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Within the hour we were ready. Torches, shotguns, dynamite and fuzewire—everything we would need—all was in our hands. And as we made our way from the house at Kettlethorpe along the garden paths to the roofless enclosure, already the mists were rising and beginning to creep. And I admit here and now that if David had offered me the chance again, to back out and leave him to go it alone, I believe I might well have done so.

As it was, we entered under the lintel with the plate, found the slab as David had described it, and commenced to lever it up from its seatings.

As we worked my friend nodded his head towards a very old and massive millstone lying nearby. “That’s what Jason Carpenter used to seal it. And do you believe June could have shifted that on her own? Never! She was helped—must have been helped from below!”

At that moment the slab moved, lifted, was awkward for a moment but at our insistence slid gratingly aside. I don’t know what I expected, but the blast of foul, damp air that rushed up from below took me completely by surprise. It blew full into my face, jetting up like some noxious, invisible geyser, a pressured stench of time and ocean, darkness and damp, and alien things. And I knew it at once: that tainted odour I had first detected in the summer, which David had naively termed “a miasma”.

Was this the source, then, of that misty phantom seen on dark nights, that bloating spectre formed of fog and the rushing reek of inner earth? Patently it was, but that hardly explained the shape the thing had assumed…

• • •

In a little while the expansion and egress of pent-up gases subsided and became more a flow of cold, salty air. Other odours were there, certainly, but however alien and disgusting they no longer seemed quite so unbearable.

Slung over our shoulders we carried part-filled knapsacks which threw us a little off balance. “Careful,” David warned, descending ahead of me, “it’s steep and slippery as hell!” Which was no exaggeration.

The way was narrow, spiralling, almost perpendicular, a stairwell through solid rock which might have been cut by some huge and eccentric drill. Its steps were narrow in the tread, deep in the rise, and slimy with nitre and a film of moisture clammy as sweat. And our powerful torches cutting the way through darkness deep as night, and the walls winding down, down, ever down.

I do not know the depth to which we descended; there was an interminable sameness about that corkscrew of stone which seemed to defy measurement. But I recall something of the characters carved almost ceremoniously into its walls. Undeniably Roman, some of them, but I was equally sure that these were the most recent! The rest, having a weird, almost glyphic angularity and coarseness—a barbaric simplicity of style—must surely have predated any Roman incursion into Britain.

And so down to the floor of that place, where David paused to deposit several sticks of dynamite in a dark niche. Quickly he fitted a fuze, and while he worked so he spoke to me in a whisper which echoed sibilantly away and came rustling back in decreasing sussurations. “A long fuze for this one. We’ll light it on our way out. And at least five more like this before we’re done. I hope it’s enough. God, I don’t even know the extent of the place! I’ve been this far before and farther, but you can imagine what it’s like to be down here on your own…”

Indeed I could imagine it, and shuddered at the thought.

While David worked I stood guard, shotgun under my arm, cocked, pointing it down a black tunnel that wound away to God-knows-where. The walls of this horizontal shaft were curved inward at the top to form its ceiling, which was so low that when we commenced to follow it we were obliged to stoop. Quite obviously the tunnel was no mere work of nature; no, for it was far too regular for that, and everywhere could be seen the marks of sharp tools used to chip out the stone. One other fact which registered was this: that the walls were of the same stone from which Kettlethorpe Farm—in what original form?—must in some dim uncertain time predating all memory, myth and legend have been constructed.

And as I followed my friend, so in some dim recess of my mind I made note of these things, none of which lessened in the slightest degree the terrific weight of apprehension resting almost tangibly upon me. But follow him I did, and in a little while he was showing me fresh marks on the walls, scratches he had made on previous visits to enable him to retrace his steps.

“Necessary,” he whispered, “for just along here the tunnels begin to branch, become a maze. Really—a maze! Be a terrible thing to get lost down here…”

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Лихим 90-м посвящается...Фантастический роман-эпопея в пяти томах «Звёздная месть» (1990—1995), написанный в жанре «патриотической фантастики» — грандиозное эпическое полотно (полный текст 2500 страниц, общий тираж — свыше 10 миллионов экземпляров). События разворачиваются в ХХV-ХХХ веках будущего. Вместе с апогеем развития цивилизации наступает апогей её вырождения. Могущество Земной Цивилизации неизмеримо. Степень её духовной деградации ещё выше. Сверхкрутой сюжет, нетрадиционные повороты событий, десятки измерений, сотни пространств, три Вселенные, всепланетные и всепространственные войны. Герой романа, космодесантник, прошедший через все круги ада, после мучительных размышлений приходит к выводу – для спасения цивилизации необходимо свержение правящего на Земле режима. Он свергает его, захватывает власть во всей Звездной Федерации. А когда приходит победа в нашу Вселенную вторгаются полчища из иных миров (правители Земной Федерации готовили их вторжение). По необычности сюжета (фактически запретного для других авторов), накалу страстей, фантазии, философичности и психологизму "Звёздная Месть" не имеет ничего равного в отечественной и мировой литературе. Роман-эпопея состоит из пяти самостоятельных романов: "Ангел Возмездия", "Бунт Вурдалаков" ("вурдалаки" – биохимеры, которыми земляне населили "закрытые" миры), "Погружение во Мрак", "Вторжение из Ада" ("ад" – Иная Вселенная), "Меч Вседержителя". Также представлены популярные в среде читателей романы «Бойня» и «Сатанинское зелье».

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Фантастика / Боевая фантастика / Научная Фантастика / Ужасы / Ужасы и мистика