She grabs her seatback, does a neat little twist (in zero-g her sixty-four-year-old body feels forty again), and settles in. She buckles her harness and unzips her suit to the waist. She takes her notebook from the elasticized pocket of her red Eagle jumpsuit, not because she needs it at this moment but just to verify it’s there. The book is crammed with names, categories, and information.
Some of it she doesn’t need yet, but she’s read enough about what’s wrong with her to know she will as the mental rot in her brain advances.
The most important thing in her memory book (that’s how she thinks of it) is halfway through, written in red ink and boxed:
Adesh has pulled himself over to look out of Winston’s porthole, and Jafari Bankole is looking over his shoulder. There’s currently no Earth to look at from that one, but Dr. Glen has pulled himself down to look out the other side. “Amazing.
Gwendy agrees and opens her notebook to the crew page, because she has forgotten the doc’s first name. Also, Reggie Black—what’s his job? She knew only minutes ago, but it’s slipped away.
A feather floats up from her book. Winston, now swimming his way back, reaches for it.
“Don’t touch that,” Gwendy says sharply.
He pays no attention, simply plucks it out of the air, looks at it curiously, then hands it to her. “What is it?”
“A feather,” Gwendy says, and keeps herself from adding,
“Lucky charm, perhaps?”
The shrewdness of this startles her and makes her a little uneasy. “How did you guess?”
He smiles. “You have the same feather tattooed on your ankle. Saw it in the gym while you were on the treadmill.”
“Let’s just say I like it.”
Winston nods, seeming to lose interest. “Gentlemen? May I have my seat back? And my porthole?” He puts a slight but unmistakable emphasis on
Adesh and Jafari move out of his way, a couple of swimming trout making way for an overfed seal.
“It’s marvelous,” Adesh murmurs to Gwendy. She nods.
Once she’s got some clear space to maneuver, Gwendy releases her harness again and takes off her pressure suit. She does an involuntary forward roll in the process and thinks that weightlessness isn’t all it’s cracked up to be. Once the suit is stowed under her seat, folded on top of the steel case, she descends to the next and last level down, which will be the passenger common room on later orbital flights … and perhaps on flights to the moon. Such an amenity is brand new, and it won’t be there on craft that go directly to the MF station. This is its maiden run.
The area is shaped like a great big Contac capsule and surprisingly roomy. There are two large viewscreens set into the floor, one showing empty black space and the other featuring the vast shoulder of Mother Earth with its gauze of atmosphere (faintly dirty, Gwendy can’t help but notice). Two of the cabins are on the port side, the other and the head on the starboard. The shiny white doors can’t help but remind her of morgue lockers on some of the TV crime shows she enjoys. A sign on the toilet says ALWAYS REVIEW PROCEDURE BEFORE OPERATING.
Gwendy doesn’t need the john yet, so she gives a lazy kick of her feet and floats to the cabin with SEN. PETERSON on the door. The latch is like the one on a refrigerator. She pulls it and uses the grip over the door to yank herself inside. The cabin—actually more of a nook—is also in the shape of a cold capsule, but much smaller. Claustrophobic, really. This time she’s reminded of the crew quarters in World War II submarine films. There’s a bunk with a harness to keep the sleeper from floating up to the curved ceiling a foot or so above, a miniscule fridge big enough for three or four bottles of juice or soda (maybe a sandwich, if you really crammed), and—of all things—a Keurig coffee maker.