With a muted clank, the punk wearing the leather jacket pries the tip of his safety pin, twisting it sideways within the lock on his cell door to trip the mechanism. He pulls the pin free, then wipes it against his blue jeans until the point is clean of rust and slime before thrusting it back into its previous place, piercing his cheek. At that the punk swings the cell door open and steps out of his cage. His Mohawk stands so tall the blue hair brushes the top of the doorframe.
Swaggering down the row of cells, the blue-Mohawk punk peers into each cage Inside one lies an Egyptian pharaoh or somebody who went to Hell for praying to the wrong god, crumpled on the floor, gibbering and drooling, one arm sprawled so that the hand rests near the cage bars. A fat diamond ring glitters on one finger, the stone in the four-carat range, D-grade, not cubic zirconium like Babette's cheapo earrings. Next to that cage, the punk kid stops and stoops. Reaching through the bars, he slips the ring off the wasted finger. The kid pockets the diamond ring inside his motorcycle jacket. Standing, he catches me watching him and saunters toward my cell.
He wears black motorcycle boots—note: an excellent footwear choice for Hades—the ankle of one boot wrapped with a bicycle chain, his other ankle wrapped with a knotted, soiled red bandanna. Pimples swell into red points dotting his pale chin and forehead, in contrast to his bright green eyes. As the Mohawk punk struts closer, one hand slips into his jacket pocket and scoops out something. From a long toss away, still walking, he says, "Catch," and his hand swings, tossing the object, which flashes in a long, high arc, flying between my cage bars, falling to the point where my hands clap together to catch it.
Acting the part of a complete Miss Slutty Slutovitch, Babette continues to ignore Patterson and Leonard but holds her compact angled to spy on the punk kid, scrutinizing him so closely that when the thrown object flashes, the bright flash bounces off her mirror, reflected into her eyes.
"What's a nice girl like you," the Mohawk kid asks me, "doing in a place like this?" When he talks the safety pin in his cheek jerks around, flashing orange in the firelight. He struts up to the bars of my cell and winks one green eye at me, but looks at Babette without looking directly at her. He's clearly touched the dirty iron bars, then touched his face, his jeans, his boots, smearing the filth all over himself.
No, it's not fair, but dirt does manage to make some people look more sexy.
"My name is Madison," I tell him, "and I'm a hope-aholic."
Yes, I know the word
Drawing the oversize safety pin from his cheek, the Mohawk kid pokes the sharp point into my keyhole and begins to pick the lock.
VI.
Spare me, please, your dime-store psychology, but I really do hope the devil will like me. Note, again, my lingering attachment to the H-word. My being here, locked in a slimy cage, it would seem a foregone conclusion that God isn't my biggest fan, and my parents, it now appears, are largely out of the picture, as are my favorite teachers, nutrition coaches, really all the authority figures I've tried to please for the past thirteen years. Therefore it's not surprising that I've transferred all my immature needs for attention and affection to the only parental adult available: Satan.