While Plantation remained safely fringed by Everglades and swamp, providing the perfect environment for an idyllic boyhood, Broward County's population of 84,000 had almost quadrupled by 1960. By 1960 as well, almost one-third of the state's entire population was concentrated in southeast Florida, which had grown in that same decade by over 113 percent.
In the years since, Florida has absorbed into its population approximately 300,000 people a year, for a relative growth rate almost triple that of the rest of the country. To accommodate the 700-1,000 new residents arriving daily, a minimum of 300 acres of green space must be paved, also daily, for subdivisions, streets, schools, and shopping malls. Added to that has been the considerable development required to house and entertain tourists, 41 million of them in 1990, the year before Native Tongue, Hiaasen's satirical novel about theme parks, was published.
During the same years that 75 percent of all currently existing developments were being built, at least five animal species disappeared completely, and a significant number of others were greatly reduced as their habitats either vanished or were poisoned by agricultural runoff or toxins like mercury. Today, the Everglades is half its original size, Florida Bay is endangered, and Broward County (with a population of 1.5 million and recently ranked ninth in the nation for destroyed wetlands and forests) has drawn Plantation into its geographical center. The dirt bike-path Hiaasen and his friends rode into the swamp, where they camped and caught water moccasins, is now University Drive, nine shopping malls lining the same route they once took.
These are the sources of Carl Hiaasen's outrage and satire, the losses beginning even in childhood, when he and his friends would pull up or relocate surveyor's stakes, feeling that such small, futile acts were nevertheless their moral duty. "We were kids," he says. "We didn't know what else to do. We were little and the bulldozers were big." Their memorable roar Hiaasen often compares to "the sound of money," because greed, he says, is "the engine that has run Florida ever since there was a Florida."
Greed and its accompanying corruption, in fact, occupy one side of Hiaasen's clearly articulated system of right and wrong, while unspoiled wilderness lies on the other. The two are separated by what Skink, in Double Whammy, perceives to be "the moral seam of the universe" as he gazes at the dike separating a contaminated development from pristine swampland. Against this backdrop, events play out in Hiaasen's novels and columns, the moral landscape making almost tangible certain basic and universal values: we should be loyal to our friends, behave with civility and decency, earn our paychecks honestly, experience shame if we steal, preserve the world for our children, and never surrender—either our belief in these values, or to anyone who would violate them for personal gain. As Hiaasen says, "You try to be a good citizen wherever you live. Plant mangroves and don't piss in the water."
Hiaasen traces his strong sense of right and wrong back to the losses of the 1960s—the "complete end of innocence" caused by the Kennedy assassinations, two tragic events creating the historical circumstances that placed Richard Nixon in the White House, accelerated the war in Vietnam, and ultimately led to Watergate. "It was a poisonous time to be coming of age," Hiaasen says. "It seemed to me there was so much wrong in the world. I felt such outrage for so many years over those things happening that it wasn't a hard thing to carry into journalism."