With the next switch, I jettison my lifelong inclination towards vegetarianism and trade it in for a passion for shooting deer and other wild animals — and of course the larger they are, the better. Thus, after Switch #4 has been thrown, I just
And lastly, needless to say, after Switch #5 has been thrown, I totally agree with John Searle’s Chinese Room experiment, and I think that Derek Parfit’s ideas about personal identity are a complete crock. Oh, I forgot — can’t do that, since I never think about philosophical issues at all!
You may have noticed that when I discussed Switch #1, I put quotes around the word “my” when talking about the brain in which a veneration for Ludwig, Béla, Elvis, and Eminem flowers. From there on out, though, I didn’t bother with the quote marks, but I probably should have. After all, everything I suggested in the paragraphs above is the diametric opposite of what I consider
Of course we can imagine milder changes, such as an alternate life in which I somehow never ran into Prokofiev’s violin concerto #1. That would be another version of me, and surely a more impoverished one, but it would still feel like me, to this me. Or we can imagine that I still eat hamburgers on occasion but feel guilty about it, or that once in a blue moon I voluntarily turn on a football game on TV. These are shades of gray that create a halo of “possible Dougs” around the Doug that I happen to have become, thanks to a million accidental events that have befallen me over the decades, and thanks to hundreds of particular individuals who happen to have entered my life (and millions of others who never did, not to mention an infinite number of counterfactual individuals who never entered my life!). We don’t normally think of “who/what/how I am” in such shades of gray, but there they are, spelled out a bit, in my case.
On “Who” and on “How”
I might add, by the way, that I think the word “who” is sometimes granted a bit too much subliminal power, in much the way as are the personal pronouns “he” and “she” (you may recall my brief interchange with Kellie about pronouns applied to animals, in Chapter 1). In the 1980’s, Pamela McCorduck wrote a history of artificial intelligence with the provocative and ingenious title “Machines Who Think”. The word “who” in the title conjures up an image radically different from our knee-jerk associations with standard machines such as can-openers, refrigerators, typewriters, and even computers; it suggests that with at least certain machines, there is someone “in there”, or as Thomas Nagel would say, “there is something it is like to be that machine” (a hard phrase to translate into other languages, by the way). It implicitly suggests, once again, a sharp, black-and-white dichotomy between a set of hypothetical “machines
It has often seemed to me that ultimately, when I am thinking about
It may seem that this is purely a third-person, external perspective, and that it takes away, or even denies, the whole first-person perspective. It may seem to short-change or even to casually dismiss the “I”. I don’t think so, however, for I think that even
Double or Nothing