Llewellyn-Jones freely admitted that he'd met the young woman he'd always known as "Kay" fairly regularly for sexual purposes: never in his college rooms; more often than not in a hotel; and twice in her own little place--as was the case on Tuesday, September 6, when he'd spent the evening with her, and would have spent longer but for a phone-call half-past nine? quarter-to ten? which had gal-vanized her into panicky activity. She'd have to leave: he'd have to leave. Obviously some sort of emergency; but he knew no more, except perhaps that he thought the voice on the phone was that of a woman.
Lewis thanked the dark, dapper little Welshman, and as-sured him that the information given would of course be Ueated with the utmost confidentiality.
But Gareth Llewellyn-Jones appeared little troubled: "I'm a bachelor, Sergeant, see? And I just loved being with her, that's all. In fact, I could'ye... But I don't think she's the sort of woman who could ever really fall arse-orver-tit for any man--certainly not for me."
He smiled, shook his head, and bade farewell to Lewis from the Porters' Lodge.
As Lewis drove up to his home in Headington, he real-ized that Morse had almost certainly been right about Ellie Smith's involvement in the murder.
With a tumbler of most welcome Scotch beside him, Morse sat back to listen.
"Kay Brooks? Oh yes, I remember her," said the ex-headmaster, a thin, mildly drooping man in his early seven-ties. "Who wouldn't...?"
Aged eleven, she'd started at his school as a lively, slightly devil-may-care lass, with long dark hair and a sweet if somewhat cheeky sort of smile. Bright--well above average; and very good at sketching, painting, de-sign, that type of thing. But... well, something must have gone a bit sour somewhere. By her mid-teens, she'd be-come a real handful: playing hookey, surly, inattentive, idle, a bit cruel, perhaps. Trouble at home, like as not? But no one knew. Kay's mother had come along to see him a couple of times but-- Morse intermpted: "That's really what I've come about, sir. It may not be important, but I rather think you probably mean her step-mother, don't you?
"Pardon?" Taylor looked as ff he had mis-heard.
"You see, I think Brooks, Edward Brooks, the man fished out of the Isis, could well have been her real father, not her step-father."
"Nonsense!" (The second time the word had been used in the past half-hour.) "I can understand what you're thinking, Inspector; but you're wrong. She changed her name when her mother got remarried; changed it to her mother's new name. You see, I knew her, knew her mother, well be-fore then."
Morse looked puzzled. "Is that sort of thing usual?"
Taylor smiled. "Depends, doesn't it? Some people would give an arm and a leg to change their names. Take me, for instance. My old mum and dad bless their hearts but... you know what they christened me? 'Cecil Paul.' Would you credit it? I was 'Cesspool' before I'd been at school fortnight. You know the sort of thing I mean?"
Oh, yes, Morse knew exactly the sort of thing he meant "And I'm afraid," continued Taylor, "that Kay got teasec pretty mercilessly about her name--about her surname, tha, is. So it was only natural, really, that when the opportunit3 arose to change it..."
"What was her surname?" asked Morse. Taylor told him. Oh dear! Poor Ellie!
After gladly becoming Eleanor "Brooks" on her mother' remarriage, so very soon, it seemed, had she come to detes her newly-adopted name. And when she had left home, sh had plumped for "Smith"--a good, common-stock, unex ceptionable sort of name that could cause her pain no mort Yes, Morse knew all about being teased because of name--in his own case a Christian name. And he felt s close to Ellie Smith at that moment, so very caring toward her, that he would have sacrificed almost anything in th world to find her there, waiting for him, when he got bac home.
"Ellie Morse"? "Eleanor Morse"?
Difficult to decide.
But gladly would Morse have settled for either as t walked slowly up into Cornmarket, where he stood waitir twenty-five minutes for a bus to take him up to his bacheh flat in North Oxford.
Chapter Seventy
Then grief forever after; because forever after nothing less would ever do (J. G. E POTR, Anything to Declare?)
The subject of each of these last two enquiries, the young woman who has been known (principally) in these pages as Ellie Smith, had hurriedly wiped her eyes and for a consid-erable time said nothing after getting into Mike William-son's car. Her thoughts were temporarily concentrated not so much on Morse himself as on what she could have told him; or rather on what she could never have told him....