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Long moments Tarra stood there then, in torchlight flickering, with heart pounding, longing to flee full tilt but nailed to the spot as if his feet had taken root in solid rock. And all the while his gaze rapt upon that cadaver whose ribs supported the hissing brand, that skeleton which even now wore ragged robe, upon whose bony feet were leather sandals of the sort that had made those recent prints in dust of ages!

The Hrossak took a breath—and another—and forced his hammering heart to a slower pace and the trembling of his limbs to marble stillness. And breathing deeply a third time, he slowly crouched and leaned forward, studying morbid remains more closely. The bones were burned as from some mordant acid. In places their surfaces were sticky and shiny-black with tarry traces, possibly burnt and liquefied marrow. Tatters of skin still attached, but so sere and withered as to be parchment patches, and the skull…that was worst of all.

Yawning jaws gaped impossibly wide in frozen scream, and torch-flung shadows shifted in empty sockets like frightened ghosts of eyes. Still crouching, shuddering, Tarra took up his torch and held it out at arm’s length toward the other pedestal. As he had suspected (without, as yet, knowing why he suspected), a second skeleton, in much the same condition, sprawled beneath the other kraken. And again the word “guardians” seemed to echo in Hrossak’s head.

But the images were only of gold, not loathsome flesh and alien ichor, and even were they alive—if they were, indeed, the guardians—their size would hardly make them a threat. Why, they were little more than octopuses, for all the goldsmith’s loathsome skill!

Tarra gazed into sightless golden eyes, glanced at wings folded back, laid his hands upon tentacles half-lifted, apparently in groping query. Cold gold, in no wise threatening. And yet it seemed to the Hrossak there was a film of moisture, of some nameless tomb-slime, on the surface of the metal, making it almost slippery to the touch. That wouldn’t be much help when it came to carrying the thing. And if he could not find means to manufacture grapnel and rope, then for certain he must put his faith in Hadj Dyzm—initially, anyway.

He moved round behind the pedestal, closed his arms about the belly of the idol until his hands clasped his elbows, lifted. Heavy, aye, but he thought it would fit into the bucket. Only…would the rope be strong enough?

Rope! And again a picture of rope and grapple burned on the surface of his mind’s eye. Tarra eased the idol back onto its pedestal, bent down and tore at the tatters which clothed the mysteriously slain cadaver. At his touch they crumbled away. Whatever it was seared the bones—seared the flesh from those bones—it had also worked on the coarse cloth. No, he could hardly make a rope out of this rotten stuff; but now he had a better idea. Dyzm himself would furnish the rope!

First, however—

He checked his torch, which was beginning to burn a trifle low, then turned toward the open door of the sepulchre. This was sheer curiosity, he knew—and he minded what Hadj Dyzm had said of curiosity—but still he had to know what sort of king it was whose incarceration in some dim bygone age had warranted mass slaughter in and about these tomb-caves.

Pausing before the high, dark portal, he thrust out torch before him and saw within—

No carven coffin here but a massive throne, and seated thereon a shrivelled mummy all of shiny bone and leather, upright and proud and fused to marble seat by nameless ages. Indeed, the very fossil of a thing. A thing, aye, for the huge creature was not and never had been human.

Entering, Tarra approached a throne whose platform was tall as his chest, staring up at what in its day must have been a fearsome sight. Even now the thing was terrifying. But…it was dead, and dead things can hurt no one. Can they?

He held his torch high.

The mummy was that of a lizard-man, tall, thin and long headed; with fangs curving down from fleshless jaws, and leathern chin still sprouting a goatlike beard of coarse hair; and upon its head a jewelled pschent, and in its talon of a hand a sceptre or knobby wand of ebony set with precious stones.

So this had been the living creature whose likeness Tarra had seen carved from the dripstone of the upper caves. Also, it had been a king of kings, and crueller far than any merely human king. He looked again at the wand. A fascinating thing. The Hrossak reached up his hand to jewelled, ebony rod, giving it a tug. But it was now one with dry claw, welded there by time. He tugged harder—and heard from behind him a low rumble!

In the next split second several things…

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Лихим 90-м посвящается...Фантастический роман-эпопея в пяти томах «Звёздная месть» (1990—1995), написанный в жанре «патриотической фантастики» — грандиозное эпическое полотно (полный текст 2500 страниц, общий тираж — свыше 10 миллионов экземпляров). События разворачиваются в ХХV-ХХХ веках будущего. Вместе с апогеем развития цивилизации наступает апогей её вырождения. Могущество Земной Цивилизации неизмеримо. Степень её духовной деградации ещё выше. Сверхкрутой сюжет, нетрадиционные повороты событий, десятки измерений, сотни пространств, три Вселенные, всепланетные и всепространственные войны. Герой романа, космодесантник, прошедший через все круги ада, после мучительных размышлений приходит к выводу – для спасения цивилизации необходимо свержение правящего на Земле режима. Он свергает его, захватывает власть во всей Звездной Федерации. А когда приходит победа в нашу Вселенную вторгаются полчища из иных миров (правители Земной Федерации готовили их вторжение). По необычности сюжета (фактически запретного для других авторов), накалу страстей, фантазии, философичности и психологизму "Звёздная Месть" не имеет ничего равного в отечественной и мировой литературе. Роман-эпопея состоит из пяти самостоятельных романов: "Ангел Возмездия", "Бунт Вурдалаков" ("вурдалаки" – биохимеры, которыми земляне населили "закрытые" миры), "Погружение во Мрак", "Вторжение из Ада" ("ад" – Иная Вселенная), "Меч Вседержителя". Также представлены популярные в среде читателей романы «Бойня» и «Сатанинское зелье».

Юрий Дмитриевич Петухов

Фантастика / Боевая фантастика / Научная Фантастика / Ужасы / Ужасы и мистика