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"She probably lost her temper and broke her contract and came away. She's always doing that sort of thing. She's known for it. She must be a horrid woman."

"Yes."

"I don't want to talk about her. She used to be married to someone, and she divorced him. And then she was married to someone else, and he divorced her. And I'm certain her hair wasn't that colour two years ago, and I don't think a woman ought to make up like that, and her dress is all wrong for the country, and those pearls can't be genuine, and I hate the way she rolls her eyes about, and pink doesn't suit her a bit. I think she's an awful woman, and I wish you wouldn't keep on talking about her."

"Right-o!" said Archie, dutifully.

They finished breakfast, and Lucille went up to pack her bag. Archie strolled out on to the terrace outside the hotel, where he smoked, communed with nature, and thought of Lucille. He always thought of Lucille when he was alone, especially when he chanced to find himself in poetic surroundings like those provided by the unrivalled scenery encircling the Hotel Hermitage. The longer he was married to her the more did the sacred institution seem to him a good egg. Mr. Brewster might regard their marriage as one of the world's most unfortunate incidents, but to Archie it was, and always had been, a bit of all right. The more he thought of it the more did he marvel that a girl like Lucille should have been content to link her lot with that of a Class C specimen like himself. His meditations were, in fact, precisely what a happily-married man's meditations ought to be.

He was roused from them by a species of exclamation or cry almost at his elbow, and turned to find that the spectacular Miss Silverton was standing beside him. Her dubious hair gleamed in the sunlight, and one of the criticised eyes was screwed up. The other gazed at Archie with an expression of appeal.

"There's something in my eye," she said.

"No, really!"

"I wonder if you would mind? It would be so kind of you!"

Archie would have preferred to remove himself, but no man worthy of the name can decline to come to the rescue of womanhood in distress. To twist the lady's upper lid back and peer into it and jab at it with the corner of his handkerchief was the only course open to him. His conduct may be classed as not merely blameless but definitely praiseworthy. King Arthur's knights used to do this sort of thing all the time, and look what people think of them. Lucille, therefore, coming out of the hotel just as the operation was concluded, ought not to have felt the annoyance she did. But, of course, there is a certain superficial intimacy about the attitude of a man who is taking a fly out of a woman's eye which may excusably jar upon the sensibilities of his wife. It is an attitude which suggests a sort of rapprochement or camaraderie or, as Archie would have put it, what not.

"Thanks so much!" said Miss Silverton.

"Oh no, rather not," said Archie.

"Such a nuisance getting things in your eye."

"Absolutely!"

"I'm always doing it!"

"Rotten luck!"

"But I don't often find anyone as clever as you to help me."

Lucille felt called upon to break in on this feast of reason and flow of soul.

"Archie," she said, "if you go and get your clubs now, I shall just have time to walk round with you before my train goes."

"Oh, ah!" said Archie, perceiving her for the first time. "Oh, ah, yes, right-o, yes, yes, yes!"

On the way to the first tee it seemed to Archie that Lucille was distrait and abstracted in her manner; and it occurred to him, not for the first time in his life, what a poor support a clear conscience is in moments of crisis. Dash it all, he didn't see what else he could have done. Couldn't leave the poor female staggering about the place with squads of flies wedged in her eyeball. Nevertheless—

"Rotten thing getting a fly in your eye," he hazarded at length. "Dashed awkward, I mean."

"Or convenient."

"Eh?"

"Well, it's a very good way of dispensing with an introduction."

"Oh, I say! You don't mean you think—"

"She's a horrid woman!"

"Absolutely! Can't think what people see in her."

"Well, you seemed to enjoy fussing over her!"

"No, no! Nothing of the kind! She inspired me with absolute what-d'you-call-it—the sort of thing chappies do get inspired with, you know."

"You were beaming all over your face."

"I wasn't. I was just screwing up my face because the sun was in my eye."

"All sorts of things seem to be in people's eyes this morning!"

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Великий французский писатель Виктор Гюго — один из самых ярких представителей прогрессивно-романтической литературы XIX века. Вот уже более ста лет во всем мире зачитываются его блестящими романами, со сцен театров не сходят его драмы. В данном томе представлен один из лучших романов Гюго — «Отверженные». Это громадная эпопея, представляющая целую энциклопедию французской жизни начала XIX века. Сюжет романа чрезвычайно увлекателен, судьбы его героев удивительно связаны между собой неожиданными и таинственными узами. Его основная идея — это путь от зла к добру, моральное совершенствование как средство преобразования жизни.Перевод под редакцией Анатолия Корнелиевича Виноградова (1931).

Виктор Гюго , Вячеслав Александрович Егоров , Джордж Оливер Смит , Лаванда Риз , Марина Колесова , Оксана Сергеевна Головина

Проза / Классическая проза / Классическая проза ХIX века / Историческая литература / Образование и наука