Every Day

I’ve sat all those out.

If there’s one thing I’m good at, it’s video games. It’s a universal presence, like TV or the Internet. No matter where I am, I usually have access to these things, and video games especially help me calm my mind.

After soccer practice, Skylar’s friends come over to play World of Warcraft. We talk about school and talk about girls (except for his friends Chris and David, who talk about boys). This, I’ve discovered, is the best way to waste time, because it isn’t really wasted—surrounded by friends, talking crap and sometimes talking for real, with snacks around and something on a screen.

I might even be enjoying myself, if I could only unmoor myself from the place I want to be.

Day 5997

It’s almost eerie how well the next day works out.

I wake up early—six in the morning.

I wake up as a girl.

A girl with a car. And a license.

In a town only an hour away from Rhiannon’s.

I apologize to Amy Tran as I drive away from her house, a half hour after waking up. What I’m doing is, no doubt, a strange form of kidnapping.

I strongly suspect that Amy Tran wouldn’t mind. Getting dressed this morning, the options were black, black, or … black. Not in a goth sense—none of the black came in the form of lace gloves—but more in a rock ’n’ roll sense. The mix in her car stereo puts Janis Joplin and Brian Eno side by side, and somehow it works.

I can’t rely on Amy’s memory here—we’re going somewhere she’s never been. So I did some Google mapping right after my shower, typed in the address of Rhiannon’s school and watched it pop up in front of me. That simple. I printed it out, then cleared the history.

I have become very good at clearing histories.

I know I shouldn’t be doing this. I know I’m poking a wound, not healing it. I know there’s no way to have a future with Rhiannon.

All I’m doing is extending the past by a day.

Normal people don’t have to decide what’s worth remembering. You are given a hierarchy, recurring characters, the help of repetition, of anticipation, the firm hold of a long history. But I have to decide the importance of each and every memory. I only remember a handful of people, and in order to do that, I have to hold tight, because the only repetition available—the only way I am going to see them again—is if I conjure them in my mind.

I choose what to remember, and I am choosing Rhiannon. Again and again, I am choosing her, I am conjuring her, because to let go for an instant will allow her to disappear.

The same song that we heard in Justin’s car comes on—And if I only could, I’d make a deal with God.…

I feel the universe is telling me something. And it doesn’t even matter if it’s true or not. What matters is that I feel it, and believe it.

The enormity rises within me.

The universe nods along to the songs.

I try to hold on to as few mundane, everyday memories as possible. Facts and figures, sure. Books I’ve read or information I need to know. The rules of soccer, for instance. The plot of Romeo and Juliet. The phone number to call if there’s an emergency. I remember those.

But what about the thousands of everyday memories, the thousands of everyday reminders, that every person accumulates? The place you keep your house keys. Your mother’s birthday. The name of your first pet. The name of your current pet. Your locker combination. The location of the silverware drawer. The channel number for MTV. Your best friend’s last name.

These are the things I have no need for. And, over time, my mind has rewired itself, so all this information falls away as soon as the next morning comes.

Which is why it’s remarkable—but not surprising—that I remember exactly where Rhiannon’s locker is.

I have my cover story ready: If anyone asks, I am checking out the school because my parents might be moving to town.

I don’t remember if there are assigned parking spaces, so just in case, I park far from the school. Then I simply walk in. I am just another random girl in the halls—the freshmen will think I’m a senior, and the seniors will think I’m a freshman. I have Amy’s schoolbag with me—black with anime details, filled with books that won’t really apply here. I look like I have a destination. And I do.

If the universe wants this to happen, she will be there at her locker.

I tell myself this, and there she is. Right there in front of me.

Sometimes memory tricks you. Sometimes beauty is best when it’s distant. But even from here, thirty feet away, I know that the reality of her is going to match my memory.

Twenty feet away.

Even in the crowded hallway, there is something in her that radiates out to me.

Ten.

She is carrying herself through the day, and it’s not an easy task.

Five.

I can stand right here and she has no idea who I am. I can stand right here and watch her. I can see that the sadness has returned. And it’s not a beautiful sadness—beautiful sadness is a myth. Sadness turns our features to clay, not porcelain. She is dragging.