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They hadn’t disarmed him and Nick’s right hand was already raised. If Okada, Ishii, or ta were to raise one of his weapons behind him, Nick was going to throw himself in front of Sato, grab the bigger man while emptying the full clip of his Glock into the security chief’s belly, chest, and face, then roll down into the heaps of corpses, using Sato’s body as a shield while he fired the Glock and then going for the useless little .32 pocket pistol at his ankle to take down the three body-armored ninjas carrying full-auto M4 carbines.

His body was ready to do that. But what Nick was thinking was—Val and Leonard and K.T. will never know what happened to me.

Well, K.T. might. The DPD checked Denver Municipal Landfill Number Nine about once a month for corpses of interest. And she might tell his son and father-in-law, if those two didn’t soon join him here.

Which Nick didn’t think was very likely.

Sato put his hand on Nick’s left shoulder and Nick put his hand on the butt of the Glock under his light jacket. The three ninjas shifted close behind him.

“Mukatsuku y na-s desu ka?” said Sato.

Nick had no idea what the words meant. A good-bye, maybe. An ultimatum, maybe. He really didn’t care. His index finger slipped under the Glock’s trigger guard. Everything from this point on would happen in fractions of a second.

Zehi, Bottom-san. Iko u.” Sato dropped the heavy hand from Nick’s shoulder, wheeled, and led the way back to the dragonfly. Before climbing in after the four Japanese, Nick noticed that the pilot and copilot had put on their oxygen masks to avoid the physically debilitating stench.

Wherever they were headed next, they weren’t taking him back to the Six Flags parking lot. Not yet.

Whatever it is, thought Nick, it can’t be as bad as Denver Municipal Landfill Number Nine.

As it would turn out, he was wrong.

The dragonfly hurtled west at somewhere above 150 m.p.h., never climbing higher than two or three thousand feet above the unscrolling terrain. They flew over the northern Denver suburbs and followed Highway 36, the Boulder Turnpike, toward the gleaming slabs of the Flatirons.

They were headed to the People’s Republic of Boulder.

Nick felt his phone vibrate. Moving slowly so as not to spook Sato or his ninjas, Nick withdrew the phone from his jacket pocket. It was a text message:—Mr. B—Your two visitors are here and I’ve shown them to your quarters and will watch over them. Chits for the food court and everything. Gunny G.

Nick tried not to show any emotion as he slipped the phone back in his pocket.

The dragonfly passed over Boulder, flying low over the buildings on the CU campus, and then climbed above the foothills and hovered. Nick leaned over and looked down. They were landing in what had been the parking lot at NCAR.

Nick remembered the Anthropogenic Global Warming furor. He was already in his twenties when that hysteria hit its apogee. Now it was just a cautionary tale from the early-century Dark Age of long-range computer modeling. Nick, for one, had looked forward to longer summers, easier winters, and palm trees in Colorado, but the weather the last few decades had been colder and snowier than average and the science of Anthropogenic Global Warming had joined that of Herr Becher’s phlogiston and Soviet Lamarckism evolutionary theory.

One of the first victims of the public’s disgust at the AGW false alarm, combined with disappearing federal budgets, was the group for which the beautiful building growing larger beneath them had been built: NCAR, the National Center for Atmospheric Research. The architect I. M. Pei had designed this Mesa Lab NCAR center out of sandstone and glass and meant for its stone to age with and blend in with the giant sandstone Flatirons just above the building while the glass reflected the turbulent Colorado skies. It had done so beautifully for almost seventy-five years now, but the atmospheric research people had long since sold the structure—the only structure allowed to be built in the miles of greenbelt separating urban Boulder from the Flatirons and foothills—to some private company.

They landed gently. NCAR—NAKAMURA CENTER FOR ADVANCED RESEARCH said the small sign to the right of the entry walkway.

“Mr. Nakamura kept the old initials,” Sato said redundantly as he opened the door.

Damned white of him, thought Nick.

The outer sections of the old laboratory, in the towers and where the broad windows looked out on sky, stone, and brown grasslands, were still offices. But the basement and former courtyard core of the building had been converted into… something else.

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Я думала, что уже прожила свою жизнь, но высшие силы решили иначе. И вот я — уже не семидесятилетняя бабушка, а молодая девушка, живущая в другом мире, в котором по небу летают дирижабли и драконы.Как к такому повороту относиться? Еще не решила.Для начала нужно понять, кто я теперь такая, как оказалась в гостинице не самого большого городка и куда направлялась. Наверное, все было бы проще, если бы в этот момент неподалеку не упал самый настоящий пассажирский дракон, а его хозяин с маленьким сыном не оказались ранены и доставлены в ту же гостиницу, в который живу я.Спасая мальчика, я умерла и попала в другой мир в тело молоденькой девушки. А ведь я уже настроилась на тихую старость в кругу детей и внуков. Но теперь придется разбираться с проблемами другого ребенка, чтобы понять, куда пропала его мать и продолжают пропадать все женщины его отца. Может, нужно хватать мальца и бежать без оглядки? Но почему мне кажется, что его отец ни при чем? Или мне просто хочется в это верить?

Катерина Александровна Цвик

Любовное фэнтези, любовно-фантастические романы / Детективная фантастика / Юмористическая фантастика