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Archie listened politely; then went in to get a bite of lunch. His equanimity, shaken by the discovery of the rift in the peerless one's armour, was restored. Good old Biddle had taken the girl to the movies last night. Probably he had squeezed her hand a goodish bit in the dark. With what result? Why, the fellow would be feeling like one of those chappies who used to joust for the smiles of females in the Middle Ages. What he meant to say, presumably the girl would be at the game this afternoon, whooping him on, and good old Biddle would be so full of beans and buck that there would be no holding him.

Encouraged by these thoughts, Archie lunched with an untroubled mind. Luncheon concluded, he proceeded to the lobby to buy back his hat and stick from the boy brigand with whom he had left them. It was while he was conducting this financial operation that he observed that at the cigar-stand, which adjoined the coat-and-hat alcove, his friend behind the counter had become engaged in conversation with another girl.

This was a determined looking young woman in a blue dress and a large hat of a bold and flowery species, Archie happening to attract her attention, she gave him a glance out of a pair of fine brown eyes, then, as if she did not think much of him, turned to her companion and resumed their conversation—which, being of an essentially private and intimate nature, she conducted, after the manner of her kind, in a ringing soprano which penetrated into every corner of the lobby. Archie, waiting while the brigand reluctantly made change for a dollar bill, was privileged to hear every word.

"Right from the start I seen he was in a ugly mood. YOU know how he gets, dearie! Chewing his upper lip and looking at you as if you were so much dirt beneath his feet! How was I to know he'd lost fifteen dollars fifty-five playing poker, and anyway, I don't see where he gets a licence to work off his grouches on me. And I told him so. I said to him, 'Gus,' I said, 'if you can't be bright and smiling and cheerful when you take me out, why do you come round at all? Was I wrong or right, dearie?"

The girl behind the counter heartily endorsed her conduct. "Once you let a man think he could use you as a door-mat, where were you?"

"What happened then, honey?"

"Well, after that we went to the movies."

Archie started convulsively. The change from his dollar-bill leaped in his hand. Some of it sprang overboard and tinkled across the floor, with the brigand in pursuit. A monstrous suspicion had begun, to take root in his mind.

"Well, we got good seats, but—well, you know how it is, once things start going wrong. You know that hat of mine, the one with the daisies and cherries and the feather—I'd taken it off and given it him to hold when we went in, and what do you think that fell'r'd done? Put it on the floor and crammed it under the seat, just to save himself the trouble of holding it on his lap! And, when I showed him I was upset, all he said was that he was a pitcher and not a hatstand!"

Archie was paralysed. He paid no attention to the hat-check boy, who was trying to induce him to accept treasure-trove to the amount of forty-five cents. His whole being was concentrated on this frightful tragedy which had burst upon him like a tidal wave. No possible room for doubt remained. "Gus" was the only Gus in New York that mattered, and this resolute and injured female before him was the Girl Friend, in whose slim hands rested the happiness of New York's baseball followers, the destiny of the unconscious Giants, and the fate of his thousand dollars. A strangled croak proceeded from his parched lips.

"Well, I didn't say anything at the moment. It just shows how them movies can work on a girl's feelings. It was a Bryant Washburn film, and somehow, whenever I see him on the screen, nothing else seems to matter. I just get that goo-ey feeling, and couldn't start a fight if you asked me to. So we go off to have a soda, and I said to him, 'That sure was a lovely film, Gus!' and would you believe me, he says straight out that he didn't think it was such a much, and he thought Bryant Washburn was a pill! A pill!" The Girl Friend's penetrating voice shook with emotion.

"He never!" exclaimed the shocked cigar-stand girl.

"He did, if I die the next moment! I wasn't more than half-way through my vanilla and maple, but I got up without a word and left him. And I ain't seen a sight of him since. So there you are, dearie! Was I right or wrong?"

The cigar-stand girl gave unqualified approval. What men like Gus Biddle needed for the salvation of their souls was an occasional good jolt right where it would do most good.

"I'm glad you think I acted right, dearie," said the Girl Friend. "I guess I've been too weak with Gus, and he's took advantage of it. I s'pose I'll have to forgive him one of these old days, but, believe me, it won't be for a week."

The cigar-stand girl was in favour of a fortnight.

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Великий французский писатель Виктор Гюго — один из самых ярких представителей прогрессивно-романтической литературы XIX века. Вот уже более ста лет во всем мире зачитываются его блестящими романами, со сцен театров не сходят его драмы. В данном томе представлен один из лучших романов Гюго — «Отверженные». Это громадная эпопея, представляющая целую энциклопедию французской жизни начала XIX века. Сюжет романа чрезвычайно увлекателен, судьбы его героев удивительно связаны между собой неожиданными и таинственными узами. Его основная идея — это путь от зла к добру, моральное совершенствование как средство преобразования жизни.Перевод под редакцией Анатолия Корнелиевича Виноградова (1931).

Виктор Гюго , Вячеслав Александрович Егоров , Джордж Оливер Смит , Лаванда Риз , Марина Колесова , Оксана Сергеевна Головина

Проза / Классическая проза / Классическая проза ХIX века / Историческая литература / Образование и наука