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The vineyard required a horseback trip. When I told Bee this, she seemed to consider it for a longer time before informing me, “I have not checked on my mother’s beehives for some days. I do have tasks of my own, you know.”

“I don’t know how to help you with the hives,” I told her.

She lifted her head and again squared her small shoulders. “I know what must be done. And I’m stronger than I look,” she told me.

And so we parted, but came back together for a noon meal. I reported to her that the grapes had an excellent set, and that I had seen many of her bees busy at their work. She nodded gravely to that and said that all had appeared well with the hives.

After our meal I retreated to the Withywoods study to go over the long-neglected accounts. There was a list from Steward Revel there of maintenance projects for Withywoods that he judged too important to ignore. There were small notes next to some of the suggestions, in Molly’s handwriting. I couldn’t bear to look at it. She’d put it there at least two months ago, and I had promised her, promised her that we’d get the most pressing work under way this summer. But I hadn’t. I’d set it aside, confident that she would nag me into action when it became urgent.

Well, she wouldn’t. Not ever again.

There were other messages on my desk, accounts that needed to be paid for supplies brought in from the outlying farms. There was a lot of tallying to do for men who had worked the hayfields in exchange for a share. Here was a note that we’d have to hire more workers for the grape harvest, and if we wanted good ones, we’d best secure them now. Everything needed to be done now.

And another list, poorly written and spelled worse, of various foodstuffs. I stared at it for a time. I must have looked perplexed because Bee wandered over to peer past my elbow at it. “Oh. Cook Nutmeg wrote that, I think. She always asked Mama what meals she would like for the week to come, so Cook could be sure she had all she needed on hand for them. Mama used to write the list for her to send to town.”

“I see. And this?”

She scowled at it for a minute. “I’m not sure. I think that word is meant to be ‘wool.’ And that might be ‘cobbler.’ Mama was talking of winter woolens for the help, and new boots for you and me.”

“But it’s summer!”

She cocked her head at me. “It’s like the garden, Papa. You have to plan now what you want to have three months from now.”

“I suppose.” I stared at the unintelligible scribbling, wondering if I could somehow persuade Revel to translate and assume command of whatever this was. It was suddenly all too much. I set it down and pushed away from the desk. “We should go look at the apple trees.”

And so we did, until evening.

Day by aching day, we groped toward a routine. We made our needless daily inspection of the stables, the sheep pens, and the grapes. I did not throw myself into the work; I did not have the focus—but the accounts did not go too late, and Revel seemed almost relieved to take up the meal planning. I didn’t care what he put before me; eating had become a task to accomplish. Sleep evaded me, only to ambush me at my desk in the middle of the afternoon. More and more often Bee followed me to my private study in the evenings, where she amused herself by pretending to read my discarded papers before drawing lavish illustrations on the backs of them. We talked little, even when we played games together. Most evenings ended with her asleep on the floor. I would carry her back to her bed, tumble her into it, and then return to my study. I let go of far too many things. I felt sometimes as if we were both waiting for something.

The evening that I realized I was waiting for Molly to come back, I put my head down on my arms and wept useless bitter tears. I only came back to myself when I felt a soft hand patting my shoulder and heard her voice saying, “It can’t be changed, dear. It can’t be changed. You must let go of the past.”

I lifted my head and looked at my little daughter. I had thought her asleep on the hearth. It was the first time she had touched me of her own volition. Her eyes were such a pale blue, like Kettricken’s, and sometimes she did seem—not blind, but as if she looked past me into another place. Her words were not ones I would have expected from a child. They were Molly’s words, the words she would have spoken to me to comfort me. My little child, trying to be strong for me. I blinked my eyes clear of tears, cleared my throat, and asked her, “Would you like to learn how to play Stones?”

“Of course,” she said, and even though I knew she didn’t mean it, I taught her that night and we played until it was almost morning. We both slept in until nearly noon the next day.

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Все книги серии The Fitz and the Fool Trilogy

