Duma Key

"I'm impressed by their clarity," Yoshida said. "And their... I don't know, but... I think... lucidity. These images carry the viewer along without drowning him. The other thing that amazes me is how fast you've worked. You're unbottling."

"I don't know that word."

"Artists who begin late are sometimes said to unbottle," Nannuzzi said. "It's as if they're trying to make up for lost time. Still... forty paintings in a matter of months... of weeks, really..."

And you didn't even see the one that killed the child-murderer, I thought.

Dario laughed without much humor. "Try not to let the place burn down, all right?"

"Yes - that would be bad. Assuming we make a deal, could I store some of my work at your gallery?"

"Of course," Nannuzzi said.

"That's great." Thinking I'd like to sign as soon as possible no matter what Wireman thought of the contract, just to get these pictures off the Key... and it wasn't fire I was worried about. Unbottling might be fairly common among artists who began later in life, but forty-one paintings on Duma Key were at least three dozen too many. I could feel their live presence in this room, like electricity in a bell jar.

Of course, Dario and Jimmy felt it, too. That was part of what made those fucking pictures so effective. They were catching.

xiii

I joined Wireman and Elizabeth for coffee at the end of El Palacio 's boardwalk the next morning. I was down to nothing but aspirin to get going, and my Great Beach Walks were now a pleasure instead of a challenge. Especially since the weather had warmed up.

Elizabeth was in her wheelchair with the remains of a breakfast pastry scattered across her tray. It looked to me as if he'd also managed to get some juice and half a cup of coffee into her. She was staring out at the Gulf with an expression of stern disapproval, looking this morning more like Captain Bligh of HMS Bounty than a Mafia don's daughter.

" Buenos d as, mi amigo, " Wireman said. And to Elizabeth: "It's Edgar, Miss Eastlake. He came for sevens. Want to say hello?"

"Piss shit head rat," she said. I think. In any case, she said it to the Gulf, which was still dark blue and mostly asleep.

"Still not so good, I take it," I said.

"No. She's gone down before and come back up, but she's never gone down so far."

"I still haven't brought her any of my pictures to look at."

"No point right now." He handed me a cup of black coffee. "Here. Get your bad self around this."

I passed him the envelope with the sample contract in it. As Wireman pulled it out, I turned to Elizabeth. "Would you like some poems later today?" I asked her.

Nothing. She only looked out at the Gulf with that stony frown: Captain Bligh about to order someone strapped to the foremast and flogged raw.

For no reason at all, I asked: "Was your father a skin diver, Elizabeth?"

She turned her head slightly and cut her ancient eyes in my direction. Her upper lip lifted in a dog's grin. There was a moment - it was brief, but seemed long - when I felt another person looking at me. Or not a person at all. An entity that was wearing Elizabeth Eastlake's old, doughy body like a sock. My right hand clenched briefly, and once more I felt nonexistent, too-long fingernails bite into a nonexistent palm. Then she looked back at the Gulf, simultaneously feeling across the tray until her fingers happened on a piece of the breakfast pastry, and I was calling myself an idiot who had to stop letting his nerves get the best of him. There were undoubtedly strange forces at work here, but not every shadow was a ghost.

"He was," Wireman said absently, unfolding the contract. "John Eastlake was a regular Ricou Browning - you know, the guy who played the Creature from the Black Lagoon back in the fifties."

"Wireman, you're an artesian well of useless information."

"Yeah, ain't I cool? Her old man didn't buy that harpoon pistol in a store, you know; Miss Eastlake says he had it commissioned. It probably ought to be in a museum."

But I didn't care about John Eastlake's harpoon gun, not just then. "Are you reading that contract?"

He dropped it on the tray and looked at me, bemused. "I was trying."

"And your left eye?"

"Nothing. But hey, no reason to be disappointed. The doctor said -"

"Do me a favor. Cover your left peeper."

He did.

"What do you see?"

"You, Edgar. One hombre muy feo. "

"Yeah, yeah. Cover the right one."

He did. "Now I just see black. Only..." He paused. "Maybe not as black." He dropped his hand again. "I can't tell for sure. These days I can't separate the truth from the wishful thinking." He shook his head hard enough to make his hair fly, then thumped his forehead with the heel of his hand.

"Take it easy."

"Easy for you to say." He sat silent for a few moments, then picked the piece of breakfast pastry out of Elizabeth's hand and fed it to her. When it was tucked safely away in her mouth, he turned to me. "Would you mind her while I go get something?"

"Happy to."