELL N. (ed.) Daniil Kharms and the Poetics of the Absurd: Essays and Materials. London: The Macmillan press, 1991.

M"ULLER B. Absurde Literatur in Russland: Entstehung und Entwicklung. M"unchen: Otto Sagner, 1978 (Arbeiten und Texte zur Slawistik, 5).

STONE-NAKHIMOVSKY A. Laughter in the Void. An Introduction to the Writings of Daniil Kharms and Aleksander Vvedenskii (Wiener slawistischer Almanach. Bd. 5. 1982).

II. Работы, посвященные Сэмюэлю Беккету

ABBOTT Н.Р. The Fiction of Samuel Beckett: Form and Effect. Berkeley: University of California press, 1973.

ABBOTT H.P. Beckett Writing Beckett: The Author in the Autograph. Ithaca & London: Cornell University press, 1996.

ACHESON J., ARTHUR K. Beckett’s Later Fiction and Drama: Texts for Company. Basingstoke & London: Macmillan press, 1987.

ADMUSSEN R. The Samuel Beckett Manuscripts: A Study. Boston: K.G. Hall, 1979.

ALBRIGHT D. Representation and the Imagination: Beckett, Kafka, Nabokov and Schoenberg. Chicago, London: University of Chicago press, 1981.

ALVAREZ A. Beckett. London: Woburn press, 1974.

ANZIEU D. Beckett et le psychanalyste. Paris: Mentha, Archimbaud, 1992.

As No Other Dare Fail: for Samuel Beckett on His 80 ^thBirthday by His Friends and Admirers. London: J. Calder, 1986.

ASTRO AL. Understanding Samuel Beckett. Columbia: University of South Carolina press, 1990.

AXELROD M.R. The Politics of Style in the Fiction of Balzac, Beckett and Cortazar. Basington (G.B.): Macmillan, 1992.

BADIOU A. Beckett: l’increvable d'esir. Paris: Hachette, 1995.

BADIOU A. Samuel Beckett: l’'ecriture du g'en'erique et l’amour. Paris: Le Perroquet, 1989.

BAIR D. Samuel Beckett: A Biography, New York: Harcourt, Brace, Jovanovich, 1978. Trad, fr.: Paris: Fayard, 1979.

BARNARD G.C. Samuel Beckett: A New Approach: A Study of His Novels and Plays. London: J. M. Dent & Son, 1970.

BEGAM R. Samuel Beckett and the End of Modernity. Stanford: Stanford University press, 1996.

BEN-ZVI L. Samuel Beckett. Boston: Twayne, 1986.

BEN-ZVI L. (ed.) Women in Beckett: Performance and Critical Perspectives. Urbana & Chicago: Illinois University press, 1990.

BERNAL O. Langage et fiction dans le roman de Beckett. Paris: Gallimard, 1969.

BERNHARD M. Samuel Beckett et son sujet: une apparition 'evanouissante. Paris: l’Harmattan, 1996.

BISHOP Т., FEDERMAN R. (ed.) Cahiers de L’Herne. «Samuel Beckett». № 31. 1976.

BRATER E. (ed.) Beckett at 80: Beckett in Context. New York & Oxford: Oxford University press, 1986.

BRATER E. Beyond Minimalism: Beckett’s Late Style in the Theater. New York & Oxford: Oxford University press, 1987.

BRATER E. Why Beckett? London: Thames & Hudson, 1989.

BROWN Т., GRENE N. (ed.) Beckett at 80: A Trinity Tribute, Dublin, University press of Dublin, 1986.

BRYDEN M. Women in Samuel Beckett’s Prose and Drama: Her Own Other. Basingstoke & London, Macmillan, 1993.

BURKMAN K.H. (ed.) Myth and Rituals in the Plays of Samuel Beckett. London & Toronto: Associated University presses, 1987.

BUSI F. The Transformations of Godot. Lexington: The University press of Kentucky, 1979.

BUTLER St. J. L. Samuel Beckett and the Meaning of Being: A Study in Ontological Parable. London: Macmillan, 1984.

B"UTTNER G. Samuel Beckett’s Novel «Watt». Philadelphia: University of Pennsylvania press, 1984.

CALDER J. (ed.) Beckett at Sixty: A Festschrift. London: Calder `a Boyars, 1967.

CALDER J. (ed.) The Journal of Samuel Beckett Studies. University of Reading. 1976.

CASANOVA P. Beckett l’abstracteur: anatomie d’une r'evolution litt'erature. Paris: Seuil, 1997.

CAREY Ph., JEWINSKI E. (ed.) Re-Joyce’n Beckett. New York: Fordham University press, 1992.

CHABERT P. (ed.) Revue d’esth'etique. «Beckett». No hors s'erie. Toulouse: Privat, 1986.

CHEVIGNEY B. G. (ed.) Twentieth Century Interpretations of «Endgame». Englewood Cliffs, N.J.: Prentice Hall, 1969.

CL'EMENT B. L’oeuvre sans qualit'es: Rh'etorique de Samuel Beckett. Paris: Seuil, 1994.

COE R. Beckett. Edinburgh & London: Oliver & Boyd, 1964.

COHN R. Back to Beckett. Princeton, N. J.: Princeton University press, 1973.

COHN R. (ed.) Casebook on «Waiting for Godot». New York: Grove press, 1967.

COHN R. (ed.) Just Play: Beckett’s Theater. Princeton, N.J.: Princeton University press, 1980.

COHN R. (ed.) Samuel Beckett: A Collection of Criticism. New York: McGraw Hill, 1962.

COHN R. Samuel Beckett: The Comic Gamut. New Brunswick, N.J.: Rutgers University press, 1962.

COHN R. (ed.) Modern Drama. Special Issue «Samuel Beckett». December 1966.

COHN R. (ed.) Perspective. Special Issue «Samuel Beckett» № 11. 1959.

CONNOR ST. Samuel Beckett: Repetition, Theory and Text. Oxford: Blackwell, 1988.