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   But if I'm dead, how can I feel? How can I smell the bag I'm in? How can I hear these voices, the doc now saying that next Saturday night she's going to be shampooing her dog which is named Rusty, what a coincidence, and all of them laughing? If I'm dead, why aren't I either gone or in the white light they're always talking about on Oprah?

   There's a harsh ripping sound and all at once I am in white light; it is blinding, like the sun breaking through a scrim of clouds on a winter day. I try to squint my eyes shut against it, but nothing happens. My eyelids are like blinds on broken rollers.

   A face bends over me, blocking off part of the glare, which comes not from some dazzling astral plane but from a bank of overhead fluorescents. The face belongs to a young, conventionally handsome man of about twenty-five; he looks like one of those beach beefcakes on Baywatch or Melrose Place. Marginally smarter, though. He's got a lot of dark black hair under a carelessly worn surgical-greens cap. He's wearing the tunic, too. His eyes are cobalt blue, the sort of eyes girls reputedly die for. There are dusty arcs of freckles high up on his cheekbones.

   "Hey, gosh," he says. It's the third voice. "This guy does look like Michael Bolton! A little long in the old tootharoo; maybe . . ." He leans closer. One of the flat tie-ribbons at the neck of his greens tunic tickles against my forehead. ". . . but yeah. I see it. Hey, Michael, sing something."

   Help me! is what I'm trying to sing, but I can only look up into his dark blue eyes with my frozen dead man's stare; I can only wonder if I am a dead man, if this is how it happens, if this is what everyone goes through after the pump quits. If I'm still alive, how come he hasn't seen my pupils contract when the light hit them? But I know the answer to that . . . or I think I do. They didn't contract. That's why the glare from the fluorescents is so painful.

The tie, tickling across my forehead like a feather.

   Help me! I scream up at the Baywatch beefcake, who is probably an intern or maybe just a med-school brat. Help me, please!

   My lips don't even quiver.

   The face moves back, the tie stops tickling, and all that white light streams through my helpless-to-look-away eyes and into my brain. It's a hellish feeling, a kind of rape. I'll go blind if I have to stare into it for long, I think, and blindness will be a relief.

   WHOCK! The sound of the driver hitting the ball, but a little flat this time, and the feeling in the hands is bad. The ball's up . . . but veering . . . veering off . . . veering toward . . .

   Shit.

   I'm in the rough.

   Now another face bends into my field of vision. A white tunic instead of a green one below it, a great untidy mop of orange hair above it. Distress-sale IQ is my first impression. It can only be Rusty. He's wearing a big dumb grin that I think of as a high-school grin, the grin of a kid who should have a tattoo reading BORN TO SNAP BRASTRAPS on one wasted bicep.

   "Michael!" Rusty exclaims. "Jeez, ya lookin gooood! This'z an honor! Sing for us, big boy! Sing your dead ass off!"

   From somewhere behind me comes the doc's voice, cool, no longer even pretending to be amused by these antics. "Quit it, Rusty." Then, in a slightly new direction: "What's the story, Mike?"

   Mike's voice is the first voice—Rusty's partner. He sounds slightly embarrassed to be working with a guy who wants to be Andrew Dice Clay when he grows up. "Found him on the fourteenth hole at Derry Muni. Off the course, actually, in the rough. If he hadn't just played through the foursome behind him, and if they hadn't seen one of his legs stickin out of the puckerbrush, he'd be an ant-farm by now."

   I hear that sound in my head again—WHOCK!—only this time it is followed by another, far less pleasant sound: the rustle of underbrush as I sweep it with the head of my driver. It would have to be fourteen, where there is reputedly poison ivy. Poison ivy and . . .

   Rusty is still peering down at me, stupid and avid. It's not death that interests him; it's my resemblance to Michael Bolton. Oh yes, I know about it, have not been above using it with certain female clients. Otherwise, it gets old in a hurry. And in these circumstances . . . God.

   "Attending physician?" the lady doc asks. "Was it Kazalian?"

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Лихим 90-м посвящается...Фантастический роман-эпопея в пяти томах «Звёздная месть» (1990—1995), написанный в жанре «патриотической фантастики» — грандиозное эпическое полотно (полный текст 2500 страниц, общий тираж — свыше 10 миллионов экземпляров). События разворачиваются в ХХV-ХХХ веках будущего. Вместе с апогеем развития цивилизации наступает апогей её вырождения. Могущество Земной Цивилизации неизмеримо. Степень её духовной деградации ещё выше. Сверхкрутой сюжет, нетрадиционные повороты событий, десятки измерений, сотни пространств, три Вселенные, всепланетные и всепространственные войны. Герой романа, космодесантник, прошедший через все круги ада, после мучительных размышлений приходит к выводу – для спасения цивилизации необходимо свержение правящего на Земле режима. Он свергает его, захватывает власть во всей Звездной Федерации. А когда приходит победа в нашу Вселенную вторгаются полчища из иных миров (правители Земной Федерации готовили их вторжение). По необычности сюжета (фактически запретного для других авторов), накалу страстей, фантазии, философичности и психологизму "Звёздная Месть" не имеет ничего равного в отечественной и мировой литературе. Роман-эпопея состоит из пяти самостоятельных романов: "Ангел Возмездия", "Бунт Вурдалаков" ("вурдалаки" – биохимеры, которыми земляне населили "закрытые" миры), "Погружение во Мрак", "Вторжение из Ада" ("ад" – Иная Вселенная), "Меч Вседержителя". Также представлены популярные в среде читателей романы «Бойня» и «Сатанинское зелье».

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Фантастика / Боевая фантастика / Научная Фантастика / Ужасы / Ужасы и мистика