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For despite Molly’s assurance that our child did not dislike me, Bee remained distant from me. She rarely came closer than arm’s length, and if I sat down near her to see her little bit of needlework, she would always hunch her shoulders and turn slightly away from me. She seldom met my eyes. On a few occasions, when she fell asleep beside Molly in her chair, I would pick her up and try to carry her off to her bed. But at my touch, awake or asleep, she would stiffen and then arch like a fighting fish, flinging herself away from me. It would be a struggle for me to set her safely down, and after a number of efforts I gave up trying to touch her. I think Molly was relieved when I surrendered to Bee’s will in this.

So Molly tended to all Bee’s personal needs. She taught our child to keep herself clean, and to tidy her room as much as such a small person was able. Molly had a small bed built for her, and bedding of a matching size. She was required to keep her playthings in order and to do all things for herself as if she were a peasant child. Of this, I approved.

Molly taught her to gather from the woods mushrooms, berries, and herbs that we could not easily grow in our gardens. In the gardens and hothouses, I would find them together, picking caterpillars from leaves or gathering herbs to dry. I would pass Molly’s wax room and see small Bee standing on the table, holding a wick straight as Molly carefully poured hot wax. There they strained the golden honey from the combs and packed it into fat little pots for our winter sweetness.

They made a perfect unit, Molly and Bee. It came to me that though Bee was not the child I had dreamed we would have, she was perfect for Molly. She was utterly devoted to her mother, intent on every shift of the expression on her face. If, in their closeness, they closed me out, I tried not to resent it. Molly deserved the joy she took in this child.

So I was content to hover at the edges of their world, a moth at a window, looking in at warmth and light. Slowly I began to forsake my private study, and instead to take my translation work to the room where Bee had been born. By the time Bee was seven, I spent almost every evening in that warmly lit room. Molly’s softly flickering candles scented it with heather and lavender, or sage or rose, depending on her mood. She and Bee would do simple stitching together, while Molly softly sang the old learning songs about herbs and bees and mushrooms and flowers.

I was at my work one evening, the fire crackling softly and Molly humming over some embroidery she was working onto the neck of a little red nightgown for Bee, when I became aware that my daughter had left off sorting skeins of thread for her mother and had approached my table. I was careful not to look at her. It was as if a hummingbird hovered near me. I could not recall that she had ever voluntarily come so close to me. I feared that if I turned, she would flee. And so I continued painstakingly to copy the old illustration on a scroll about the properties of nightshade and its relatives. It asserted that one branch of the family that grew in desert regions bore red fruit that could be eaten. I was skeptical of such a claim for a toxic plant, but nonetheless I copied the text and did my best to reproduce the illustrations of leaves, starry flowers, and hanging fruit. I had begun to ink the flowers in with yellow. This, I surmised, was what had brought Bee to my shoulder. I listened to her open-mouthed breathing and became aware that Molly was no longer humming. I did not need to turn my head to know she was watching our child with as much curiosity as I felt.

A small hand touched the edge of my table and spidered slowly to the edge of the page I was working on. I pretended not to notice. I dipped my brush again and added another yellow petal. As softly as a pot bubbling on the hearth, Bee murmured something. “Yellow,” I said, as if I were Molly pretending to know her thoughts. “I’m painting the little flower yellow.”

Again, the bubbling mutter, this time a bit louder with more of a plea in it.

“Green,” I told her. I lifted the vial of ink and showed it to her. “The leaves will be this green at the edges. And I will mix green and yellow for the center, and green and black for the veins of the leaves.”

The little hand fumbled at the corner of my page. Her fingers lifted it and tugged. “Careful!” I cautioned her and received a cascade of bubbling muttering in a pleading tone.

“Fitz,” Molly gently rebuked me. “She’s asking you for paper. And a quill and ink.”

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Все книги серии The Fitz and the Fool Trilogy

