The
The van belongs to a twenty-one-year-old heiress named Almaza Shprot. Almaza’s father served as a Minister of Geology in the Soviet days, and now dabbles in the oil and gas business. Almaza owns more than three changes of clothes. In fact, if all her outfits formed a chain, cuff in cuff, and marched from her closet into the sea, the chain would never end.
Actually, Almaza’s accountant would correct, the van doesn’t belong to Almaza. It belongs to Almaza’s company. You have to keep these things straight for tax purposes.
How the accountant classifies the company for tax purposes: TRAVEL AGENCY.
And it’s true, the clients do need to travel to the company’s many sites, around Russia, Latvia, and now Ukraine. But the tax forms don’t have a category for the type of service the company renders once the clients arrive at their destination. Is it legal? Who knows? Certainly not a common accountant.
A better question: Is the service transformative?
Any millionaire can frolic with dolphins in Belize, catch a ballet in Paris, clear their complexion with a champagne bath, but how many can say they’ve feared for their lives? That they’ve been trampled on, reduced to nothingness, and from that nothingness been reborn? These days, in these circles—not many.
For instance, one of the company’s trip packages re-creates
Almaza likes to experience the sites along with the clients. “Ivan Denisovich had one bad day, and got a whole memoir out of it,” Almaza tells them. “Imagine the creative possibilities.”
“I don’t think it was just one day,” an aluminum tycoon remarks, but nobody hears him through the burlap potato sack wrapped over his mouth and nose.
By the time the clients return to Moscow, dirty and bruised, they’re ready to kiss the leather of their cars, kiss their drivers, even—grateful for any simple pleasure.
As an employee of the company, Zaya wears many hats. Depending on the trip package, she’s the interrogator or torturer or prison guard, or some combination of the three.
Zaya has considered quitting. It’s as demeaning for her to play the villain as it is for the clients to play victim—maybe more. But who else would hire Zaya, with that mean mangled lip? Her face screams knife fight. Gang affiliation. She’d have to go back to selling cigarette butts at the bazaar, where the company recruiter originally discovered her. And, loath as she is to admit it, she’s good at this job. Better than her predecessors. She can distinguish between the shades of horror in her victims’ faces, knows just how far to push until the victims reveal their most vulnerable spots, their deepest fears. When Zaya thinks back on it, wreaking terror has always been her specialty. As early as age six: one evening after she’d run away from the
“What’s the most intimate act between people?” Almaza once mused in Zaya’s presence, leafing through a dog-eared porn magazine she’d found under a prison mattress. The throes of pleasure Zaya glimpsed inside resembled torment. “If not sex, then kissing?” asked Almaza.
Every time a client submits to Zaya, she wants to tell Almaza: “It’s this.”
“The child who is not embraced by the village will burn it down to feel its warmth.” Almaza had been quoting her favorite African proverb while puttering at the Chernobyl site. She was chucking bits of concrete into a wheelbarrow, her paper hazmat suit crinkling.
The company hadn’t been able to get clearance to use the real Chernobyl—and anyway, the real Chernobyl was looking too tidy these days, with the sarcophagus the French and Germans were erecting over it—so the site was a decommissioned reactor in Latvia. None of the clients seemed to mind.