“They are his magpies,” said Alverin softly. “Even in ancient times, from before he was blind, he always kept such birds near him, to remind him of what he dared not forget.” And, to himself, he murmured, “Or perhaps, since all this was arranged by his cunning, perhaps it is I who am blind, or who have forgotten . . . ”
One of the black birds croaked, and spoke in a voice like a man’s voice: “No matter what the cost. The Mission goals must be accomplished. No matter what the cost.”
The other black bird croaked and said, “All’s fair in war. All’s fair. All’s fair.”
Alverin and his men departed from that place, and did not look back.
WARSHIP GEORGE R. R. MARTIN AND GEORGE GUTHRIDGE
“Warship” is the very first SF story Martin ever tried to sell professionally. “Tried” being the operative word. It wasn’t until some years later when he showed the story to his friend George Guthridge—who saw something in it, and offered to rewrite it—that the story found a home in the pages of The Magazine of Fantasy & Science Fiction.
Invulnerable, she is. Earth’s answer to Sarissa’s defiance of Earth authority, she carries fourteen lasercannon, dual solar guns, a belly filled with conventionally armed missiles. Self-repairing, computerized to a point approaching sentience, she has backup systems should any instruments prove defective—supervisory capacities should any of her crew of fifty-one prove derelict. She is powered by two Severs-stardrive engines.
She is
Graciously, gloriously she began her cruise homeward at five times lightspeed, her duralloy awash with starlight. Now she had stopped. Behind her, once reddened by Doppler shift, Sarissa’s sun is again gold.
He was the last of the crew, and his strength was waning. First Dutyman Lewis Akklar found solace in those facts, an emotion he felt but could not explain, something similar to what he once had felt toward the paintings of Degas and Renoir. He was sitting in the command chair, his eyes dull; now a smile creased his lips, turned the left corner of his mouth slightly upward. Back and forth, slowly back and forth he continued to swivel the chair. The smile broadened.
His legs were outstretched, and his pants, plastic and sweat-soaked, clung wetly to his legs. His face throbbed with heat; his temperature, he knew, was about 104 degrees. His hair—straight, black—was unkempt, and it occurred to him he needed a shave and shower, some sleep. That, too, he found ironic.
Except for the low humming of the instrument panel and an occasional click as a switch cut in, the bridge around him was empty.
On three sides the silent impersonal instruments winked their multicolored lights off and on in ever-changing patterns. Above him the viewscreen revealed its endless stars: an expanse of coldness and loneliness. He knew Sol was the bright yellow star in the lower right-hand corner of the screen. Somehow he did not give a damn anymore.
So this was how it was to end. Belford, Petrovovich, Captain Doria, Lieutenant Judanya Kahr: all his friends and shipmates—killed by disease. Though capable of firing some of the most sophisticated weaponry ever installed in a spacecraft, the crew had not realized until too late for retaliation that the Sarissi emissaries had smuggled aboard a biological agent. Now only Ak-klaf, a clerk-holographer, remained.