With his sparky whiskers and magic tricks, no one could mistake Gobbolino for a simple kitchen cat, but that's just what the witch's kitten wants to be. Instead of learning how to turn mice into toads for the witch's brew, Gobbolino sets out on an adventure to find a family and a home of his own. Gobbolino has been delighting readers since 1942. With glorious illustrations by Catherine Rayner, a ribbon marker and a foreword by Joan Aiken, this beautiful hardback edition of Ursula Moray Williams's *Gobbolino the Witch's Cat* is a truly special gift to treasure.
Зарубежная литература для детей / Сказки народов мира18+Contents
Foreword
1 Gobbolino in Disgrace
2 Gobbolino is Left Alone
3 Gobbolino Finds a Home
4 Hobgoblin
5 The Orphanage
6 Gruel
7 The Lord Mayor’s Coach
8 The Lady Mayoress Doesn’t Like Cats
9 Gobbolino on Show
10 Gobbolino at Sea
11 The Little Princess
12 Punch and Judy
13 Gobbolino in the Tower
14 Gobbolino the Woodcutter
15 Gobbolino the Witch’s Cat
16 Gobbolino the Kitchen Cat
About the Author
Foreword
When I was young, I had a lot of books about cats. I didn’t see my father very often, as he and my mother were divorced, but every birthday he sent me a book, and at
least six of them were cat stories –
Who could help loving Gobbolino? He is such an endearing character that it seems impossible that he should have so many misfortunes, that he should not be able to find a friendly home in the very first chapter of his story. And yet, time after time, something awful happens and he loses his opportunity.
When I was young, and in the middle of a gripping book, I used to creep out of bed and lie on the floor, reading by the ray of light that shone into my room from the oil lamp on the landing
(there was no electricity in our village at that time). I read until some adult came upstairs and caught me at it and gave me a tremendous scolding.
I wonder why the witches in folk tales nearly always have cats, not dogs or pigs, as their companions? Is it because cats used to be worshipped in ancient Egypt and other long-ago civilizations? Or because cats are so cool and self-reliant, giving us the notion that they can get along quite nicely without us, thank you – apart from a bowlful of food when they want it, a warm bed to sleep in when required, and a bit of stroking five or six times a day.
Surprisingly, although cats so often figure as witches’ associates, there are not many folk tales in which cats are the heroes. There’s Puss in Boots, of course, but he is rather a
bossy, uncat-like cat. There is Dick Whittington’s cat, another bossy character, persuading his master to turn back and become Lord Mayor of London. There’s the cat who rushed up the
chimney squawking, “My stars! Old Peter’s dead and
Poetry seems to suit them better. There are plenty of cats in poems. There is “I love Little Pussy, His coat is so warm,” to which my father added the lines “And if I annoy him, He’ll chew off my arm.” There is a wonderful refrain in “Millions of Cats”: “Cats here, cats there, Cats and kittens everywhere, Hundreds of cats, Thousands of cats, Millions and billions and trillions of cats.” There is “Pussycat, pussycat, where have you been? I’ve been up to London to visit the Queen.” And then there is Thomas Gray’s cat who drowned in a tub of goldfishes. It must have been a very large bowl, or a very small and stupid cat!