Double Whammy

Dickie's driver, a local boy, remained on his knees in the back of the bass boat, trying to grab the fish out of the livewell. He seemed to be taking a long time. Eventually even Ed Spurling turned to watch.

There were five bass in all, very nice ones. Decker figured the smallest to be four pounds; the biggest was simply grotesque. It had the color of burnt moss and the shape of an old stump. The eyes bulged. The mouth was as wide as a milkpail.

Dickie Lockhart's helper carried the stringer of fish through the murmuring throng to the weighmaster, who dumped them in a plastic laundry basket. The hawg went on the scale first: twelve pounds, seven ounces. When the weight flashed on the official Rolex digital readout, a few in the crowd whistled and clapped.

Ten grand, Decker thought, just like that. He snapped a picture of Dickie cleaning his sunglasses with a bandanna.

The entire stringer went next. "Thirty-oh-nine," the weighmaster bellowed. "We've got us a winner!"

Decker noticed that the applause was neither unanimous nor ebullient, save for the beer-drooling Rundells, Dickie's most loyal worshipers.

"Polygraph!" a basser from Reserve shouted angrily.

"Put him on the box," yelled another, one of Ed Spurling's people.

Dickie Lockhart ignored them. He grabbed each end of the stringer and lifted the bass for the benefit of the photographers. True-life pictures, he knew, were the essence of product-endorsement advertisements in outdoor magazines. Each of Dickie's many sponsors desired a special shot of their star and the prizewinning catch, and Lockhart effusively obliged. By the time he had finished posing and deposited the big fish into the tank, the bass were so dead that they sank like stones. The scorer chalked "30-9" next to Dickie's name on the big board.

R. J. Decker's camera ran out of film, but he didn't bother to reload. It was all a waste of time.

The weighmaster handed Lockhart two checks and three sets of keys.

"Just what I need," the TV star joked, "another damn boat."

R. J. Decker couldn't wait to get out, and he pushed the rental car, an anemic four-cylinder compact, as fast as it would go. On Route 51 a gleaming Jeep Wagoneer passed him doing ninety, minimum. The driver looked like Ed Spurling. The passenger had startling straw-blond hair and wore a salmon jogging suit. They both seemed preoccupied.

At the motel the skinny young desk clerk flagged Decker into the lobby.

"I gave the key to your lady friend," he said with a wink. "Didn't think you'd mind."

"Of course not," Decker said. Catherine—she'd come after all. He almost ran to the room.

The moment he opened the door Decker realized that Skink could no longer be counted among the sane; he had vaulted the gap from eccentric to sociopath.

Lanie Gault was tied up on the floor.

Not just tied up but tightly wrapped—wound like a mummy from shoulders to ankles in eighty-pound monofilament fishing line.

She was alive, at least. Her eyes were wide open, but upside-down it was hard to read the emotions. Decker noticed that she was naked except for bikini panties and gray Reebok sneakers. Her mouth was sealed; Skink had run a strip of hurricane tape several times around Lanie's head, gumming her curly brown hair. Decker decided to save the tape for last.

"Don't move," he said. As if she'd be going out for cigarettes.

Decker dug a pocket knife from his camera bag. He knelt next to Lanie and began sawing through the heavy strands. Skink had wrapped her about four hundred times, spun her like a top, evidently; cutting her free took nearly thirty minutes. He took extra care with the tape over her mouth.

"Christ," she gasped, examining the purple grooves in her flesh. Decker helped her to the bed and handed her a blouse from her overnight bag.

"You know," Lanie said, cool as ever, "that your friend is totally unglued."

"What did he do to you?"

"You just saw it."

"Nothing else?"

"This isn't enough?" Lanie said. "He strung me up like a Christmas turkey. The weird thing was, he never said a word."

Decker was almost afraid to ask: "Why'd he take your clothes off?"

Lanie shook her head. "He didn't, that was me. Thought I'd surprise you when you got back. I was down almost to the bare essentials when Bigfoot barged in."

"We're sharing the room," Decker said lamely.

"Cute."

"He sleeps on the floor."

"Lucky for you."

Decker said, "He didn't act angry?"

"Not really. Annoyed, I guess. He tied me up, grabbed his gear, and took off.Look at me, Decker, look what he did! I got stripes on my tits, stripes all over."

"They'll go away," Decker said, "once the circulation comes back."

"That line cut into the back of my legs," Lanie said, examining herself in the mirror.

"I'm sorry," Decker said. He was impressed that Lanie was taking it so well. "He didn't say where he was going?"

"I told you, he didn't say a damn thing, just sang this song over and over."

Decker was past the point of being surprised. "A song," he repeated. "Skink was singing?"

"Yeah. 'Knights in White Satin.' "