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Mary Rosenblum is the author of four science fiction novels, including her latest, Horizons , and The Drylands, which won the Compton Crook Award for Best First Novel. Water Rites —a compilation of The Drylands and the three novelettes that preceded it—is recently available from Fairwood Press. Her short work frequently appears in Asimov’s, but has also appeared in Analog and The Magazine of Fantasy & Science Fiction, and has often been reprinted in Gardner Dozois’s The Year’s Best Science Fiction annual.

Under the name Mary Freeman, Rosenblum is also the author of four mystery novels. Lately, she has returned her short fiction roots, but is currently working on a young adult fantasy novel and an alternate history project.

Communication is power, and this tale is a story of communication on a couple of levels. But it also tackles one of Rosenblum’s favorite themes: Where does the boundary lie between human and non-human?

I wait outside the speaking chamber, where the young Speakers learn to Hear and Speak. The walls and carpeted floor are purest white, the color of this God place and the Speakers who live here walk by, all dressed in white like the walls and the floor, their palms on the shoulders of their guides. They all look the same with their pale hair and pale eyes. Only their smell tells me who they are. I am a guide for my Speaker. Until she puts on the robe and is sent to another place to Speak between the worlds for the citizens. Then I will have a new pup to raise. I will miss this puppy. Her scent comes to me from beneath the door of the learning room, smelling of trying hard and not sure.

She is never sure, my she, not since I first came to her, when she was just small. I sometimes smell her silent tears at night and slip into her room from my cubicle to lie beside her. She strokes the fur on my head and shoulders and it comforts her. It is our secret—kept secret, I think, because she does not know if it is permitted for me to sleep on her bed at night. I, myself, do not know, even after all these years here. Never before have I slept beside a pup in my charge.Perhaps there is nothing wrong. Perhaps there is. But it is our secret and it binds us. When I sleep in her bed, I hear my litter-brother in my dreams and I like that. I miss him always.

I will miss her, when she leaves. Unless they finally send me with her, the way they sent my litter-brother with his Speaker. But they say I am good at raising puppies and they have not sent me with a newly-robed Speaker yet.

While I wait for her, I pull out my brother’s last mail to me. The tiny disk feels cool and hard in my palm. Disk-mail is not expensive, but it is slow. This disk traveled in four ships before it found its way here from the colony world where my brother now lives. But we guides are servants and servants are not entitled to use the Speakers; they are for citizens only. Perhaps they think that because we mostly smell to each other that we do not need to speak with words. But we cannot smell between the stars. I would like to speak to my litter-brother and hear his answer. I will never see him again, except on my she’s bed. There, he speaks to me, tells me how he misses me. We used to wrestle in the meadow around the school where we were raised, chasing each other into the creek, splashing and laughing. Sometimes it snowed and I still dream of snow, cold and white, stinging my palms and the soles of my feet, tingly as it melted in my fur.

There is no snow in the convent. Only spring, forever.

The door opens and I have been dreaming of snow and my brother. I am not ready. I leap to my feet, ears going flat.

“Siri? Where are you?”

Her hand goes out and I step beneath it so that my shoulder fur comes up against her palm. I feel the tickle of her mind finding my eyes and the white-walled corridor blurs just a bit as our minds share my eyes.

I wonder if that is how I speak to my brother when I sleep in her bed? “I had a mail from my litter-brother,” I tell her.

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