But then, very slowly, he became aware that the music was diminishing—he sensed rather than heard it, like warmth stealing back into his hands. He leaned forward and saw that the dancers had paused. The child bowed its head. Then, as slowly as it had arrived, the child turned and retraced its steps, pacing back across the lawn. When it reached the shadows of the trees the skeletal dancers followed. They moved now with a more somber grace, no longer rocking back and forth beneath the weight of those heavy racks—it seemed that the antlers had somehow grown and become part of them. All their bestial power had fused with the frail bones of men. Light clung to them, light falling from the sky or rising like mist from the ground. When they reached the shadows of the tulip poplars they were clothed in it. They did not turn their heads or look back to where Jack sat and watched them. And yet he knew that
The last shining form dipped its head beneath the branches and disappeared. The music died away. Alone in his room stood Jack, robed in light and burning with fever, his pale eyes huge and glittering with the glory and horror of what he had seen. He was still there next morning when the housekeeper came to see what had kept him from breakfast.
“Jack? What is it, Jack? Are you sick? Good Lord, he isn’t—”
And he shook his head, unable to tell her No he was not dead nor even sick, but burning, burning, burning.
CHAPTER THREE
He would die at Hell Head.
Trip Marlowe knew that was how the obituaries would begin. Never mind that no one from away knew that Hell Head was where you always went to die, if you were from Moody’s Island. For sure it was where you went to die if you were a Marlowe. It was where his father had gone when Trip was six years old, and blown his brains out with a thirty-aught-six; where Trip’s mother had gone a year later, to dive into the whirlpool and never be found. Hell Head was where the island children went on Halloween, daring each other to stare into the black water at low tide and glimpse the bones there, the bones he had never seen but they were there, for sure Trip knew they were there. Trip Marlowe knew all about bones.
He was twenty-two years old and the Voice of the Last Generation. That was what some flack on Radium had called him, after Trip’s first album—the one that originally came out on Mustard Seed, the one that got him six Dove Awards and an Emmy and his face on a zillion home pages and the cover of
“It’ll make me stand out.” He hoped he didn’t sound as nervous as he felt: he had already dyed his white choir robe deep scarlet, using a packet of Rit Dye from the Moody’s Island beach store. “You know. When I sing.”
“You
It was August the first time Trip wore the red robe. They were singing at the Grace Fellowship Baptist Church over to Jonesport, not a long drive; otherwise, probably he would’ve passed out from the smell of Rit Dye. Deep scarlet came off on Trip’s hands, his skinny freckled arms and chest, and even his face. But it was so hot inside the church, the choir’s singing so pure and exalted, that no one at Grace Fellowship even noticed.
“Probably they just thought your face was all red and you were goin’ t’ pass out.” Jerry Disney fanned himself with his own crumpled-up robe and stared out the bus window at rows of boarded-up gas stations and abandoned shopping malls. “I sure thought I was.”
After that he always wore the red robe. When Trip grew out of it, John Drinkwater had his wife sew him another one, with fabric that came all the way from Bangor. And when Trip grew out of