Fool’s Assassin
Fool’s Assassin

Nearly twenty years ago, Robin Hobb burst upon the fantasy scene with the first of her acclaimed Farseer novels, *Assassin's Apprentice,* which introduced the characters of FitzChivalry Farseer and his uncanny friend the Fool. A watershed moment in modern fantasy, this novel—and those that followed—broke exciting new ground in a beloved genre. Together with George R. R. Martin, Robin Hobb helped pave the way for such talented new voices as Scott Lynch, Brandon Sanderson, and Naomi Novik.Over the years, Hobb's imagination has soared throughout the mythic lands of the Six Duchies in such bestselling series as the Liveship Traders Trilogy and the Rain Wilds Chronicles. But no matter how far she roamed, her heart always remained with Fitz. And now, at last, she has come home, with an astonishing new novel that opens a dark and gripping chapter in the Farseer saga.FitzChivalry—royal bastard and former king's assassin—has left his life of intrigue behind. As far as the rest of the world knows, FitzChivalry Farseer is dead and buried. Masquerading as Tom Badgerlock, Fitz is now married to his childhood sweetheart, Molly, and leading the quiet life of a country squire.Though Fitz is haunted by the disappearance of the Fool, who did so much to shape Fitz into the man he has become, such private hurts are put aside in the business of daily life, at least until the appearance of menacing, pale-skinned strangers casts a sinister shadow over Fitz's past . . . and his future.Now, to protect his new life, the former assassin must once again take up his old one. . . .**Praise for Robin Hobb and the Farseer Trilogy**** **"Fantasy as it ought to be written . . . Robin Hobb's books are diamonds in a sea of zircons."**—George R. R. Martin **"A gleaming debut in the crowded field of epic fantasies . . . a delightful take on the powers and politics behind the throne."**—*Publishers Weekly****,* on* Assassin's Apprentice*"This is the kind of book you fall into, and start reading slower as you get to the end, because you don't want it to be over."**—Steven Brust**, on *Assassin's Apprentice*"[Robin] Hobb continues to revitalize a genre that often seems all too generic, making it new in ways that range from the subtle to the shocking."**—*Locus****, *on* Royal Assassin*"[*Royal Assassin*] reaches astonishing new heights. . . . The Farseer saga is destined for greatness—a must-read for every devotee of epic fantasy."**—*Sense of Wonder***"An enthralling conclusion to this superb trilogy, displaying an exceptional combination of originality, magic, adventure, character, and drama."**—*Kirkus Reviews* (starred review)**, on *Assassin's Quest*"Superbly written, wholly satisfying, unforgettable: better than any fantasy trilogy in print—including mine!"**—Melanie Rawn**, on *Assassin's Quest***### Review**Praise for Robin Hobb and the Farseer Trilogy**** **"Fantasy as it ought to be written . . . Robin Hobb's books are diamonds in a sea of zircons."**—George R. R. Martin **"A gleaming debut in the crowded field of epic fantasies . . . a delightful take on the powers and politics behind the throne."**—*Publishers Weekly****,* on* Assassin's Apprentice*"This is the kind of book you fall into, and start reading slower as you get to the end, because you don't want it to be over."**—Steven Brust**, on *Assassin's Apprentice*"[Robin] Hobb continues to revitalize a genre that often seems all too generic, making it new in ways that range from the subtle to the shocking."**—*Locus****, *on* Royal Assassin*"[*Royal Assassin*] reaches astonishing new heights. . . . The Farseer saga is destined for greatness—a must-read for every devotee of epic fantasy."**—*Sense of Wonder***"An enthralling conclusion to this superb trilogy, displaying an exceptional combination of originality, magic, adventure, character, and drama."**—*Kirkus Reviews* (starred review)**, on *Assassin's Quest*"Superbly written, wholly satisfying, unforgettable: better than any fantasy trilogy in print—including mine!"**—Melanie Rawn**, on *Assassin's Quest*### About the Author**Robin Hobb **is the author of the Farseer Trilogy, the Liveship Traders Trilogy, the Tawny Man Trilogy, the Soldier Son Trilogy, and the Rain Wilds Chronicles. She has also written as Megan Lindholm. She is a native of Washington State.

Robin Hobb , Робин Хобб

Фэнтези
Fool’s Quest
Fool’s Quest

**Ranking alongside George R. R. Martin as a groundbreaking master of fantasy, *New York Times *bestselling author Robin Hobb delivers the second book in her long-awaited Fitz and the Fool trilogy.**The harrowing adventures of FitzChivalry Farseer and his enigmatic friend the Fool continue in Robin Hobb's triumphant follow-up to *Fool's Assassin*. But *Fool's Quest* is more than just a sequel. With the artistry and imagination her fans have come to expect, Hobb builds masterfully on all that has gone before, revealing devastating secrets and shocking conspiracies that cast a dark shadow over the history of Fitz and his world—a shadow that now stretches to darken all future hope.Long ago, Fitz and the Fool changed the world, bringing back the magic of dragons and securing both the Farseer succession and the stability of the kingdom. Or so they thought. But now the Fool is near death, maimed by mysterious pale-skinned figures whose plans for world domination hinge upon the powers the Fool may share with Fitz's own daughter.Distracted by the Fool's perilous health, and swept up against his will in the intrigues of the royal court, Fitz lets down his guard . . . and in a horrible instant, his world is undone and his beloved daughter stolen away by those who would use her as they had once sought to use the Fool—as a weapon.But FitzChivalry Farseer is not without weapons of his own. An ancient magic still lives in his veins. And though he may have let his skills as royal assassin diminish over the years, such things, once learned, are not so easily forgotten.Now enemies and friends alike are about to learn that nothing is more dangerous than a man who has nothing left to lose.**Praise for Robin Hobb and *Fool's Assassin***"Fantasy as it ought to be written."**—George R. R. Martin**"Hobb knows the complicated workings of the wayward human heart, and she takes time to depict them in her tale, to tell her story sweetly, insistently, compellingly. . . . A book meant to be inhabited rather than run through."**—*The Seattle Times***"[FitzChivalry Farseer is] one of the best characters in fantasy literature."**—*Fantasy Book Review***"[Hobb's] prose sparkles, her characters leap off the page."**—*Tor.com***"Modern fantasy at its irresistible best."***—The Guardian***"Fantastic . . . emotionally rich storytelling."***—Library Journal *(starred review)***From the Hardcover edition.***

Робин Хобб

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