Towering above me on television, so real she seemed to be standing there, rose the figure of my mother. She seemed to tower up to the distant ceiling of the suite. The full length of her, glowing, radiant in the stage lights. Luminescent in her perfect beauty. A glorious vision. An angel garbed in a designer gown. On the television, my mom stands, gracious and patient in silence, waiting for the applause of her adoring world to subside.
In contrast, my arms and legs flail and thrash, scattering the nearby plates of jumbo prawns. My desperate convulsions upset the bowls of leftover buffalo wings. Spill ranch dressing. Strew old egg rolls.
On television, the cameras cut to show my dad seated in the audience, beaming.
As the applause fades to quiet, my serene, lovely mother, smiling and enigmatic, says, "Before presenting this year's Oscar for best feature film..." She says, "I'd like to wish my dear, sweet daughter, Madison, a happy eighth birthday..."
As of today, the truth is—I'm thirteen. My pulse pounds in my ears, and the condoms cut into the tender skin of my neck. The stars and comets of red and gold and blue begin to fill my vision, obscuring Goran's grim face, obscuring my view of the room's ceiling and my radiant mother. In my school uniform of sweater and skort, I'm sweating. My kiltie tassel loafers, kicked off my feet.
As my vision narrows to a smaller and smaller tunnel, edged by a growing margin of darkness, I can still hear my mother's voice say, "Happy birthday, my dearest baby girl. Your daddy and I love you very, very much." A beat later, muffled and far away, she adds, "Now, good night, and sleep well, my precious love...."
In the hotel suite, I hear panting, gasping, someone drawing great inhales of breath, but it's not me. It's Goran panting with the effort to suffocate me, to strangle me in exactly the manner I'd dictated according to the rules of the French-kissing Game.
By then I'm floating up, my face drifting closer to the painted plaster of the ceiling. My heartbeat, silent. My own breathing, stilled. From the highest point in the room, I turn and look back at Goran. I'm shouting, "Kiss me!" I'm screaming, "Give me the kiss of life!" But nothing makes a sound except for the rush of televised applause for my mother.
Splayed there on the carpet, I'm reduced to the status of the cooling food which surrounds me: my life only partially consumed. Wasted. Soon to be consigned to the garbage. My swollen, livid face and blue lips, they're merely a conglomerate of rancid fats, so like the old onion rings and stale potato chips. My precious life, rendered nothing more than congealing and coagulating liquids. Desiccating proteins. A rich banquet only nibbled at. Barely tasted. Rejected and discarded and alone.
Yes, I know I sound quite cold, insensitive to the pathetic sight of a thirteen-year-old Birthday Girl dead on the floor of a hotel suite, but any other attitude would overwhelm me with self-pity. Floating here, I want nothing more than to go back and to fix this hideous error. In this moment, I've lost both my parents. I've lost Goran. Worst of all, I've lost... myself. In all my romantic scheming, I've ruined everything.
On television, my mom puckers her lips. She presses the fingers of her manicured hand to her lips, then blows me a kiss.
Goran drops the ends of the condom strip and gazes down on my body, a stricken look on his face. He leaps to his feet, dashing into the bedroom, then reemerges wearing his coat. He doesn't take the room key. He doesn't intend to return. Nor does he call 911. My beloved, the object of my romantic affection, simply races from the hotel suite without so much as a single look back.
XXIV.