Читаем Everything's Eventual полностью

   But you're starting to see what I mean about not needing a lot of cash money, aren't you? When Thursday morning rolls around again, I usually have at least eight bucks left, and sometimes it's more like twenty. What I do with the coins is drop them down the storm-drain in front of my house. I am aware that this would freak the neighbors out if they saw me doing it (I'm a high-school dropout, but I didn't leave because I was stupid, thank you very much), so I take out the blue plastic recycling basket with the newspapers in it (and sometimes with a Penthouse or Variations buried halfway down the stack, I don't keep that shit around for long, who would), and while I'm putting it down on the curb, I open the hand with the change in it, and through the grate in the gutter it goes. Tinkle-tinkle-tinkle-splash. Like a magician's trick. Now you see it, now you don't. Someday that drain will get clogged up, they'll send a guy down there and he'll think he won the fucking lottery, unless there's a flood or something that pushes all the change down to the waste treatment plant, or wherever it goes. By then I'll be gone. I'm not going to spend my life in Columbia City, I can tell you that. I'm leaving, and soon. One way or the other.

   The currency is easier. I just poke it down the garbage disposal in the kitchen. Another magic trick, presto-change-o, money into lettuce. You probably think that's very weird, running money through the sink-pig. I did, too, at first. But you get used to just about anything after you do it awhile, and besides, there's always another seventy falling through the letter-slot. The rule is simple: no squirrelling it away. End the week broke. Besides, it's not millions we're talking about, only eight or ten bucks a week. Chump-change, really.

III

DINKY'S DAYBOARD. That's another fringe benefit. I write down whatever I want during the week, and I get everything I ask for (except sex-mags, as I told you). Maybe I'll get bored with that eventually, but right now it's like having Santa Claus all year round. Mostly what I write down is groceries, like anyone does on their kitchen chalkboard, but by no means is groceries all.

   I might, for instance, write down "New Bruce Willis Video" or "New Weezer CD" or something like that. A funny thing about that Weezer CD, since we're on the subject. I happened to go into Toones Xpress one Friday after my movie was over (I always go to the show on Friday afternoons, even if there's nothing I really want to see, because that's when the cleaners come), just killing time inside because it was rainy and that squashed going to the park, and while I was looking at the new releases, this kid asks a clerk about the new Weezer CD. The clerk tells him it won't be in for another ten days or so, but I'd had it since the Friday before.

   Fringe benefits, like I say.

   If I write down "sport shirt" on the DAYBOARD

                                              , there it is when I get back to the house on Friday night, always in one of the nice earth-tone colors I like. If I write down "new jeans" or "chinos," I get those. All stuff from The Gap, which is where I'd go myself, if I had to do stuff like that. If I want a certain kind of after-shave lotion or cologne, I write the name on DINKY'S DAYBOARD and it's on the bathroom counter when I get home. I don't date, but I'm a fool for cologne. Go figure.

   Here's something you'll laugh at, I bet. Once I wrote down "Rembrandt Painting" on the DAYBOARD. Then I spent the afternoon at the movies and walking in the park, watching people making out and dogs catching Frisbees, thinking how eventual it would be if the cleaners actually brought me my own fucking Rembrandt. Think of it, a genuine Old Master on the wall of a house in the Sunset Knoll section of Columbia City. How eventual would that be?

   And it happened, in a manner of speaking. My Rembrandt was hung on the living room wall when I got home, over the sofa where the velvet clowns used to be. My heart was beating about two hundred a minute as I walked across the room toward it. When I got closer, I saw it was just a copy . . . you know, a reproduction. I was disappointed, but not very. I mean, it was a Rembrandt. Just not an original Rembrandt.

   Another time, I wrote "Autographed Photo of Nicole Kidman" on the DAYBOARD

             . I think she's the best-looking actress alive, she just gets me on so much. And when I got home that day, there was a publicity still of her on the fridge, held there by a couple of those little vegetable magnets. She was on her Moulin Rouge swing. And that time it was the real deal. I know because of the way it was signed: "To Dinky Earnshaw, with love & kisses from Nicole."

   Oh, baby. Oh, honey.

   Tell you something, my friend—if I worked hard and really wanted it, there might be a real Rembrandt on my wall someday. Sure. In a job like this, there is nowhere to go but up. In a way, that's the scary part.

IV

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