I wasn't just afraid, I was terrified. Everything was wrong,
"Hector," I said, giving him my roommate's name. "Hector Passmore, that's me." It came out of my dry mouth smooth and calm, and that was good. Something inside me insisted that I must not let the driver of the Mustang know that I sensed something wrong. It was my only chance.
He turned toward me a little, and I could read his button: I RODE THE BULLET AT THRILL VILLAGE, LACONIA. I knew the place; had been there, although not for a long time.
I could also see a heavy black line which circled his throat just as the barbwire tattoo circled his upper arm, only the line around the driver's throat wasn't a tattoo. Dozens of black marks crossed it vertically. They were the stitches put in by whoever had put his head back on his body.
"Nice to meet you, Hector," he said. "I'm George Staub."
My hand seemed to float out like a hand in a dream. I wish that it had been a dream, but it wasn't; it had all the sharp edges of reality. The smell on top was pine. The smell underneath was some chemical, probably formaldehyde. I was riding with a dead man.
The Mustang rushed along Ridge Road at sixty miles an hour, chasing its high beams under the light of a polished button moon. To either side the trees crowding the road danced and writhed in the wind. George Staub smiled at me with his empty eyes, then let go of my hand and returned his attention to the road. In high school I'd read
"There's nothing like a wedding," he said.
"Yeah," I said, "everyone should do it at least twice."
My hands had settled on each other and were squeezing. I could feel the nails digging into the backs of them just above the knuckles, but the sensation was distant. I couldn't let him know, that was the thing. The woods were all around us, the only light was the heartless bone-glow of the moon, and I couldn't let him know that I knew he was dead. Because he wasn't a ghost, nothing so harmless. You might
George Staub laughed. "Do it twice! Yeah, man, that's my whole family!"
"Mine, too," I said. My voice sounded calm, just the voice of a hitchhiker passing the time of day—night, in this case—making agreeable conversation as some small payment for his ride. "There's really nothing like a funeral."
"Wedding," he said mildly. In the light from the dashboard his face was waxy, the face of a corpse before the makeup went on. That turned-around cap was particularly horrible. It made you wonder how much was left beneath it. I had read somewhere that morticians sawed off the top of the skull and took out the brains and put in some sort of chemically treated cotton. To keep the face from falling in, maybe.
"Wedding," I said through numb lips, and even laughed a little— a light little chuckle. "Wedding's what I meant to say."
"We always say what we mean to say, that's what I think," the driver said. He was still smiling.
Yes, Freud had believed that, too, I'd read it in Psych 101. I doubted if this fellow knew much about Freud, I didn't think many Freudian scholars wore sleeveless tee-shirts and baseball caps turned around backward, but he knew enough. Funeral, I'd said. Dear Christ, I'd said funeral. It came to me then that he was playing me. I didn't want to let him know I knew he was dead.