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There was a general fumbling and shifting among the passengers. Then the wheelbarrow-pusher sidled towards Rincewind, head down, and held up his hat. It contained some rice, some dried fish, a highly dangerous-looking egg. And about a pound of gold, in big round coins.

Rincewind stared at the gold.

Gold was as common as copper on the Counterweight Continent. That was one of the few things everyone knew about the place. There was no point in Cohen trying any kind of big robbery. There was a limit to what anyone could carry. He might as well rob one peasant village and live like a king for the rest of his life. It wouldn't be as if he'd need that much...

The 'later' suddenly caught up with him, and he did indeed feel quite ashamed. These people had hardly anything, apart from loads of gold.

'Er. Thanks. Thank you. Yes. Just checking. Yes. You can all have it back now. I'll... er... keep... the elderly grandmother... to run sideways... oh, damn... fish.'

Rincewind had always been on the bottom of the social heap. It didn't matter what size heap it was. The top got higher or lower, but the bottom was always in the same place. But at least it was an Ankh-Morpork heap.

No-one bowed to anyone in Ankh-Morpork. And anyone who tried what he'd just tried in Ankh-Morpork would, by now, be scrabbling in the gutter for his teeth and whimpering about the pain in his groin and his horse would already have been repainted twice and sold to a man who'd be swearing he'd owned it for years.

He felt oddly proud of the fact.

Something strange welled up from the sludgy depths of his soul. It was, to his amazement, a generous impulse.

He slid off the horse and held out the reins. A horse was useful, but he was used to doing without one. Besides, over a short distance a man could run faster than a horse, and this was a fact very dear to Rince-wind's heart.

'Here,' he said. 'You can have it. For the fish.'

The wheelbarrow-pusher screamed, grabbed the handles of his conveyance and hurtled desperately away. Several people were thrown off, took one almost-look at Rincewind, also screamed, and ran after him.

Worse than whips, Cohen had said. They've got something here worse than whips. They don't need whips any more. Rincewind hoped he'd never find out what it was, if it had done this to people.

He rode on through an endless panorama of fields There weren't even any patches of roadside scrub, or taverns. Away among the fields were shapes that might be small towns or villages, but no apparent paths to them, possibly because paths used up valuable agricultural mud.

Finally he sat down on a rock that presumably not even the peasants' most concerted efforts had been able to move, and reached into his pocket for his shameful dried fish lunch.

His hand touched the bundle of papers Mr Saveloy had given him. He pulled them out, and got crumbs on them.

This is what it's all about, the barbarian teacher had said. He hadn't explained what 'it' was.

WHAT I DID ON MY HOLIDAYS , said the title. It was in bad handwriting or, rather, bad painting - the Agateans wrote with paintbrushes, assembling little word pictures out of handy components. One picture wasn't just worth a thousand words, it was a thousand words.

Rincewind wasn't much good at reading the language. There were very few Agatean books even in the Unseen University Library. And this one looked as though whoever had written it had been trying to make sense of something unfamiliar.

He turned over a couple of pages. It was a story about a Great City, containing magnificent things - 'beer strong like an ox', it said, and 'pies containing many many parts of pig'. Everyone in the city seemed to be wise, kind, strong or all three, especially some character called the Great Wizard who seemed to feature largely in the text.

And there were mystifying little comments, as in, 'I saw a man tread upon the toes of a City Guard who said to him "Your wife is a big hippo!" to which the man responded "Place it where the sun does not shed daylight, enormous person", upon which the Guard [this bit was in red ink and the handwriting was shaky, as if the writer was quite excited] did not remove the man's head according to ancient custom.' The statement was followed by a pictogram of a dog passing water, which was for some obscure reason the Agatean equivalent of an exclamation mark. There were five of these.

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