Duma Key

He started away, ignoring the shouted questions, and things might still have been all right - different, at least - if I'd turned off the TV or changed the channel right then. But I didn't. I watched the Channel 6 talking head back in the studio say, "Royal Bonnier, a legal crusader who has won half a dozen supposedly unwinnable pro bono cases, said he would make every effort to exclude the following video, shot by a security camera behind Bealls Department Store, from the trial."

And that damned thing started again. The kid crosses from right to left with the pack on her back. Brown emerges from the rampway and takes her by the wrist. She looks up at him and appears to ask him a question. And that was when the itch descended on my missing arm like a swarm of bees.

I cried out - in surprise as well as agony - and fell on the floor, knocking both the remote and my sandwich-plate onto the rug, scratching at what wasn't there. Or what I couldn't get at. I heard myself yelling at it to stop, please stop. But of course there was only one way to stop it. I got on my knees and crawled for the stairs, registering the crunch as one knee came down on the remote and broke it, but first changing the station. To CMT: Country Music Television. Alan Jackson was singing about murder on Music Row. Twice going up the stairs I clawed for the banister, that's how there my right hand was. I could actually feel the sweaty palm squeak on the wood before it passed through like smoke.

Somehow I got to the top and stumbled to my feet. I flicked all the light-switches up with my forearm and staggered to my easel at a half-assed run. There was a partly finished Girl and Ship on it. I heaved it aside without a look and slammed a fresh blank canvas in its place. I was breathing in hot little moans. Sweat was trickling out of my hair. I grabbed a wipe-off cloth and flapped it over my shoulder the way I'd flapped burp-rags over my shoulder when the girls were small. I stuck a brush in my teeth, put a second one behind my ear, started to grab a third, then picked up a pencil instead. The minute I started sketching, the monstrous itch in my arm began to abate. By midnight the picture was done and the itch was gone. Only it wasn't just a picture, not this one; this one was The Picture, and it was good, if I do say so myself. And I do. I really was a talented sonofabitch. It showed Candy Brown with his hand locked around Tina Garibaldi's wrist. It showed Tina looking up at him with those dark eyes, terrible in their innocency. I'd caught her look so perfectly that her parents would have taken one glance at the finished product and wanted to commit suicide. But her parents were never going to see this.

No, not this one.

My painting was an almost exact copy of the photograph that had been in every Florida newspaper at least once since February fifteenth, and probably in most papers across the United States. There was only one major difference. I'm sure Dario Nannuzzi would have seen it as a trademark touch - Edgar Freemantle the American Primitive fighting gamely past the clich , struggling to reinvent Candy and Tina, that match made in hell - but Nannuzzi was never going to see this one, either.

I dropped my brushes back into their mayo jars. I was paint up to my elbow (and all down the left side of my face), but cleaning up was the last thing on my mind.

I was too hungry.

There was hamburger, but it wasn't thawed. Ditto the pork roast Jack had picked up at Morton's the previous week. And the rest of my current bologna stash had been supper. There was, however, an unopened box of Special K with Fruit Yogurt. I started to pour some into a cereal bowl, but in my current state of ravenousness, a cereal bowl looked roughly the size of a thimble. I shoved it aside so hard it bounced off the breadbox, got one of the mixing bowls from the cupboard over the stove instead, and dumped the whole box of cereal into it. I floated it with half a quart of milk, added seven or eight heaping tablespoons of sugar, then dug in, pausing only once to add more milk. I ate all of it, then sloshed off to bed, stopping at the TV to silence the current urban cowboy. I collapsed crosswise on the counterpane, and found myself eye-to-eye with Reba as the shells beneath Big Pink murmured.

What did you do? Reba asked. What did you do this time, you nasty man?

I tried to say Nothing, but I was asleep before the word could come out. And besides - I knew better.

xii

The phone woke me. I managed to push the right button on the second try and said something that vaguely resembled hello.

" Muchacho, wake up and come to breakfast!" Wireman cried. "Steak and eggs! It's a celebration!" He paused. "At least I'm celebrating. Miss Eastlake's fogged out again."

"What are we cele-" It hit me then, the only thing it possibly could be, and I snapped upright, tumbling Reba onto the floor. "Did your vision come back?"