Drone

Sergio Navarro was at his computer workstation inside the Intelligence Division of the DEA headquarters building. It was 4 a.m., he was the shift supervisor, and he was bone-tired.

The twenty-six-year-old intelligence analyst had helped form the new Social Media Task Force organized around RIOT, Raytheon’s new social-media data-mining software. Rapid Information Overlay Technology not only hoovered data on suspects using social networking sites like Twitter, Facebook, and Foursquare, it also predicted their future behavior. Drug dealers were as attracted to social media as the rest of the world was, and their desire for more human interaction through inhuman computers enabled the DEA to harvest terabytes’ worth of vital intelligence information that they might not have otherwise acquired.

Navarro had been slumped behind his computer working on his master’s thesis project, designing hardware and software for an open-sourced, Arduino-based crowdmapping device to locate and track drug dealers. Because it was all open-sourced, he could distribute the devices for free to poor communities victimized by drug violence all over the world. But with the budget freeze, the DEA couldn’t pay for it, so Navarro had turned to Kickstarter and crowdfunded six figures for the project. When the RIOT software alarms rang, Navarro quickly pulled up the search window.

Tonight’s automated search had focused on El Paso and the terrible massacre that had occurred just over a week ago. RIOT had just found the string of tweets, and they were all being generated by a single event: an uploaded video file. RIOT had found the video link as well, so Navarro opened it.

It was a cell-phone video of the Cinco de Mayo massacre.

Holy crap!

This was the smoking gun his division had been looking for.

The video was dark, shaky, and suffering the pangs of autofocus—the attack had been at night and the scene was lit primarily by a distant street lamp. Nevertheless, the video was generating quite a stir in the blogosphere. The video showed the two killers blasting away with their machine guns, death-metal music screaming in the background. Unfortunately, audio quality was poor because of the cheap microphone in the cell phone that shot the video.

Navarro located the video on the original Facebook post in question and dubbed a clean copy for the DEA’s use. Navarro then reflagged the El Paso automated-search packages in order to catch the rising tidal wave of interest in the video, now surging to several hundred hits and climbing by the minute. It was about to go viral.

At the same time, the search bots were also sifting through the comments on the video posted on various web, Twitter, Tumblr, and Facebook pages. Just like old-school serial killers needed to keep physical trophies of their gruesome work, psychopaths in the social-media age often uploaded video of their crimes—a kind of digital trophy.

Navarro now had the time to fiddle around with the video clip he’d just copied to his own hard drive. He majored in computer science as an undergrad, but he had taken a couple of filmmaking courses as electives, including a class on nonlinear editing where he had learned to use Final Cut Pro.

Navarro opened his copy of FCP and dropped the video clip into the timeline. He played around with the filters to improve the quality of the image, slowing the shaking and enhancing the sound. He then experimented with the zoom feature. He played the newly edited clip a half dozen times, alternately slowing or speeding the clip. Something began to strike him as odd about the two shooters.

Navarro had avidly followed the El Paso massacre story. He had an aunt and uncle who lived in that city, and two cousins who had recently graduated from the Frida Kahlo Arts Academy. Navarro stopped the video clip loop. Rewound it. He put the two killers right in front of the open doors of the Hummer and paused it again. He studied the shooters. Examined the Hummer again.

That was it.

Navarro snatched up his phone and speed-dialed his supervisor.

10

The White House, Washington, D.C.

President Myers sighed. It seemed as if each new closed-door meeting was more crowded than the last.

Seated around the table were DEA Administrator Nancy Madrigal and Attorney General Faye Lancet, who was the head of the DOJ, under which the DEA operated. The director of ICE, Pedro Molina, sat next to his boss, DHS Secretary Bill Donovan, one of Myers’s closest advisors. Bleary-eyed Sergio Navarro was also at the table seated next to his boss, Roy Jackson, the head of the DEA Intelligence Division. But the rest of Myers’s trusted inner circle was also in attendance, including Mike Early and, of course, Sandy Jeffers, seated to her immediate right. Dr. Strasburg sat strategically across from her.

Protocol, not preference, put the vice president on Myers’s immediate left. If it were up to her, Greyhill would have been seated in the men’s room.