Jerusalem: The Biography

No other place evokes such a desire for exclusive possession. Yet this jealous zeal is ironic since most of Jerusalem’s shrines, and the stories that go with them, have been borrowed or stolen, belonging formerly to another religion. The city’s past is often imaginary. Virtually every stone once stood in the long-forgotten temple of another faith, the victory arch of another empire. Most, but not all, conquests have been accompanied by the instinct to expunge the taint of other faiths while commandeering their traditions, stories, sites. There has been much destruction, but more often the conquerors have not destroyed what came before but reused and added to it. The important sites such as the Temple Mount, the Citadel, the City of David, Mount Zion and the Church of the Holy Sepulchre do not present distinct layers of history but are more like palimpsests, works of embroidery in which the silk threads are so interwoven it is now impossible to separate them.

The competition to possess the infectious holiness of others has led some shrines to become holy to all three of the religions successively then simultaneously; kings have decreed and men died for them – and yet they are now almost forgotten: Mount Zion has been the site of frenzied Jewish, Muslim and Christian reverence but now there are few Muslim or Jewish pilgrims, and it is mainly Christian again.

In Jerusalem, the truth is often much less important than the myth. ‘In Jerusalem, don’t ask me the history of facts,’ says the eminent Palestinian historian Dr Nazmi al-Jubeh. ‘Take away the fiction and there’s nothing left.’ History is so pungently powerful here that it is repeatedly distorted: archaeology is itself a historical force and archaeologists have at times wielded as much power as soldiers, recruited to appropriate the past for the present. A discipline that aims to be objective and scientific can be used to rationalize religious-ethnic prejudice and justify imperial ambitions. Israelis, Palestinians and the evangelical imperialists of the nineteenth century have all been guilty of commandeering the same events and assigning them contradictory meanings and facts. So a history of Jerusalem has to be a history of both truth and legend. But there are facts and this book aims to tell them, however unpalatable to one side or the other.

My aim here is to write the history of Jerusalem in its broadest sense for general readers, whether they are atheists or believers, Christians, Muslims or Jews, without a political agenda, even in today’s strife.

I tell the story chronologically, through the lives of the men and women – soldiers and prophets, poets and kings, peasants and musicians – and the families who made Jerusalem. I think this is the best way to bring the city to life and to show how its complex and unexpected truths are the result of this history. It is only by chronological narrative that one avoids the temptation to see the past through the obsessions of the present. I have tried to avoid teleology – writing history as if every event were inevitable. Since each mutation is a reaction to the one that preceded it, chronology is the best way to make sense of this evolution, answer the question – why Jerusalem? – and show why people acted the way they did. I hope this is also the most entertaining way to tell it. Who am I to ruin a story that – to use a Hollywood cliché that is, in this case, merited – is the greatest ever told? Among thousands of books on Jerusalem, there are very few narrative histories. Four epochs – David, Jesus, the Crusades and the Arab–Israeli conflict – are familiar, thanks to the Bible, movies, novels and the news, but they are still frequently misunderstood. As for the rest, I dearly wish to bring much forgotten history to new readers.