Illywhacker

Its whole function was entrapment and its inhabitants could happily while away afternoons and years without any bigger scheme, listening to the races on the radio, reaching out for another oyster, worrying only that the beer glasses were free of detergent and kept, cold and frosted, in the fridge. They discussed the quality of the harbour prawns, got drunk, and crunched the prawns' heads, imagining themselves free and happy while all the time they were servants of the building. It made them behave in disgusting ways.

Leah looked at the cold hard look in Emma's glittering eyes. It was not grief. It was something else and Leah recognized the feeling as one she had known herself.

As she followed Emma out of the office Leah vowed, in a properly formed, silent sentence, that she would stand, one day soon, in Pitt Street and watch the emporium fall to the earth as sweetly as a dress slipping off a coat-hanger, dropping softly, lying formless, broken in the dust.

To this end she took Hissao to a beer garden in Redfern. She did not choose Redfern for any particular reason. It happened to be a hotel that she knew from Labour Party meetings and it was close to the university. Later in the day it would turn into a snake pit and, as it reached its broken-glassed climax at six p. m., it would be a place where crims paid off coppers and, occasionally, shot their competitors. But at this time, eleven in the morning, it was sunny and fresh and the wall-eyed barman had hosed down the bright gravel and driven, with the force of the water, yesterday's cigarette butts and dead matches out of sight. He had picked up the sodden paper napkins and the bare chop bones and Mich Crozier's was ready for another day.

The term "garden", of course, gives a misleading picture of Crozier's – it was a mostly shadeless area of crushed quartz like the Parramatta used-car yard Mich had owned in the 1950s and, in the middle of this blindingly white sea was a redbrick island labelled ladies and gents. If you did not mind the smell you could enjoy the shade the toilet block provided or, if you did mind, which Leah did, you could choose one of the tables next to the lattice that Mich or Rosalie had nailed to the paling fence and screwed to the brick wall of the printing works next door. They had planted jasmine too, but people kept pissing on it and it died.

The tables were slatted, with each slat painted a different fairground colour and, as it was almost impossible to make the tables steady, beer spilt easily and then dripped through the slats.

Hissao sat there with beer-wet knees in his corduroy trousers, looking across at Leah Goldstein, wondering why she had asked to meet him. She wore a pleasantly faded blue-checked shirt, the simplicity of which was contradicted, or at least underlined, by a thin gold chain she wore around her remarkably smooth neck. Her hair was untidy, flecked with grey, and she had pushed it back from her handsome face as if she were impatient with it and had more important things to consider. She lit a cigarette in a very businesslike way, inhaled, exhaled, and lined up her packet of matches with her cigarettes.

"Cheers," she said, and raised her glass as if she were in the habit of drinking beer at eleven in the morning every day.

"Cheers," said Hissao. He was a little frightened of her and also very curious. He had known her all his life and yet knew nothing about her. He guessed, but had never been told, that she had been his grandfather's lover. She had been married to the notorious Izzie Kaletsky. She had been a dancer in the Great Depression. She had had an interesting life and he hoped that, in the hothouse emotions generated by his father's suicide, they would, at last, be able to speak to each other. He felt they would have much in common.

Leah, for her part, was suddenly nervous of Hissao. She had not been expecting nervousness, but she was keyed up about her objective and she suddenly felt that tightness in the throat, the slight tremolo in her voice that she experienced when called to speak in public. She knew nothing about Corbusier and thus missed the significance of the bow tie. She thought he looked unpleasantly slick, like a realestate salesman.

Hissao began to talk to cover the uneasiness of silence. Nothing in his manner or the timbre of his voice suggested anything but social ease. He felt shy and awkward.

He made some observations about the nature of beer gardens and wondered, out loud, about the habit of painting the slatted tables in different colours. Perhaps, he said (suddenly hit with the idea that she had brought him here to tell him that his father had not been his father at all) perhaps the colours of the tables were really a reference to seaside umbrellas and deckchairs, a signal about leisure and working-class holidays by the sea.