When I was four years old, growing up on Backgammon, my father bought me a shiny little vortex boat from a peddler on Maelstrom Bridge. It was just a toy, a bathtub boat, though it had all the stabilizer struts and outriggers in miniature. We were standing on the bridge and I wanted to see how well the boat worked, so I flipped it over the rail into the vortex. Of course, it was swept out of sight at once. Bewildered and upset because it didn’t come back to me, I looked toward my father for help. But he thought I had flung his gift into the whirlpool for the sheer hell of it, and he gave me a shriveling look of black anger and downright hatred that I will never forget. I cried half a day, but that didn’t bring back my vortex boat. I wanted to cry now. Sure. Something grotesquely unfair had happened, and I felt four years old all over again, and there was nobody to turn to for help. I was on my own.
I went to Elisandra and held her for a moment. She was sobbing and trying to speak, but the thing covered her lips. Her face was white with terror and her whole body was trembling and jerking crazily.
“Don’t worry,” I whispered. “This time I know what to do.”
How fast we act, when finally we move. I got Fazio out of the way first, tossing him or the husk of him into the entry slot of the
Unfair. Unfair. But nothing is ever fair, I thought. Or else if there is justice in the universe it exists only on levels we can’t perceive, in some chilly macrocosmic place where everything is evened out in the long run but the sin is not necessarily atoned by the sinner. I pushed her into the slot down next to Fazio and slammed the sled shut. And went to the dropdock’s wall console and keyed in the departure signal, and watched as the sled went sliding down the track toward the exit hatch on its one-way journey to Betelgeuse. The red light of the activated repellers glared for a moment, and then the blue-green returned. I turned away, wondering if the symbiont had managed to get a piece of itself into me, too, at the last moment. I waited to feel that tickle in the mind. But I didn’t. I guess there hadn’t been time for it to get us both.
And then, finally, I dropped down on the launching track and let myself cry. And went out of there, after a while, silent, numb, purged clean, thinking of nothing at all. At the inquest six weeks later I told them I didn’t have the slightest notion why Elisandra had chosen to get aboard that ship with Fazio. Was it a suicide pact, the inquest panel asked me? I shrugged. I don’t know, I said. I don’t have any goddamned idea what was going on in their minds that day, I said. Silent, numb, purged clean, thinking of nothing at all.
So Fazio rests at last in the blazing heart of Betelgeuse. My Elisandra is in there also. And I go on, day after day, still working the turnaround wheel here at the Station, reeling in the stargoing ships that come cruising past the fringes of the giant red sun. I still feel haunted, too. But it isn’t Fazio’s ghost that visits me now, or even Elisandra’s—not now, not after all this time. I think the ghost that haunts me is my own.
THE SHIP WHO RETURNED ANNE MCCAFFREY