Читаем Indiscretions of Archie полностью

The nearer Archie got to Mr. Aloysius Connolly the less did he like the looks of him. Even at a distance the Labour leader had had a formidable aspect. Seen close to, he looked even more uninviting. His face had the appearance of having been carved out of granite, and the eye which collided with Archie's as the latter, with an attempt at an ingratiating smile, pulled up a chair and sat down at the table was hard and frosty. Mr. Connolly gave the impression that he would be a good man to have on your side during a rough-and-tumble fight down on the water-front or in some lumber-camp, but he did not look chummy.

"Hallo-allo-allo!" said Archie.

"Who the devil," inquired Mr. Connolly, "are you?"

"My name's Archibald Moffam."

"That's not my fault."

"I'm jolly old Brewster's son-in-law."

"Glad to meet you."

"Glad to meet YOU," said Archie, handsomely.

"Well, good-bye!" said Mr. Connolly.

"Eh?"

"Run along and sell your papers. Your father-in-law and I have business to discuss."

"Yes, I know."

"Private," added Mr. Connolly.

"Oh, but I'm in on this binge, you know. I'm going to be the manager of the new hotel."

"You!"

"Absolutely!"

"Well, well!" said Mr. Connolly, noncommittally.

Archie, pleased with the smoothness with which matters had opened, bent forward winsomely.

"I say, you know! It won't do, you know! Absolutely no! Not a bit like it! No, no, far from it! Well, how about it? How do we go? What? Yes? No?"

"What on earth are you talking about?"

"Call it off, old thing!"

"Call what off?"

"This festive old strike."

"Not on your—hallo, Dan! Back again?"

Mr. Brewster, looming over the table like a thundercloud, regarded Archie with more than his customary hostility. Life was no pleasant thing for the proprietor of the Cosmopolis just now. Once a man starts building hotels, the thing becomes like dram-drinking. Any hitch, any sudden cutting-off of the daily dose, has the worst effects; and the strike which was holding up the construction of his latest effort had plunged Mr. Brewster into a restless gloom. In addition to having this strike on his hands, he had had to abandon his annual fishing-trip just when he had begun to enjoy it; and, as if all this were not enough, here was his son-in-law sitting at his table. Mr. Brewster had a feeling that this was more than man was meant to bear.

"What do you want?" he demanded.

"Hallo, old thing!" said Archie. "Come and join the party!"

"Don't call me old thing!"

"Right-o, old companion, just as you say. I say, I was just going to suggest to Mr. Connolly that we should all go up to my suite and talk this business over quietly."

"He says he's the manager of your new hotel," said Mr. Connolly. "Is that right?"

"I suppose so," said Mr. Brewster, gloomily.

"Then I'm doing you a kindness," said Mr. Connolly, "in not letting it be built."

Archie dabbed at his forehead with his handkerchief. The moments were flying, and it began to seem impossible to shift these two men. Mr. Connolly was as firmly settled in his chair as some primeval rock. As for Mr. Brewster, he, too, had seated himself, and was gazing at Archie with a weary repulsion. Mr. Brewster's glance always made Archie feel as though there were soup on his shirt-front.

And suddenly from the orchestra at the other end of the room there came a familiar sound, the prelude of "Mother's Knee."

"So you've started a cabaret, Dan?" said Mr. Connolly, in a satisfied voice. "I always told you you were behind the times here!"

Mr. Brewster jumped.

"Cabaret!"

He stared unbelievingly at the white-robed figure which had just mounted the orchestra dais, and then concentrated his gaze on Archie.

Archie would not have looked at his father-in-law at this juncture if he had had a free and untrammelled choice; but Mr. Brewster's eye drew his with something of the fascination which a snake's has for a rabbit. Mr. Brewster's eye was fiery and intimidating. A basilisk might have gone to him with advantage for a course of lessons. His gaze went right through Archie till the latter seemed to feel his back-hair curling crisply in the flames.

"Is this one of your fool-tricks?"

Even in this tense moment Archie found time almost unconsciously to admire his father-in-law's penetration and intuition. He seemed to have a sort of sixth sense. No doubt this was how great fortunes were made.

"Well, as a matter of fact—to be absolutely accurate—it was like this—"

"Say, cut it out!" said Mr. Connolly. "Can the chatter! I want to listen."

Archie was only too ready to oblige him. Conversation at the moment was the last thing he himself desired. He managed with a strong effort to disengage himself from Mr. Brewster's eye, and turned to the orchestra dais, where Miss Spectatia Huskisson was now beginning the first verse of Wilson Hymack's masterpiece.

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Великий французский писатель Виктор Гюго — один из самых ярких представителей прогрессивно-романтической литературы XIX века. Вот уже более ста лет во всем мире зачитываются его блестящими романами, со сцен театров не сходят его драмы. В данном томе представлен один из лучших романов Гюго — «Отверженные». Это громадная эпопея, представляющая целую энциклопедию французской жизни начала XIX века. Сюжет романа чрезвычайно увлекателен, судьбы его героев удивительно связаны между собой неожиданными и таинственными узами. Его основная идея — это путь от зла к добру, моральное совершенствование как средство преобразования жизни.Перевод под редакцией Анатолия Корнелиевича Виноградова (1931).

Виктор Гюго , Вячеслав Александрович Егоров , Джордж Оливер Смит , Лаванда Риз , Марина Колесова , Оксана Сергеевна Головина

Проза / Классическая проза / Классическая проза ХIX века / Историческая литература / Образование и наука