Читаем Everything's Eventual полностью

   I think it was the sight of those bloody tears that gave me my body back. I don't know why that should have been, but I think it was. I bolted to my feet like a jack released from its box, turned with my bamboo pole still in one hand, and fled up the bank, bending over and tearing tough bunches of weeds out with my free hand in an effort to get up the slope more quickly.

   He made a strangled, furious noise—the sound of any man with his mouth too full—and I looked back just as I got to the top. He was coming after me, the back of his suit-coat flapping and his thin gold watch-chain flashing and winking in the sun. The tail of the fish was still protruding from his mouth and I could smell the rest of it, roasting in the oven of his throat.

   He reached for me, groping with his talons, and I fled along the top of the bank. After a hundred yards or so I found my voice and went to screaming—screaming in fear, of course, but also screaming in grief for my beautiful dead mother.

   He was coming along after me. I could hear snapping branches and whipping bushes, but I didn't look back again. I lowered my head, slitted my eyes against the bushes and low-hanging branches along the stream's bank, and ran as fast as I could. And at every step I expected to feel his hands descending on my shoulders pulling me back into a final hot hug.

   That didn't happen. Some unknown length of time later—it couldn't have been longer than five or ten minutes, I suppose, but it seemed like forever—I saw the bridge through layerings of leaves and firs. Still screaming, but breathlessly now, sounding like a teakettle which has almost boiled dry, I reached this second, steeper bank and charged up to it.

   Halfway to the top I slipped to my knees, looked over my shoulder, and saw the man in the black suit almost at my heels, his white face pulled into a convulsion of fury and greed. His cheeks were splattered with his bloody tears and his shark's mouth hung open like a hinge.

   "Fisherboy!" he snarled, and started up the bank after me, grasping at my foot with one long hand. I tore free, turned, and threw my fishing pole at him. He batted it down easily, but it tangled his feet up somehow and he went to his knees. I didn't wait to see anymore; I turned and bolted to the top of the slope. I almost slipped at the very top, but managed to grab one of the support struts running beneath the bridge and save myself.

   "You can't get away, fisherboy!" he cried from behind me. He sounded furious, but he also sounded as if he were laughing. "It takes more than a mouthful of trout to fill me up!"

   "Leave me alone!" I screamed back at him. I grabbed the bridge's railing and threw myself over it in a clumsy somersault, filling my hands with splinters and bumping my head so hard on the boards when I came down that I saw stars. I rolled over onto my belly and began crawling. I lurched to my feet just before I got to the end of the bridge, stumbled once, found my rhythm, and then began to run. I ran as only nine-year-old boys can run, which is like the wind. It felt as if my feet only touched the ground with every third or fourth stride, and for all I know, that may be true. I ran straight up the righthand wheelrut in the road, ran until my temples pounded and my eyes pulsed in their sockets, ran until I had a hot stitch in my left side from the bottom of my ribs to my armpit, ran until I could taste blood and something like metal-shavings in the back of my throat. When I couldn't run anymore I stumbled to a stop and looked back over my shoulder, puffing and blowing like a windbroke horse. I was convinced I would see him standing right there behind me in his natty black suit, the watch-chain a glittering loop across his vest and not a hair out of place.

   But he was gone. The road stretching back toward Castle Stream between the darkly massed pines and spruces was empty. And yet I sensed him somewhere near in those woods, watching me with his grassfire eyes, smelling of burnt matches and roasted fish.

   I turned and began walking as fast as I could, limping a little—I'd pulled muscles in both legs, and when I got out of bed the next morning I was so sore I could barely walk. I didn't notice those things then, though. I just kept looking over my shoulder, needing again and again to verify that the road behind me was still empty. It was, each time I looked, but those backward glances seemed to increase my fear rather than lessening it. The firs looked darker, massier, and I kept imagining what lay behind the trees which marched beside the road—long, tangled corridors of forest, leg-breaking deadfalls, ravines where anything might live. Until that Saturday in 1914, I had thought that bears were the worst thing the forest could hold.

   Now I knew better.

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Лихим 90-м посвящается...Фантастический роман-эпопея в пяти томах «Звёздная месть» (1990—1995), написанный в жанре «патриотической фантастики» — грандиозное эпическое полотно (полный текст 2500 страниц, общий тираж — свыше 10 миллионов экземпляров). События разворачиваются в ХХV-ХХХ веках будущего. Вместе с апогеем развития цивилизации наступает апогей её вырождения. Могущество Земной Цивилизации неизмеримо. Степень её духовной деградации ещё выше. Сверхкрутой сюжет, нетрадиционные повороты событий, десятки измерений, сотни пространств, три Вселенные, всепланетные и всепространственные войны. Герой романа, космодесантник, прошедший через все круги ада, после мучительных размышлений приходит к выводу – для спасения цивилизации необходимо свержение правящего на Земле режима. Он свергает его, захватывает власть во всей Звездной Федерации. А когда приходит победа в нашу Вселенную вторгаются полчища из иных миров (правители Земной Федерации готовили их вторжение). По необычности сюжета (фактически запретного для других авторов), накалу страстей, фантазии, философичности и психологизму "Звёздная Месть" не имеет ничего равного в отечественной и мировой литературе. Роман-эпопея состоит из пяти самостоятельных романов: "Ангел Возмездия", "Бунт Вурдалаков" ("вурдалаки" – биохимеры, которыми земляне населили "закрытые" миры), "Погружение во Мрак", "Вторжение из Ада" ("ад" – Иная Вселенная), "Меч Вседержителя". Также представлены популярные в среде читателей романы «Бойня» и «Сатанинское зелье».

Юрий Дмитриевич Петухов

Фантастика / Боевая фантастика / Научная Фантастика / Ужасы / Ужасы и мистика