Double Whammy

The mascot was to be known as Davey Dillo, and he would perform at each of the home games. By custom he would appear before the opening tipoff, breakdancing to a tape of Michael Jackson's "Billie Jean." Then at halftime Davey Dillo would stage a series of clumsy stunts on a skateboard, to whatever music the band had learned that week.

Davey Dillo's was not a polished act, but the youngsters (at least those under four) thought it was the funniest thing ever to hit the Harney gymnasium. The grown-ups thought the man inside the armadillo costume had a lot of guts.

On the evening of January 12 the Harney Armadillos were all set to play the Valencia Cropdusters in a battle for first place in the mid-state Four-A division. Inside the gymnasium sat two hundred fans, more than the coaches and cheerleaders had ever seen; so many fans that, when the national anthem was sung, it actually sounded on key.

The last words—"home of the brave!"—were Davey Dillo's regular cue to prance onto the basketball court and wave a single sequined glove on one of his armadillo paws. Then he would start the dance.

But on this night the popular mascot did not appear.

After a few awkward moments somebody cut off the Michael Jackson tape and put on Ricky Scaggs, while the coaches ordered the players to search the gym. In all two years of his existence, Davey Dillo had never missed a sporting event at Harney High (even the track and field), so nobody knew what to think. Soon the crowd, even the Valencia High fans, began to chant, "We want the Dillo! We want the Dillo!"

But Davey Dillo was not in the locker room suiting up. He wasn't oiling the wheels on his skateboard. He wasn't mending the pink-washcloth tongue of his armadillo costume.

Davey Dillo—rather, the man who created and portrayed Davey Dillo—was missing.

His identity was the worst-kept secret in Harney County. It was Ott Pickney, of course.

R. J. Decker lived in a trailer court about a mile off the Palmetto Expressway. The trailer was forty feet long and ten feet wide, and made of the finest sheet aluminum. Inside the walls were covered with cheap paneling that had warped in the tropical humidity; the threadbare carpet was the color of liver. For amenities the trailer featured a badly wired kitchenette, a drip of a shower, and a decrepit air conditioner that leaked gray fluid all over the place. Decker had converted the master closet to a darkroom, and it was all the space he needed; it was a busy week if he used it more than once or twice.

He didn't want to live in a trailer park, hated the very idea, but it was all he could afford after the divorce. Not that his wife had cleaned him out, she hadn't; she had merely taken what was hers, which amounted to practically everything of value in the marriage. Except for the cameras. In aggregate, R. J. Decker's camera equipment was worth twice as much as the trailer where he lived. He took no special steps to protect or conceal the cameras because virtually all his trailer-park neighbors owned free-running pit bulldogs, canine psychopaths that no burglar dared to challenge.

For some reason the neighbors' dogs never bothered Catherine. Decker was printing film when she dropped by. As soon as he let her in the door, she wrinkled her nose. "Yuk! Hypo." She knew the smell of the fixer.

"I'll be done in a second," he said, and slipped back into the darkroom. He wondered what was up. He wondered where James was. James was the chiropractor she had married less than two weeks after the divorce.

The day Catherine had married Dr. James was also the day Decker had clobbered the burglar. Catherine had always felt guilty, as if she'd lighted the fuse. She'd written him two or three times a month when he was at Apalachee; once she'd even mailed a Polaroid of herself in a black bra and panties. Somehow it got by the prison censor. "For old times," she'd printed on the back of the snapshot, as a joke. Decker was sure Dr. James had no idea. Years after the marriage Catherine still called or stopped by, but only at night and never on weekends. Decker always felt good for a little while afterward.

He washed a couple of eight-by-tens and hung the prints from a clothesline strung across the darkroom. He could have turned on the overheads without harm to the photographs, but he preferred to work in the red glow of the safelight. Catherine tapped twice and came in, shutting the door quickly. She knew the routine.

"Where's the mister?" Decker asked.

"Tampa," Catherine said. "Big convention. Every other weekend is a big convention. What've we got here?" She stood on her toes and studied the prints. "Who's the weight-lifter?"

"Fireman out on ninety-percent disability."

"So what's he doing hulking out at Vie Tanny?"

"That's what the insurance company wants to know," Decker said.

"Pretty dull stuff, Rage." Sometimes she called him Rage instead of R. J. It was a pet name that had something to do with his temper. Decker didn't mind it, coming from Catherine.