“All right then,” Jake said. “Here’s the plan. You get your equipment all packed up and ready for shipping on your next weekend. Just the drums and the guitars and the piano, like last time. We’ll have the shipping company pick it all up next Monday. That way it will be in our studio in Santa Clarita well before you all arrive. We’ll charter a Gulfstream to fly you and the wives and kids to LA on June 2. We’ll put you all up in the hotel and get you some rental cars like before. Is Jenny up for being the nanny again?”
“She is,” Jeremy confirmed.
“We’ll get her the minivan again,” Jake said. “Once you’re all settled in, we’ll hit the studio and start going over the tunes. I will be involved in this process, like before, but once we make the move up to Oregon, I will be staying behind.”
“You will?” Steph asked.
“That’s right,” Jake said. “I’ve signed on to perform at the Tsunami Sound Festival down in the Vegas area in late September. And the band that I used to record my last two albums with is currently getting ready to go out on a tour of Europe. I’ll need to break in a new band and rehearse up for the show. That is what is going to be occupying most of my summer.”
Jim and Steph both seemed taken aback by this revelation. “But ... but ... we need you in the studio, Jake,” Jim protested. “You’re the one who shapes our tunes for the recording. The one who suggests when to put in slow intros, or to work up a bridge a little more, or to add those little fills here and there that enhance the tunes.”
“I’ll try to do as much of that as I can during the workup phase,” Jake promised. “But you are all professional musicians with tons of experience at putting complex tunes together. You should be able to do all of that yourselves.”
“You’re also the one who tells the Nerdlys when enough is enough,” Steph added. “The one who gets them to move on from the sound checks, when to stop making us repeat takes, when we’ve done enough overdubs.”
“You’re just going to have to learn to be a little more assertive with the Nerdlys,” Jake said. “And, besides, I’ll try my damndest to get up there a few times during the overdub portion. And I will also insist upon being a part of the mixing and mastering process. Hopefully, by the time we get there, my new band and I will be clicking together and not have to work eight hours a day, six days a week.”
“It’ll be weird not having you there, Jake,” Jeremy said.
“Yeah,” said Jim. “The Nerdlys are great at what they do, but they’re more like engineers, not architects. You know what I’m saying?”
Jake nodded. “I know what you’re saying,” he said. “But I have my own commitment I have to fulfill. The show must go on, right?”
They all agreed that the show must go on. That was sacred.
Pauline stayed in Providence to formally draft the
After completing a series of turns and banks, touch and goes, and two full stop landings and takeoffs, Jake felt enough confidence to solo. He thanked the instructor for his time, made the entries in his logbook, and then paid the school with his bottomless credit card. It was now time to go see his wife.
He lifted off from North Central just past noon on a beautiful spring day and made the ninety-minute flight to Bar Harbor Airport, about thirty-five miles southeast of Bangor. It was a nice flight, fast, very scenic, and very soothing to Jake’s soul. He touched down neatly and taxied over to the general aviation area where he was able to tie down the plane and rent an Audi convertible for his stay. He loaded his bag into the trunk and then drove forty-five minutes to downtown Bangor, where he drove around until he happened across Bangor Memorial Auditorium, the eight thousand seat venue where the final American show of the 1996 Celia Valdez tour would be performed on this night.