Читаем Haggopian and Other Stories полностью

“Come off it, guv’,” Joe grated, then: “Okay, but one more word—you end up immobile, right?” Crow nodded his acquiescence and sat on the edge of his great desk to watch the performance. He really did not expect the thugs to do much more than make fools of themselves. He had not taken into account the possibility—the probability—of violence in the solution of the problem. Joe, as a child, had never had much time for the two-penny wire puzzles sold in the novelty shops. He tried them once or twice, to be sure, but if they would not go first time—well, you could usually make them go—with a hammer! As it happened such violence was not necessary.

Pasty had backed up to the door. He was still slapping his cosh into his palm, but it was purely a reflex action now; a nervous reflex action. Crow got the impression that if Pasty dropped his cosh he would probably faint.

“The panels, Pasty,” Joe ordered. “The panels in the clock.”

“You do it,” Pasty answered rebelliously. “That’s no clock and I’m not touching it. There’s something wrong here.”

Joe turned to him in exasperation. “Are you crazy or something? It’s a clock and nothing more! And this joker just doesn’t want us to see inside. Now what does that suggest to you?”

“Okay, okay—but you do it this time. I’ll stay out of the way and watch funnyman here. I’ve got a feeling about that thing, that’s all.” He moved over to stand near Crow who had not moved from his desk. Joe took his gun by the barrel and rapped gently on the panel below the dial of the clock at about waist height. The sound was sharp, solid. Joe turned and grinned at Titus Crow. There certainly seemed to be something in there. His grin rapidly faded when he saw Crow grinning back. He turned again to the object of his scrutiny and examined its sides, looking for hinges or other signs pointing to the thing being a hollow container of sorts. Crow could see from the crook’s puzzled expression that he was immediately at a loss. He could have told Joe before he began that there was not even evidence of jointing; it was as if the body of the instrument was carved from a solid block of timber—timber as hard as iron.

But Crow had underestimated the determined thug. Whatever Joe’s shortcomings as a human being, as a safecracker he knew no peer. Not that de Marigny’s clock was in any way a safe, but apparently the same principles applied! For as Joe’s hands moved expertly up the sides of the panelling there came a loud click and the mad ticking of the instrument’s mechanism went totally out of kilter. The four hands on the carven dial stood still for an instant of time before commencing fresh movements in alien and completely inexplicable sequences. Joe stepped nimbly back as the large panel swung silently open. He stepped just a few inches too far back, jolting the occasional table. The reading-lamp went over with a crash, momentarily breaking the spell of the wildly oscillating hands and crazy ticking of de Marigny’s clock. The corner was once more thrown in shadow and for a moment Joe stood there undecided, put off stroke by his early success. Then he gave a grunt of triumph, stepped forward and thrust his empty left hand into the darkness behind the open panel.

Pasty sensed the outsideness at the same time as Crow. He leapt across the room shouting: “Joe, Joe—for God’s sake, leave it alone…leave it alone!” Crow, on the other hand, spurred by no such sense of comradeship, quickly stood up and backed away. It was not that he was in any way a coward, but he knew something of Earth’s darker mysteries—and of the mysteries of other spheres—and besides, he sensed the danger of interfering with an action having origin far from the known side of nature.

Suddenly, the corner was dimly illumined by an eerie, dappled light from the open panel; and Joe, his arm still groping beyond that door, gave a yell of utter terror and tried to pull back. The ticking was now insanely aberrant, and the wild sweeps of the four hands about the dial were completely confused and orderless. Joe had braced himself against the frame of the opening, fighting some unseen menace within the strangely lit compartment, trying desperately to withdraw his arm. Against all his efforts his left shoulder abruptly jammed forward, into the swirling light, and at the same moment he stuck the barrel of his gun into the opening and fired six shots in rapid succession.

Перейти на страницу:

Похожие книги

Звездная месть
Звездная месть

Лихим 90-м посвящается...Фантастический роман-эпопея в пяти томах «Звёздная месть» (1990—1995), написанный в жанре «патриотической фантастики» — грандиозное эпическое полотно (полный текст 2500 страниц, общий тираж — свыше 10 миллионов экземпляров). События разворачиваются в ХХV-ХХХ веках будущего. Вместе с апогеем развития цивилизации наступает апогей её вырождения. Могущество Земной Цивилизации неизмеримо. Степень её духовной деградации ещё выше. Сверхкрутой сюжет, нетрадиционные повороты событий, десятки измерений, сотни пространств, три Вселенные, всепланетные и всепространственные войны. Герой романа, космодесантник, прошедший через все круги ада, после мучительных размышлений приходит к выводу – для спасения цивилизации необходимо свержение правящего на Земле режима. Он свергает его, захватывает власть во всей Звездной Федерации. А когда приходит победа в нашу Вселенную вторгаются полчища из иных миров (правители Земной Федерации готовили их вторжение). По необычности сюжета (фактически запретного для других авторов), накалу страстей, фантазии, философичности и психологизму "Звёздная Месть" не имеет ничего равного в отечественной и мировой литературе. Роман-эпопея состоит из пяти самостоятельных романов: "Ангел Возмездия", "Бунт Вурдалаков" ("вурдалаки" – биохимеры, которыми земляне населили "закрытые" миры), "Погружение во Мрак", "Вторжение из Ада" ("ад" – Иная Вселенная), "Меч Вседержителя". Также представлены популярные в среде читателей романы «Бойня» и «Сатанинское зелье».

Юрий Дмитриевич Петухов

Фантастика / Боевая фантастика / Научная Фантастика / Ужасы / Ужасы и мистика