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Sean shook his head. “I think one of the boys I work with did it. I think they just wanted to be sure that this something was there. I don’t think it was something you could put in your pocket and take away with you.”

“How do you know?”

“Just a feeling,” Sean said. “I think it was a search and destroy job.”

“What king of thing?”

He smiled. “I don’t know.”

Sean showed her the notes he had made. “There’s a house around here. This architect chap used to live there, or at least keep his fancy women there. I think these guys I work with would like to know about this place too. I think this place has something else in it that they don’t want others to know about.”

“Where is it then?”

“I don’t know,” he said again. “But neither do they.”

“Do you want me to help you find it?”

Sean drained his glass and nodded. “I think your intuitive skills might be of use. But no rush, hey?”

“Table twenty-six?” the waitress called out. They ate sandwiches and pinched chips off each other’s plates. Sean watched a customer punch buttons on the jukebox: Bowie, “Modern Love”. “This was the first single I bought,” they both said at the same time.

Emma told him that she was thinking of applying for a teaching course to get her out of the town. To start afresh. Sean spoke of his friendship with Naeem. Talking about him seemed to authenticate the memories, make them even more fresh and real in his mind.

“What’s he doing now?” Emma asked.

Sean shook his head. “I have absolutely no idea. Isn’t that the saddest thing? You grow up with these people and you think it’ll be you and them for ever. It should be you and them for ever, you get on so well. But something drives you apart. You lose touch. It’s criminal.”

Emma rubbed his hand. “It would be easy enough to find him, you know? Do an Internet search. Or he’s probably still in the book.”

“Maybe,” Sean said. “Come on.”

Outside, Emma ribbed him about the deliberate way in which he was walking. A huge articulated lorry thundered past, its logo in bright orange against a green background, a phone number two feet tall imploring customers to call now.

“I don’t seem to have a hangover any more,” he said, “but my legs are shot.”

Emma laughed. “They’ll be worse tomorrow. That’s what happens when you get older.”

Sean mock-chased her up Myddleton Lane, breaking off his pursuit when the uniformity of the buildings impinged upon him.

“He lived along here somewhere,” he said.

“Did he build the house himself?”

“I thought he would have done, but look, they’re all the same.”

Semi-detached blocks stretched away on either side of the street. Occasionally there were differences in taste represented by cladding or pebbledash or adornments, such as the metal butterflies stuck to the roof of one house, or the garish green used to paint the windowframes of another. Not one stood out. Nothing that said de Fleche.

“Have a nosey inside, then,” Emma suggested. “Maybe that’s what’s different.”

“It’ll take for ever,” Sean complained. “Do you know how many houses are on this street?”

“Ooh, I don’t know,” Emma said. “Twenty-six thousand?”

Sean stopped walking and stared at her. “What made you come out with that number?”

Emma shrugged. “I was kidding. Hyperbole, dear boy.”

“Something’s not quite right here,” Sean said.

“It’s raining, if that’s what you mean.”

“No, it’s numbers is what it is.” Sean grabbed Emma’s hand and led her across the road. “In the pub, what table were we on?”

“I don’t remember.”

“Then I’ll remind you. Twenty-six. It was table twenty-six.”

“So?”

“So you just said twenty-six thousand.”

So?

“So. The wagon that just went by. The phone number was two-six-two-six-two-six.”

“Sean. Don’t be so–”

“I’m not being so. The Bowie song in the pub. The guy keyed in A-twenty-six.”

“Ah. Well then, if you mention that, then it must–”

They came to a halt outside a house that looked much like any other they had scrutinised.

“Number twenty-six,” Emma said. “I didn’t know you were superstitious.”

“I’ve got nothing else to rely on,” Sean answered.

The garden was a riot of weeds. The bones of an ancient BSA motorbike leaned against the front wall, beneath the windows. There were no curtains in the windows at the front of the house but the view inside was hampered by a series of screens that reached from floor to ceiling. Two off-white buckets filled with cleaning rags and rusting screws, bolts and washers stood sentinel at the front door, comprised of a badly painted black frame that encased a single opaque pane, the view through which was further confused by an elaborate dimpling of the glass.

Sean rapped his knuckles against it and rang the doorbell. A few minutes’ wait brought nobody to answer it. He turned to Emma, who was standing by the gate, her arms crossed. He winked at her. “Let’s try round the back.”

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Лихим 90-м посвящается...Фантастический роман-эпопея в пяти томах «Звёздная месть» (1990—1995), написанный в жанре «патриотической фантастики» — грандиозное эпическое полотно (полный текст 2500 страниц, общий тираж — свыше 10 миллионов экземпляров). События разворачиваются в ХХV-ХХХ веках будущего. Вместе с апогеем развития цивилизации наступает апогей её вырождения. Могущество Земной Цивилизации неизмеримо. Степень её духовной деградации ещё выше. Сверхкрутой сюжет, нетрадиционные повороты событий, десятки измерений, сотни пространств, три Вселенные, всепланетные и всепространственные войны. Герой романа, космодесантник, прошедший через все круги ада, после мучительных размышлений приходит к выводу – для спасения цивилизации необходимо свержение правящего на Земле режима. Он свергает его, захватывает власть во всей Звездной Федерации. А когда приходит победа в нашу Вселенную вторгаются полчища из иных миров (правители Земной Федерации готовили их вторжение). По необычности сюжета (фактически запретного для других авторов), накалу страстей, фантазии, философичности и психологизму "Звёздная Месть" не имеет ничего равного в отечественной и мировой литературе. Роман-эпопея состоит из пяти самостоятельных романов: "Ангел Возмездия", "Бунт Вурдалаков" ("вурдалаки" – биохимеры, которыми земляне населили "закрытые" миры), "Погружение во Мрак", "Вторжение из Ада" ("ад" – Иная Вселенная), "Меч Вседержителя". Также представлены популярные в среде читателей романы «Бойня» и «Сатанинское зелье».

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Фантастика / Боевая фантастика / Научная Фантастика / Ужасы / Ужасы и мистика