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- arm back, I suppose he said, but I don't know for sure; I didn't hear the finish. What I saw were those black eyes and that black maw of a mouth ringed with red. Noveen. All these years she had been down there in the double dark - under the stair and in the tin box - waiting to spill her secrets, and her lipstick had stayed fresh all the while.

Are you set? she whispered inside my head, and that voice wasn't Noveen's, wasn't Nan Melda's (I was sure of that), wasn't even Elizabeth's; that was all Reba. You all set and ready to draw, you nasty man? Are you ready to see the rest? Are you ready to see it all?

I wasn't... but I would have to be.

For Ilse.

"Show me your pictures," I whispered, and that red mouth swallowed me whole.

How to Draw a Picture (X)

Be prepared to see it all. If you want to create - God help you if you do, God help you if you can - don't you dare commit the immorality of stopping on the surface. Go deep and take your fair salvage. Do it no matter how much it hurts.

You can draw two little girls - twins - but anyone can do that. Don't stop there just because the rest is a nightmare. Do not neglect to add the fact that they are standing thigh-deep in water that should be over their heads. A witness - Emery Paulson, for instance - could see this if he looked, but so many people aren't prepared to see what is right in front of their eyes.

Until, of course, it's too late.

He's come down to the beach to smoke a cigar. He can do this on the back porch or on the veranda, but some strong compulsion has urged him down the rutted road Adie calls Drunkard's Boulevard and then down the steeper, sandy path to the beach. This voice has suggested his cigar will taste better here. He can sit on a fallen log the waves have cast up and watch the after-ashes of the sunset, as orange fades to tangerine and the stars go blue. The Gulf will look pleasant in such light, the voice suggests, even if the Gulf has had the bad taste to mark the beginning of his marriage by swallowing two of his beloved's little sisters.

But there's more to watch than just a sunset, it seems. There's a ship out there. It's an old-fashioned one, a pretty, slim-hulled thing with three masts and furled sails. Instead of sitting on the log, he walks down the beach to where the dry sand becomes wet and firm and packed, marveling at that swallow-shape against the fading sunset. Some trick of the air makes it seem as if the day's last red is shining right through the hull.

He is thinking this when the first cry comes, chiming in his head like a silver bell: Emery!

And then comes another: Emery, help! The undertow! The rip!

That is when he sees the girls, and his heart gives a springing leap. It seems to rise all the way to his throat before falling back into place, where it dashes double-time. The unlit cigar tumbles from his fingers.

Two little girls, and they look just the same. They appear to be wearing identical jumpers, and although Emery should not be able to distinguish colors in this dying light, he can: one jumper is red, with an L on the front; the other is blue, with a T .

The rip! the girl with the T on her jumper calls, holding out her arms in supplication.

The undertow! calls the girl with the L .

And although neither girl appears to be in the slightest danger of drowning, Emery doesn't hesitate. His joy won't let him hesitate, nor his bright certainty that this is a miracle opportunity: when he turns up with the twins, his previously distant father-in-law will change his tune in a hurry. And the silver chimes those voices ring in his head, they urge him forward, too. He rushes to rescue Adie's sisters, to gather the lost girls in and splash with them to shore.

Emery! That's Tessie, her eyes dark in her china-pale face... but her lips are red.

Emery, hurry! That's Laura, with her dripping white hands held out to him and her lank curls pasted against her white cheeks.

He cries I'm coming, girls! Hold on!

Splashing toward them, now up to his shins, now his knees.

He cries Fight it! as though they are doing anything but standing there in water that is only thigh-deep on them, although he's now up to his own thighs and he's six feet and two inches tall.

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Звездная месть
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Лихим 90-м посвящается...Фантастический роман-эпопея в пяти томах «Звёздная месть» (1990—1995), написанный в жанре «патриотической фантастики» — грандиозное эпическое полотно (полный текст 2500 страниц, общий тираж — свыше 10 миллионов экземпляров). События разворачиваются в ХХV-ХХХ веках будущего. Вместе с апогеем развития цивилизации наступает апогей её вырождения. Могущество Земной Цивилизации неизмеримо. Степень её духовной деградации ещё выше. Сверхкрутой сюжет, нетрадиционные повороты событий, десятки измерений, сотни пространств, три Вселенные, всепланетные и всепространственные войны. Герой романа, космодесантник, прошедший через все круги ада, после мучительных размышлений приходит к выводу – для спасения цивилизации необходимо свержение правящего на Земле режима. Он свергает его, захватывает власть во всей Звездной Федерации. А когда приходит победа в нашу Вселенную вторгаются полчища из иных миров (правители Земной Федерации готовили их вторжение). По необычности сюжета (фактически запретного для других авторов), накалу страстей, фантазии, философичности и психологизму "Звёздная Месть" не имеет ничего равного в отечественной и мировой литературе. Роман-эпопея состоит из пяти самостоятельных романов: "Ангел Возмездия", "Бунт Вурдалаков" ("вурдалаки" – биохимеры, которыми земляне населили "закрытые" миры), "Погружение во Мрак", "Вторжение из Ада" ("ад" – Иная Вселенная), "Меч Вседержителя". Также представлены популярные в среде читателей романы «Бойня» и «Сатанинское зелье».

Юрий Дмитриевич Петухов

Фантастика / Боевая фантастика / Научная Фантастика / Ужасы / Ужасы и мистика