Invisible man

            A small fruit wagon with an array of bright peaches and pears stood near the curb, and the vendor, a florid man with bulbous nose and bright black Italian eyes, looked at me knowingly from beneath his huge white-and-orange umbrella then over toward a crowd that had formed alongside the building across the street. What's wrong with him? I thought. Then I was across the street and passing the group standing with their backs to me. A clipped, insinuating voice spieled words whose meaning I couldn't catch and I was about to pass on when I saw the boy. He was a slender brown fellow whom I recognized immediately as a close friend of Clifton's, and who now was looking intently across the tops of cars to where down the block near the post office on the other side a tall policeman was approaching. Perhaps he'll know something, I thought, as he looked around to see me and stopped in confusion.

            "Hello, there," I began, and when he turned toward the crowd and whistled I didn't know whether he was telling me to do the same or signalling to someone else. I swung around, seeing him step to where a large carton sat beside the building and sling its canvas straps to his shoulder as once more he looked toward the policeman, ignoring me. Puzzled, I moved into the crowd and pressed to the front where at my feet I saw a square piece of cardboard upon which something was moving with furious action. It was some kind of toy and I glanced at the crowd's fascinated eyes and down again, seeing it clearly this time. I'd seen nothing like it before. A grinning doll of orange-and-black tissue paper with thin flat cardboard disks forming its head and feet and which some mysterious mechanism was causing to move up and down in a loose-jointed, shoulder-shaking, infuriatingly sensuous motion, a dance that was completely detached from the black, mask-like face. It's no jumping-jack, but what, I thought, seeing the doll throwing itself about with the fierce defiance of someone performing a degrading act in public, dancing as though it received a perverse pleasure from its motions. And beneath the chuckles of the crowd I could hear the swishing of its ruffled paper, while the same out-of-the-corner-of-the-mouth voice continued to spiel:

            Shake it up! Shake it up!

            He's Sambo, the dancing doll, ladies and gentlemen.

            Shake him, stretch him by the neck and set him down,

            -- He'll do the rest. Yes!

            He'll make you laugh, he'll make you sigh, si-igh.

            He'll make you want to dance, and dance --

            Here you are, ladies and gentlemen, Sambo,

            The dancing doll.

            Buy one for your baby. Take him to your girl friend and she'll love you, loove you!

            He'll keep you entertained. He'll make you weep sweet --

            Tears from laughing.

            Shake him, shake him, you cannot break him

            For he's Sambo, the dancing, Sambo, the prancing,

            Sambo, the entrancing, Sambo Boogie Woogie paper doll.

            And all for twenty-five cents, the quarter part of a dollar . . .

            Ladies and gentlemen, he'll bring you joy, step up and meet him, Sambo the --

            I knew I should get back to the district but I was held by the inanimate, boneless bouncing of the grinning doll and struggled between the desire to join in the laughter and to leap upon it with both feet, when it suddenly collapsed and I saw the tip of the spieler's toe press upon the circular cardboard that formed the feet and a broad black hand come down, its fingers deftly lifting the doll's head and stretching it upward, twice its length, then releasing it to dance again. And suddenly the voice didn't go with the hand. It was as though I had waded out into a shallow pool only to have the bottom drop out and the water close over my head. I looked up.

            "Not you . . ." I began. But his eyes looked past me deliberately unseeing. I was paralyzed, looking at him, knowing I wasn't dreaming, hearing:

            What makes him happy, what makes him dance,

            This Sambo, this jambo, this high-stepping joy boy?

            He's more than a toy, ladies and gentlemen, he's Sambo,the dancing doll, the twentieth-century miracle.