Читаем Jacob's room полностью

The street lamps do not carry far enough to tell us. The voices, angry, lustful, despairing, passionate, were scarcely more than the voices of caged beasts at night. Only they are not caged, nor beasts. Stop a man; ask him the way; he'll tell it you; but one's afraid to ask him the way. What does one fear?--the human eye. At once the pavement narrows, the chasm deepens. There! They've melted into it--both man and woman. Further on, blatantly advertising its meritorious solidity, a boarding- house exhibits behind uncurtained windows its testimony to the soundness of London. There they sit, plainly illuminated, dressed like ladies and gentlemen, in bamboo chairs. The widows of business men prove laboriously that they are related to judges. The wives of coal merchants instantly retort that their fathers kept coachmen. A servant brings coffee, and the crochet basket has to be moved. And so on again into the dark, passing a girl here for sale, or there an old woman with only matches to offer, passing the crowd from the Tube station, the women with veiled hair, passing at length no one but shut doors, carved door- posts, and a solitary policeman, Jacob, with Florinda on his arm, reached his room and, lighting the lamp, said nothing at all.

"I don't like you when you look like that," said Florinda.

The problem is insoluble. The body is harnessed to a brain. Beauty goes hand in hand with stupidity. There she sat staring at the fire as she had stared at the broken mustard-pot. In spite of defending indecency, Jacob doubted whether he liked it in the raw. He had a violent reversion towards male society, cloistered rooms, and the works of the classics; and was ready to turn with wrath upon whoever it was who had fashioned life thus.

Then Florinda laid her hand upon his knee.

After all, it was none of her fault. But the thought saddened him. It's not catastrophes, murders, deaths, diseases, that age and kill us; it's the way people look and laugh, and run up the steps of omnibuses.

Any excuse, though, serves a stupid woman. He told her his head ached.

But when she looked at him, dumbly, half-guessing, half-understanding, apologizing perhaps, anyhow saying as he had said, "It's none of my fault," straight and beautiful in body, her face like a shell within its cap, then he knew that cloisters and classics are no use whatever. The problem is insoluble.

CHAPTER SEVEN

About this time a firm of merchants having dealings with the East put on the market little paper flowers which opened on touching water. As it was the custom also to use finger-bowls at the end of dinner, the new discovery was found of excellent service. In these sheltered lakes the little coloured flowers swam and slid; surmounted smooth slippery waves, and sometimes foundered and lay like pebbles on the glass floor. Their fortunes were watched by eyes intent and lovely. It is surely a great discovery that leads to the union of hearts and foundation of homes. The paper flowers did no less.

It must not be thought, though, that they ousted the flowers of nature. Roses, lilies, carnations in particular, looked over the rims of vases and surveyed the bright lives and swift dooms of their artificial relations. Mr. Stuart Ormond made this very observation; and charming it was thought; and Kitty Craster married him on the strength of it six months later. But real flowers can never be dispensed with. If they could, human life would be a different affair altogether. For flowers fade; chrysanthemums are the worst; perfect over night; yellow and jaded next morning--not fit to be seen. On the whole, though the price is sinful, carnations pay best;--it's a question, however, whether it's wise to have them wired. Some shops advise it. Certainly it's the only way to keep them at a dance; but whether it is necessary at dinner parties, unless the rooms are very hot, remains in dispute. Old Mrs. Temple used to recommend an ivy leaf--just one--dropped into the bowl. She said it kept the water pure for days and days. But there is some reason to think that old Mrs. Temple was mistaken.

Перейти на страницу:

Похожие книги

Отверженные
Отверженные

Великий французский писатель Виктор Гюго — один из самых ярких представителей прогрессивно-романтической литературы XIX века. Вот уже более ста лет во всем мире зачитываются его блестящими романами, со сцен театров не сходят его драмы. В данном томе представлен один из лучших романов Гюго — «Отверженные». Это громадная эпопея, представляющая целую энциклопедию французской жизни начала XIX века. Сюжет романа чрезвычайно увлекателен, судьбы его героев удивительно связаны между собой неожиданными и таинственными узами. Его основная идея — это путь от зла к добру, моральное совершенствование как средство преобразования жизни.Перевод под редакцией Анатолия Корнелиевича Виноградова (1931).

Виктор Гюго , Вячеслав Александрович Егоров , Джордж Оливер Смит , Лаванда Риз , Марина Колесова , Оксана Сергеевна Головина

Проза / Классическая проза / Классическая проза ХIX века / Историческая литература / Образование и наука
1984. Скотный двор
1984. Скотный двор

Роман «1984» об опасности тоталитаризма стал одной из самых известных антиутопий XX века, которая стоит в одном ряду с «Мы» Замятина, «О дивный новый мир» Хаксли и «451° по Фаренгейту» Брэдбери.Что будет, если в правящих кругах распространятся идеи фашизма и диктатуры? Каким станет общественный уклад, если власть потребует неуклонного подчинения? К какой катастрофе приведет подобный режим?Повесть-притча «Скотный двор» полна острого сарказма и политической сатиры. Обитатели фермы олицетворяют самые ужасные людские пороки, а сама ферма становится символом тоталитарного общества. Как будут существовать в таком обществе его обитатели – животные, которых поведут на бойню?

Джордж Оруэлл

Классический детектив / Классическая проза / Прочее / Социально-психологическая фантастика / Классическая литература