Fool’s Assassin
Fool’s Assassin

Nearly twenty years ago, Robin Hobb burst upon the fantasy scene with the first of her acclaimed Farseer novels, *Assassin's Apprentice,* which introduced the characters of FitzChivalry Farseer and his uncanny friend the Fool. A watershed moment in modern fantasy, this novel—and those that followed—broke exciting new ground in a beloved genre. Together with George R. R. Martin, Robin Hobb helped pave the way for such talented new voices as Scott Lynch, Brandon Sanderson, and Naomi Novik.Over the years, Hobb's imagination has soared throughout the mythic lands of the Six Duchies in such bestselling series as the Liveship Traders Trilogy and the Rain Wilds Chronicles. But no matter how far she roamed, her heart always remained with Fitz. And now, at last, she has come home, with an astonishing new novel that opens a dark and gripping chapter in the Farseer saga.FitzChivalry—royal bastard and former king's assassin—has left his life of intrigue behind. As far as the rest of the world knows, FitzChivalry Farseer is dead and buried. Masquerading as Tom Badgerlock, Fitz is now married to his childhood sweetheart, Molly, and leading the quiet life of a country squire.Though Fitz is haunted by the disappearance of the Fool, who did so much to shape Fitz into the man he has become, such private hurts are put aside in the business of daily life, at least until the appearance of menacing, pale-skinned strangers casts a sinister shadow over Fitz's past . . . and his future.Now, to protect his new life, the former assassin must once again take up his old one. . . .**Praise for Robin Hobb and the Farseer Trilogy**** **"Fantasy as it ought to be written . . . Robin Hobb's books are diamonds in a sea of zircons."**—George R. R. Martin **"A gleaming debut in the crowded field of epic fantasies . . . a delightful take on the powers and politics behind the throne."**—*Publishers Weekly****,* on* Assassin's Apprentice*"This is the kind of book you fall into, and start reading slower as you get to the end, because you don't want it to be over."**—Steven Brust**, on *Assassin's Apprentice*"[Robin] Hobb continues to revitalize a genre that often seems all too generic, making it new in ways that range from the subtle to the shocking."**—*Locus****, *on* Royal Assassin*"[*Royal Assassin*] reaches astonishing new heights. . . . The Farseer saga is destined for greatness—a must-read for every devotee of epic fantasy."**—*Sense of Wonder***"An enthralling conclusion to this superb trilogy, displaying an exceptional combination of originality, magic, adventure, character, and drama."**—*Kirkus Reviews* (starred review)**, on *Assassin's Quest*"Superbly written, wholly satisfying, unforgettable: better than any fantasy trilogy in print—including mine!"**—Melanie Rawn**, on *Assassin's Quest***### Review**Praise for Robin Hobb and the Farseer Trilogy**** **"Fantasy as it ought to be written . . . Robin Hobb's books are diamonds in a sea of zircons."**—George R. R. Martin **"A gleaming debut in the crowded field of epic fantasies . . . a delightful take on the powers and politics behind the throne."**—*Publishers Weekly****,* on* Assassin's Apprentice*"This is the kind of book you fall into, and start reading slower as you get to the end, because you don't want it to be over."**—Steven Brust**, on *Assassin's Apprentice*"[Robin] Hobb continues to revitalize a genre that often seems all too generic, making it new in ways that range from the subtle to the shocking."**—*Locus****, *on* Royal Assassin*"[*Royal Assassin*] reaches astonishing new heights. . . . The Farseer saga is destined for greatness—a must-read for every devotee of epic fantasy."**—*Sense of Wonder***"An enthralling conclusion to this superb trilogy, displaying an exceptional combination of originality, magic, adventure, character, and drama."**—*Kirkus Reviews* (starred review)**, on *Assassin's Quest*"Superbly written, wholly satisfying, unforgettable: better than any fantasy trilogy in print—including mine!"**—Melanie Rawn**, on *Assassin's Quest*### About the Author**Robin Hobb **is the author of the Farseer Trilogy, the Liveship Traders Trilogy, the Tawny Man Trilogy, the Soldier Son Trilogy, and the Rain Wilds Chronicles. She has also written as Megan Lindholm. She is a native of Washington State.

Robin Hobb , Робин Хобб

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Fool’s Quest
Fool’s Quest

**Ranking alongside George R. R. Martin as a groundbreaking master of fantasy, *New York Times *bestselling author Robin Hobb delivers the second book in her long-awaited Fitz and the Fool trilogy.**The harrowing adventures of FitzChivalry Farseer and his enigmatic friend the Fool continue in Robin Hobb's triumphant follow-up to *Fool's Assassin*. But *Fool's Quest* is more than just a sequel. With the artistry and imagination her fans have come to expect, Hobb builds masterfully on all that has gone before, revealing devastating secrets and shocking conspiracies that cast a dark shadow over the history of Fitz and his world—a shadow that now stretches to darken all future hope.Long ago, Fitz and the Fool changed the world, bringing back the magic of dragons and securing both the Farseer succession and the stability of the kingdom. Or so they thought. But now the Fool is near death, maimed by mysterious pale-skinned figures whose plans for world domination hinge upon the powers the Fool may share with Fitz's own daughter.Distracted by the Fool's perilous health, and swept up against his will in the intrigues of the royal court, Fitz lets down his guard . . . and in a horrible instant, his world is undone and his beloved daughter stolen away by those who would use her as they had once sought to use the Fool—as a weapon.But FitzChivalry Farseer is not without weapons of his own. An ancient magic still lives in his veins. And though he may have let his skills as royal assassin diminish over the years, such things, once learned, are not so easily forgotten.Now enemies and friends alike are about to learn that nothing is more dangerous than a man who has nothing left to lose.**Praise for Robin Hobb and *Fool's Assassin***"Fantasy as it ought to be written."**—George R. R. Martin**"Hobb knows the complicated workings of the wayward human heart, and she takes time to depict them in her tale, to tell her story sweetly, insistently, compellingly. . . . A book meant to be inhabited rather than run through."**—*The Seattle Times***"[FitzChivalry Farseer is] one of the best characters in fantasy literature."**—*Fantasy Book Review***"[Hobb's] prose sparkles, her characters leap off the page."**—*Tor.com***"Modern fantasy at its irresistible best."***—The Guardian***"Fantastic . . . emotionally rich storytelling."***—Library Journal *(starred review)***From the Hardcover edition.***

Робин Хобб

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